scholarly journals Red Wagon by R. Liwska

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
New York ◽  
Young Children ◽  
Picture Book ◽  
Health Sciences ◽  
The Sun ◽  
Farmers Market ◽  
University Of Alberta ◽  
The University ◽  
Real Places

Liwska, Renata. Red Wagon. New York: Philomel Books, 2011. Print. This picture book is designed to be read by an adult to young children. Somewhat reminiscent of Peter Rabbit stories, the characters in this book are woodland animals.  The plot is simple.  Lucy is a young fox who has just got a red wagon.  She wants to play with it, but her mother sends her to the market for vegetables, so on the way, she imagines great adventures. Lucy’s companions on the journey are a bear, a rabbit, a hedgehog and a raccoon.  Liwska’s illustrations are endearing.  The illustrations are two-page spreads with the animals in various imaginary and “real” places.  With each new imaginary scene, the red wagon morphs into something different.  First it is a boat on the high seas, then a covered wagon, then a gypsy caravan at the market, then a train car, a space ship, and a piece of construction equipment.  In each scene the animals have props or clothing to match the theme.  In the space ship scene, the raccoon acquires a third eye to look alien.  All of the illustrations are done with fine pencil strokes that make the animals look like cuddly stuffed toys. Strangely, the text is generic and could be divorced from this work and applied to a completely different set of illustrations.  There is no mention of Lucy being a fox and no references to her companions or the wild changes in scenery.  For example, the text that accompanies the elaborate covered wagon scene, in which the animals have cowboy hats and bandanas and Lucy has a boots and a sheriff’s badge reads: “Soon the rain stopped and the sun came out.  She continued on her way.”  Lucy could have been an elephant, a robot, a child or an ant, as long as she had a red wagon.  While this will make no difference to a young child’s enjoyment of the book, the text could have been so much more engaging if the animals had been given names and the text reflected the content of the illustration, or for example, “Rabbit pushed, while Lucy pulled.” Similarly, the European look and feel of the book will make it more difficult for Canadian children to identify with the story. There are no wild hedgehogs in Canada and most Canadian children do not go to a market for vegetables – they go to a supermarket.  Even if they did go to a farmers’ market they would not find tents with flags, gypsy caravans, stilt walkers, jugglers and trapeze artists. However, oddities aside, this is a book that pre-readers and new readers will love. Recommended: 3 out of 4 starsReviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Mine! by S. Crum

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
New York ◽  
Young Children ◽  
Health Sciences ◽  
University Of Alberta ◽  
Very Young Children ◽  
Children And Parents ◽  
Dust Jacket ◽  
Picture Story ◽  
The University

Crum, Shutta. Mine! Illus. Patrice Barton. New York:  Alfred A. Knopf, 2011.  Print. The dust jacket notes for Mine! tells us that it is about “two very young children and an adorable dog navigating the trials and triumphs of sharing.” In keeping with this theme, apart from a single “Woof?” barked by the dog, the only text is the word “mine” repeated ten times. However, when the pictures are left to tell the story, the text is really superfluous. Artist Patrice Barton has captured the chaos that happens when you put a baby, a toddler, a pile of toys, a dog, and a dog dish full of water all together in the same space without parental interference. The result is soaked children, water and wet toys thrown everywhere, and of course, a dripping dog. Children will love trying to find where all the different toys have gone from picture to picture. While the images are done in soft pastels, rather than the bright and bold colours we might expect to find in books for very young children, they are nonetheless engaging. Throughout, Barton manages to communicate movement in the images. Swoosh lines follow flying feet, jiggle lines show us the baby’s unsteady movement, and dashed lines show us where the balls or toys have flown or bounced. Over the course of the chaos, there is a delightful four page sequence where the baby stands up, totters across two pages and, overleaf, takes a flying leap, flattening the toddler, and sending the wet toys flying everywhere. That, of course, is the point where the adults reappear and begin picking up wet children and clothing. Because of all the wet and wild action in the book, the theme of sharing, or rather, not sharing, gets lost. So as a book with a message, Mine! does not work particularly well.  However, both children and parents will enjoy the entertaining picture story. Recommendation:  3 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  

