scholarly journals Miguel de Cervantes Saavedra, Alonso Quijano, Don Quixote de la Mancha and medicine

2020 ◽  
Vol 86 (6) ◽  
Author(s):  
Raúl Carrillo-Esper ◽  
Ricardo Cabello-Aguilera ◽  
Juan A. Díaz Ponce-Medrano ◽  
Dulce M. Carrillo-Córdova

Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the early modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of the Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547–1616). This volume contains seven sections, exploring in depth Cervantes’s life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. This handbook explores his famous novel Don Quixote, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.


1937 ◽  
Vol 5 (3) ◽  
pp. 271
Author(s):  
J. P. Wickersham Crawford ◽  
Rodolfo Schevill ◽  
Adolfo Bonilla

Author(s):  
Germán José maría Barreiro González

Miguel de Cervantes Saavedra, se inscribe en la nómina de los literatos clásicos y universales que combinaron de manera magistral la Literatura y el Derecho. De todos es conocida la omnipresencia de lo jurídico en la obra de Cervantes. Pero la que muestra una irrupción extensa del autor en el mundo del Derecho es la conocida popularmente como "Don Quixote de La Mancha': Derechos de ta persona (la defensa de la vida, la libertad, la igualdad natural de los hombres); Derecho de Gentes (la concepción de la guerra y la paz, la humanización de la guerra); Monarquía, Estados y República; Gobierno y Administración de justicia (fundamentalmente la tarea de Sancho Panza como Gobernador de la Insula de Barataria); Derecho Penal (delitos y penas, antropología criminal); Derecho Privado (propiedad, responsabilidad por daños, familia); y Derecho del Trabajo (trabajos, oficios y servicios de la época, la relación jurídica entre don Quijote y Sancho). A modo de Epilogo, la financiación de los libros de una cátedra universitaria y el coste al público, en la época, de la Novela inmortal<br /><br />Miguel de Cervantes Saavedra is a classic and universal writer who wisely combined Literature and Law. It is very well known that legal aspects are present in Cervantes' works, mainly in Don Quixote: Rights of the person (life defence, freedom, natural equality of men); lus Gentium (the conception of war and peace, war humanization); Monarchy, States and Republic; Government and Justice Administration (mainly Sancho Panza's task as governor of the "Insula de Barataria"); Criminal Law (criminal offences and sentences, criminal anthropology); Private Law (property, damage responsibility, family); and Labour Law (jobs and services of the time, legal relationship between don Quixote and Sancho). As an Epilogue, the financing of books of a University chair and the public cost of the time of the inmortal Novel are offered


2019 ◽  
Vol 51 ◽  
pp. 125
Author(s):  
Paloma Ortiz-de-Urbina Sobrino

El presente trabajo estudia el modo en el que el compositor Roberto Gerhard pone en música, en su ballet Don Quixote (1950), la novela Don Quijote de la Mancha de Miguel de Cervantes, concretamente el enigmático episodio de ‘La Cueva de Montesinos’, contenido en la segunda parte de la obra. Se examina cómo el músico trata de producir en el oyente el mismo efecto –ambiguo y contradictorio, mezcla de lo cómico, lo absurdo o lo grotesco– que se genera en el lector de este desconcertante capítulo, poblado de figuras míticas de diferentes épocas, que conviven con un protagonista real. Para ello se analizan, en primer lugar, los diferentes planos míticos y legendarios utilizados por Cervantes; se repasan, en segundo lugar, las fuentes literarias de las que bebe el autor para crear dichos relatos míticos y se estudian, finalmente, los originales medios de los que se vale Roberto Gerhard para llevar a la música el magistral episodio cervantino.


PMLA ◽  
1923 ◽  
Vol 38 (2) ◽  
pp. 401-411
Author(s):  
Philip Stephan Barto

The Don Quixote of Miguel de Cervantes Saavedra was written (1606-1615) in ridicule of the chivalric romance at that time so overwhelmingly popular. The sickening exaggeration of these latter-day tales of knighthood apparently not only cloyed Cervantes but excited his sense of the ludicrous as well, giving him the idea of turning upon this type of story his powers of subtle satire. Since Cervantes was a man of by no means great academic erudition, what he knew of the background of knightly romance he had doubtless secured in the everyday way of popular reading. Certain high lights must naturally enough have struck his attention in his perusal of current tales of chivalry, and such came in for especial attention in his Don Quixote. Each episode of the book has, indeed, its more serious counterpart in the literary background which inspired Cervantes to his task.


2017 ◽  
Vol 56 ◽  
pp. 33-49
Author(s):  
Jakub Rawski

Knights-errant by Juliusz Słowacki — Zawisza the Black and Beniowski„Zawisza the Black” and „Beniowski” drama there are one of poorly discussed works by Juliusz Słowacki. The unfinished dramas by the poet, dating from the late, mystical phase of his literature, opens awide field of research. It appears advisable to place the thesis of apossible inspi­ration Słowacki „Don Quixote” by Miguel de Cervantes Saavedra when writing drama „Zawisza the Black” and „Beniowski” drama. Spanish novel, which is amockery of chivalric romances and epics, perhaps, has become for author of „Kordian” point of reference for the creation of the world presented these works. Exemplification of these claims is to analyse „Zawisza the Black”, whose title character is seen as knight-errant possessed by madness and unhappy love, like the character of „Don Quixote”. Reinterpretation of the conditions of polish culture made by Słowacki based on demythologization the most famous knight.


Author(s):  
David Hernández

Miguel de Cervantes Saavedra, el escritor español más universal, autor de las venturas, aventuras, contraventuras y desventuras del Caballero de la Triste Figura, conocido mundialmente desde hare cuatrocientos años como "El Ingenioso Hidalgo Don Quijote de La Mancha", nació en Alcalá de Henares, en la España profunda, el 29 de septiembre de 1547, bajo el esplendor del poderío imperial español con el descubrimiento y la conquista de las Américas y en pleno desarrollo del Renacimiento, cuyas corrientes humorísticas contribuyeron de manera sustancial a revolucionar el pensamiento y la sociedad europeas, entonces todavía anestesiadas por el letargo de la Edad Media.


2016 ◽  
Vol 22 (6) ◽  
pp. 397-401
Author(s):  
Femi Oyebode

SummaryMiguel de Cervantes, the most influential writer in Spanish literature, created two of the most recognisable fictional characters, Don Quixote de la Mancha and Sancho Panza, in 1605. His novel The Ingenious Hidalgo Don Quixote de la Mancha is regarded as the first modern novel and first international best seller. This article, in the 400th anniversary year of Cervantes' death, introduces Cervantes' biography, discusses the enduring features of his classic novel and explores the value and importance of the novel for psychiatry.


1981 ◽  
Vol 49 (4) ◽  
pp. 499
Author(s):  
L. A. Murillo ◽  
Juan Bautista Avalle-Arce ◽  
Miguel de Cervantes Saavedra

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