scholarly journals Jak wywołać grozę? Analiza porównawcza powieści i serialu „Terror”

2021 ◽  
Vol 27 ◽  
pp. 395-414
Author(s):  
Maciej Sztąberek
Keyword(s):  
British Empire ◽  
Visual Arts ◽  
Historical Background ◽  
The Arctic ◽  
Royal Navy ◽  
Ridley Scott ◽  
History Of ◽  
Horror Story

The polar expedition commanded by Sir John Franklin, which disappeared in the Arctic archipelago between 1845 and 1847, is still one of the most mysterious disasters in the history of the Royal Navy and the British Empire. Scientists are still not sure what happened to the 129 sailors. The events have become a basis for a horror story Terror written by Dan Simmons and adapted as a TV series by Ridley Scott. Both of them are interesting cases of genre mixtures. But the clue of the article is to analyze the tools both the book and the TV series use to induce fear among the audience. Firstly, the author focused on historical background which allows introducing a storytelling strategy known as faction. Secondly, the article indicates stylistic means of communication that were used to evoke the atmosphere of horror, sometimes different in the case of literature and audio-visual arts.

scholarly journals Transmedial Prometheus: from the Greek Myth to Contemporary Interpretations

2017 ◽  
Vol 15 (1) ◽  
pp. 88-107
Author(s):  
Nicoleta Popa Blanariu
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
18Th Century ◽  
Ridley Scott ◽  
Greek Myth ◽  
Ernst Bloch ◽  
History Of ◽  
The Relationship

The myth of Prometheus is well known for its rich polymorphism, celebrating the Titan’s contest with the Olympian gods and its demythisation in the contemporary era. To Ernst Bloch “Faust and Prometheus are the major figures of the Renaissance”, while Gilbert Durand describes the relationship between myth and history as a backwards “evhemerism” which enables a messianic reading of the Promethean symbol, especially at the end of the 18th century and beginning of the following. From the Renaissance to the 20th century, the Promethean symbol slides transmedially from the verbalized narrative towards visual arts. With the exhaustion of the Promethean momentum, for Durand as well as Maffesoli, the 20th century assumes the decadent myths of Dionysus and, eventually, a vast Hermetic mythology. This paper highlights several moments and works which marked the dynamic history of the mythical hero, as revealed to us by Aeschylus, Shelley, Goethe, Gide, Ridley Scott etc.

A Well-Ordered Thing

2018 ◽  
Author(s):  
Michael D. Gordin
Keyword(s):  
Nineteenth Century ◽  
History Of Science ◽  
Periodic Table ◽  
The Arctic ◽  
Classic Work ◽  
Hot Air ◽  
History Of ◽  
First Time

Dmitrii Mendeleev (1834–1907) is a name we recognize, but perhaps only as the creator of the periodic table of elements. Generally, little else has been known about him. This book is an authoritative biography of Mendeleev that draws a multifaceted portrait of his life for the first time. As the book reveals, Mendeleev was not only a luminary in the history of science, he was also an astonishingly wide-ranging political and cultural figure. From his attack on Spiritualism to his failed voyage to the Arctic and his near-mythical hot-air balloon trip, this is the story of an extraordinary maverick. The ideals that shaped his work outside science also led Mendeleev to order the elements and, eventually, to engineer one of the most fascinating scientific developments of the nineteenth century. This book is a classic work that tells the story of one of the world's most important minds.

The Foreign Policy Mechanism of the Union Of South Africa and the Development of its Diplomatic Relations (1910–1948)

2020 ◽  
pp. 74-86
Author(s):  
Alexandra Arkhangelskaya
Keyword(s):  
South Africa ◽  
Foreign Policy ◽  
British Empire ◽  
Prime Minister ◽  
The Political ◽  
Diplomatic Relations ◽  
Economic Evolution ◽  
Local Elite ◽  
History Of

The history of the formation of South Africa as a single state is closely intertwined with events of international scale, which have accordingly influenced the definition and development of the main characteristics of the foreign policy of the emerging state. The Anglo-Boer wars and a number of other political and economic events led to the creation of the Union of South Africa under the protectorate of the British Empire in 1910. The political and economic evolution of the Union of South Africa has some specific features arising from specific historical conditions. The colonization of South Africa took place primarily due to the relocation of Dutch and English people who were mainly engaged in business activities (trade, mining, agriculture, etc.). Connected by many economic and financial threads with the elite of the countries from which the settlers left, the local elite began to develop production in the region at an accelerated pace. South Africa’s favorable climate and natural resources have made it a hub for foreign and local capital throughout the African continent. The geostrategic position is of particular importance for foreign policy in South Africa, which in many ways predetermined a great interest and was one of the fundamental factors of international involvement in the development of the region. The role of Jan Smuts, who served as Prime Minister of the Union of South Africa from 1919 to 1924 and from 1939 to 1948, was particularly prominent in the implementation of the foreign and domestic policy of the Union of South Africa in the focus period of this study. The main purpose of this article is to study the process of forming the mechanisms of the foreign policy of the Union of South Africa and the development of its diplomatic network in the period from 1910 to 1948.

Empires of Antiquities

2020 ◽  
Author(s):  
Billie Melman
Keyword(s):  
British Empire ◽  
World War ◽  
National Politics ◽  
Near Eastern ◽  
Wide Range ◽  
The First World War ◽  
History Of ◽  
Post War ◽  
Mandate System ◽  
First World

Empires of Antiquities is a history of the rediscovery of the imperial civilizations of the ancient Near East in a modern imperial order that evolved between the outbreak of the First World War and the decolonization of the British Empire in the 1950s. It explores the ways in which near eastern antiquity was redefined and experienced, becoming the subject of imperial regulation, modes of enquiry, and international and national politics. A series of globally publicized spectacular archaeological discoveries in Iraq, Egypt, and Palestine, which the book follows, made antiquity material visible and accessible as never before. The book demonstrates that the new definition and uses of antiquity and their relations to modernity were inseparable from the emergence of the post-war international imperial order, transnational collaboration and crises, the aspirations of national groups, and collisions between them and the British mandatories. It uniquely combines a history of the internationalization of archaeology and the rise of a new “regime of antiquities” under the oversight of the League of Nations and its institutions, a history of British attitudes to, and passion for, near eastern antiquity and on-the-ground colonial policies and mechanisms, as well as nationalist claims on the past. It points to the centrality of the new mandate system, particularly mandates classified A in Mesopotamia/Iraq, Palestine, and Transjordan, formerly governed by the Ottoman Empire, and of Egypt, in the new archaeological regime. Drawing on an unusually wide range of materials collected in archives in six countries, as well as on material and visual evidence, the book weaves together imperial, international, and national histories, and the history of archaeological discovery which it connects to imperial modernity.

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