At the Heart of It: Dene dzó t’áré by R. Taniton & M. Willett

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Health Sciences ◽  
Way Of Life ◽  
Book Series ◽  
University Of Alberta ◽  
Bear Lake ◽  
The People ◽  
The University

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Siuluk: The Last Tuniq by N. Sammurtok

2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Children's Literature ◽  
Picture Book ◽  
Children’S Literature ◽  
Health Sciences ◽  
University Of Alberta ◽  
Inuit People ◽  
The University

Sammurtok, Nadia. Siuluk: The Last Tuniq. Illustrated by Rob Nix. Inhabit Media, 2018.This picture book, published in both English and Inuktitut syllabic script, tells the story of the last of the Tuniit, or the giants of the Eastern Arctic. The story is connected to a large rock, near Chesterfied Inlet in Nunavut, which is called Siuluk’s Rock. Nadia Sammurtok who is from Rankin Inlet and heard the story from her father, recounts that people were unkind to Siuluk and teased him because he was different. Through a show of strength by lifting the very large rock, Siuluk convinced the Inuit people that he really was the strongest man and gained their respect.Both the language and the artwork in the book are simple. The clothing pictured is unadorned. Vegetation is suggested, but not detailed. Rob Nix has taken some liberties with the appearance of the individuals. Artwork left by the Tuniit (also known as the Dorset Culture), typically show rounded faces, similar to modern Inuit. Siuluk’s face is depicted as long and angular, with a prominent and high-bridged, convex nose, more common in some European people.Overall this is a good retelling of the traditional story and conveys the message of tolerance of difference. Libraries with children’s collections, and particularly those that collect polar children’s literature will want to include these volumes. Recommendation: 3 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals Good Little Wolf by N. Shireen

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Young Adult ◽  
Young Children ◽  
Picture Book ◽  
The Elderly ◽  
Young Adult Fiction ◽  
Book Illustration ◽  
University Of Alberta ◽  
Children's Book ◽  
The University

Shireen, Nadia. Good Little Wolf. New York: Alfred A Knopf. 2011. Print. Good Little Wolf is British illustrator Nadia Shireen’s picture book debut, and a successful one at that. Shireen, who earned an MA in Children’s Book Illustration from Angela Ruskin University in Cambridge, originally planned a career in law but thankfully pursued her passion for illustration and now, authorship. The story begins with the narrator ensuring a group of youngsters, including a red-hooded girl and a (soother) suckling pig are all comfortable. Rolf is a good little wolf. He is helpful to his friends, the elderly Mrs. Boggins and Little Pig, eats his vegetables and enjoys baking.  One day Rolf meets a Big Bad Wolf, who is clearly surprised by Rolf’s goodness; young children will delight at the Big Bad Wolf sniffing Rolf’s butt to confirm that he is, indeed, a wolf. A few tests are in order to determine his wolf-ness and Rolf fails miserably – until the Big Bad Wolf shows up with Mrs. Boggins and a fork. Suddenly Rolf shows his fierce side and the Big Bad Wolf is going to reform – or so it seems. The quirky illustrations and fresh take on a traditional tale will delight the 4-8 crowd, though parents may need to do some explaining after the final twist when we learn the identity of the narrator . I look forward to Shireen’s next book and won’t have to wait long – “Hey, Presto!” is due out this summer. Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals Monkey’s Friends by R. Brown

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Elementary School ◽  
Young Children ◽  
School Libraries ◽  
Health Sciences ◽  
University Of Alberta ◽  
The University

Brown, Ruth. Monkey’s Friends.  [London, England], Andersen Press Ltd, 2012. Print. Prolific English children’s author/illustrator Ruth Brown has created a delightful book in Monkey’s Friends. It is a simple rhymed text telling the story of monkey going through the forest, meeting different animals and greeting them. Each two page spread shows monkey greeting an animal whom we can see peeking out of the bushes. Every facing page is covered by a half-page flap. When the half-page is turned, the hidden animal is revealed and the animal’s name is printed on the flap. Brown’s acrylic paintings are fun. Monkey is doing something different in each image.  Sometimes he hangs by his tail. Other times he is sitting on a branch or a rock or peering through grass. Each time his expression is alive. Brown also does an excellent job of communicating motion in her paintings. When you lift the flap to see crocodile, he seems to explode out of the water and you see water flying in all directions. While Brown’s animals are realistic, her vegetation is quite unusual. The leaves are highly-textured and look like they might have been done with block prints. The vegetation seems to be simultaneously dense and see-through. The result is a bright and colourful environment for Monkey and his friends. Young children will enjoy looking for the hidden animals and finding them when the flap is turned. Highly recommended for public and elementary school libraries. Recommendation:  4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

Catch That Baby! by N. Coffelt

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
Public Library ◽  
Health Sciences ◽  
Read Aloud ◽  
University Of Alberta ◽  
Visual Detail ◽  
Award Winning ◽  
Book Award ◽  
The University

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals That’s Not Hockey! by A. Poulin

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Picture Book ◽  
Health Sciences ◽  
Standard Equipment ◽  
University Of Alberta ◽  
Good Story ◽  
Hockey Player ◽  
The University ◽  
Bold Face

Poulin, Andrée. That’s Not Hockey! Annick Press, 2018 This picture book tells the story of the famous hockey player, Jacques Plante, who loved hockey as a child, but had to improvise because he did not have a lot of hockey gear. The title phrase “That’s Not Hockey” appears when Jacques uses a ball because he didn’t have a puck, uses a tree root for a goalie stick and has goalie pads made out of potato sacks and wooden slats. Andrée Poulin uses the bold-face phrase, “Hey, that’s not hockey” throughout the book, as though it had been shouted at the young Plante to indicate that people were not happy with his changes to the game. This foreshadows the reaction to one of Plante’s greatest and most memorable contributions to the game—the introduction of the goalie mask. While Plante initially faced booing, teasing, and taunting from “reporters, players, goaltenders and crowds”, helmets and facemasks became standard equipment in hockey and players now have far fewer head and face injuries as a result.   Félix Girard’s cartoon illustrations capture pond hockey in rural Quebec well. Girard also accurately portrays a bare-headed 1959 era hockey team hoisting the Stanley Cup. This is a good story about a Canadian hockey legend that also carries a lesson about continuing to work at making things better, even when most people seem to be against you.  Highly Recommended:  4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.  

scholarly journals Dream Away by J. Durango and K. Belle Trupiano

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
New York ◽  
Milky Way ◽  
Public Libraries ◽  
Picture Book ◽  
The Moon ◽  
University Of Alberta ◽  
Young Readers ◽  
Iambic Pentameter ◽  
The University

Durango, Julia, and Katie Belle Trupiano.  Dream Away.  New York:  Simon & Schuster Books for Young Readers, 2011.  Print. This is a delightful picture book with a gentle rhyme designed to lull children to sleep.  Reminiscent of “Moonbeam on a Cat’s Ear”, the father and child dream of sailing through the cosmos in an “old paper boat”.  They have a magical crew of a knight, a winged horse, two winged cats (pixies) and a dog.  As they wander through the heavens they are chased by the animals of the constellations.  Eventually, even the clouds and the moon fall asleep.  The rhymes are predictable - moon/balloon, seas/breeze, float/boat – the iambic pentameter rhythm is strong and regular, so pre-readers will quickly memorize the story and want to “read” along. While the colours in the illustrations are strong, all of the figures are soft-edged and rounded, giving everything a cuddly appearance.  The images often add content to the story.  For example, when the text reads, “We played with a bear, an archer, a hare.  A dragon gave chase, but the crew won the race”, the images show us a constellation bear throwing a ball of light and the boy on the edge of the boat, ready to swing at it with his baseball bat.  As they “glide down a glimmering slide”, we see the boy holding on to the winged horse’s tail, while the horse tows the boat down the Milky Way.  The moon is a balloon tied to the back of the boat.  In the final pages of the book, we see that most of the things in the story, the planets, cats, dog, winged horse and baseball bat are all objects in the boy’s room and he is wearing a paper hat shaped like the boat. This is a lovely, peaceful lullaby that is highly recommended for public libraries and small children’s rooms everywhere. Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

scholarly journals The Dreaded Ogress of the Tundra by N. Christopher

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Young Children ◽  
Full Text ◽  
Health Sciences ◽  
Reading Level ◽  
The Arctic ◽  
Small Children ◽  
University Of Alberta ◽  
Cautionary Tales ◽  
The University

Christopher, Neil.  The Dreaded Ogress of the Tundra.  Iqaluit:  Inhabit Media, 2015. PrintAmautaliit are giant ogresses who eat small children.  They roam the Arctic tundra looking for unsupervised children such as orphans or those who have wandered away from camp.  They sneak up on the children, capture and carry them away in their disgusting baskets containing rotting seaweed and giant bugs.  These stories have two themes.  First, they are cautionary tales designed to keep children from wandering away from camps and villages. Second, they usually show the children using their ingenuity or ancient magic to escape the not-too-smart amautaliit.This is an updated and revised version of Christopher’s 2009 volume, Stories of the Amautalik, which contains versions of the two stories presented in this work.  However, this edition of the book is more like a junior handbook to amautaliit (plural of amautalik). While this book has many illustrations which are appropriately dark, scary and creepy, there is much more text than one usually finds in an Inhabit Media book.  At least half of the pages are full text and like Stories of the Amautalik, the reading level is high for young children. The book includes a seven-page introduction to amautaliit, which describes who these creatures are, their clothing, their baskets, their caves and how they hunt small children.  At the end of the book there is an “Other Ogres and Ogresses” section, which gives single page, illustrated descriptions of similar creatures, including a giant spider that assumes a human-like form. Even though this is a revision of an earlier work that many libraries will have, the expanded content would make it a useful addition to libraries with children’s collections, and particularly to academic libraries that collect works on Arctic myths and legends.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Finding Granny: We never really lose the people we love by K. Simpson

2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Art Therapy ◽  
Picture Book ◽  
Health Sciences ◽  
Doctor Who ◽  
University Of Alberta ◽  
The People ◽  
Close Relationship ◽  
Long Time ◽  
The University

Simpson, Kate. Finding Granny: We Never Really Lose the People We Love. EK Books, 2018. This is an uplifting picture book about a child, Edie, whose beloved grandmother has a stroke and spends a long time recovering in hospital. At first, Edie does not accept that the woman in the bed, whose words do not make sense, is her grandmother. Through art therapy classes that Edie shares with her grandmother, she slowly rebuilds and reaffirms their close relationship. Edie comes to understand that while the colours in Granny’s painting are “all running into each other”, the painting is still beautiful. Gwyenneth Jones’ artwork is bright, exuberant and makes a sad and frightening subject engaging and entertaining. When the doctor, who has bright red glasses and a giant nose, explains that Granny’s “brain isn’t working the way it used to,” she points to a huge picture of a brain that has tiny eyes, a downturned mouth and huge adhesive bandages in an X across it.  This book celebrates intergenerational love and the effectiveness of art therapy in healing both relationships and illness. It also offers a lesson of patience and hope for those whose loved ones are recovering from stroke. Finding Granny would be a good addition to public, school, and hospital libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

Sign in / Sign up

Export Citation Format

Share Document