scholarly journals Good Little Wolf by N. Shireen

2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Debbie Feisst

Shireen, Nadia. Good Little Wolf. New York: Alfred A Knopf. 2011. Print. Good Little Wolf is British illustrator Nadia Shireen’s picture book debut, and a successful one at that. Shireen, who earned an MA in Children’s Book Illustration from Angela Ruskin University in Cambridge, originally planned a career in law but thankfully pursued her passion for illustration and now, authorship. The story begins with the narrator ensuring a group of youngsters, including a red-hooded girl and a (soother) suckling pig are all comfortable. Rolf is a good little wolf. He is helpful to his friends, the elderly Mrs. Boggins and Little Pig, eats his vegetables and enjoys baking.  One day Rolf meets a Big Bad Wolf, who is clearly surprised by Rolf’s goodness; young children will delight at the Big Bad Wolf sniffing Rolf’s butt to confirm that he is, indeed, a wolf. A few tests are in order to determine his wolf-ness and Rolf fails miserably – until the Big Bad Wolf shows up with Mrs. Boggins and a fork. Suddenly Rolf shows his fierce side and the Big Bad Wolf is going to reform – or so it seems. The quirky illustrations and fresh take on a traditional tale will delight the 4-8 crowd, though parents may need to do some explaining after the final twist when we learn the identity of the narrator . I look forward to Shireen’s next book and won’t have to wait long – “Hey, Presto!” is due out this summer. Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Debbie Feisst

Ohmura, Tomoko. The Long, Long Line. Toronto, ON: OwlKids Books, 2013. Print."Thank you for waiting, and welcome aboard! One at a time, please!" mentions the bird, who is the ride guide on this mysterious ride for which 50 different animals have patiently lined up. As they wait, the bird flies amongst them, offering reassuring words as they guess as to what they may be in line for and play word games to pass the time.  The anticipation builds, and finally they start boarding the ride, which turns out to be a very large whale on which the animals ride while the whale performs somersaults, dives and sprays. Children will be delighted by all 50 animals represented on the large gatefold spread in the center of the book, from the smallest frog to the largest elephant.Children will love the small details such as the tail of the next animal in line ‘peeking’ around the corner of the page and the size of the animals increasing as they get closer to the ride giving perspective of size. A list of all 50 animals is included at the back for easy reference when young readers get stumped by a species. While this is indeed a picture book aimed at young children it is no quick read – children will want to hear every word of the animals’ conversations as they wait and will want to count as they go, and likely once all the animals are aboard the whale they will want to confirm there are indeed 50 animals present, perhaps multiple times.The colourful illustrations by the author are cute and engaging and show a wide range of expressions and interplay between the animals.  The language felt slightly unnatural but this may be a result of this edition being a translation of the original Japanese work Nanno Gyoretsu? A fun book for public and elementary schools as well as a nice addition to science or math based storytime in lower elementary grades.The Long, Long Line was selected as one of the best children’s books of 2013 by Kirkus Reviews.Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Debbie Feisst

Huget, Jennifer LaRue. The Best Birthday Party Ever. Illus. LeUyen Pham. New York: Schwartz & Wade Books, 2011. Print. “My birthday is 5 months, 3 weeks, 2 days, and 8 hours away.  Today I started to plan my party.” And so the planning begins for the 5-year-old soon-to-be birthday girl in this charming picture book.  She has to start planning early if she wants the best birthday party ever.  She is going to invite all 57 of her friends including the mailman and the invitations will be sprinkled with fairy dust.  She will have 9 thousand balloons, streamers and napkins: all in pink.  On the menu is a 17-layer cake, each layer a different flavour, with 6 zillion candles on top.  Not only will there be: a magician, camel rides and a Ferris wheel, but each lucky guest will receive a hamster as a party favour. In a kid-friendly countdown style towards the big day, our sweet party planner gets more and more excited as her birthday approaches and the plans get more and more grandiose.  Only after her mother comments that this birthday party is “getting out of hand” does she agree to skip the sparkly necklaces.  The day finally arrives and while it may not be the party she dreamed of, she is appreciative and enjoys her day so much that she immediately begins plans for her next birthday. This beautifully illustrated read-aloud captures the excitement of a child as she looks forward to her special day and will appeal to lower elementary grades as well as preschoolers.  The whimsical mostly-pink drawings may be initially off-putting to boys but they are certain to relate and enjoy the story. Highly recommended: 4 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction. 


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Debbie Feisst

Davick, Linda. I Love You, Nose! I Love You, Toes! New York: Simon & Schuster-Beach Lane Books, 2013. Print.Graphic artist, illustrator and animator Linda Davick, whose colourful images have appeared in several seasonal counting series books such as the New York Times bestselling 10 Trick-or-Treaters, has penned her first book for children aimed at celebrating the unique qualities we all have. Starting from our head right down to our toes, the simply drawn children, with fun disproportionately-scaled features and descriptions to portray many kids, show off their various body parts. The book is essentially a whimsical love poem to our bodies that children will find entertaining, both in the prose and the illustrations.  Take this stanza as an example:I love you, nose, though there’s no doubt that when you sneeze some stuff comes out.The images are great, too: a little girl covering her nose to the smell of her baby sibling’s diaper, a child thinking about smelling pepper (spoiler alert: she sneezes), a stinky sock and fragrant flowers; young children will enjoy the interplay of words and images, especially about body parts and functions that are generally not discussed:I love the parts my friends don’t see: the parts that poop, the parts that pee.Ending with a sleepy boy drifting off to sleep, this would be a fun book to read with young children at night as part of a bedtime routine or even as part of an early-years story time, though the latter would certainly create a memorable experience for the students! Highly recommended: 4 stars of out 4 Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Debbie Feisst

Hatanaka, Kellen. Work: An Occupational ABC. Toronto: Groundwood Books, 2014. Print.At first glance, you may look at this book and think it just like the myriad of other ABC books for young children and preschoolers, but you would be delightfully wrong!  Yes, of course, each letter from A to Z is represented and indeed each letter is accompanied by an image that characterizes the letter.  But that is where the similarities end. Toronto-based designer, illustrator and artist Kellen Hatanaka, who can now also call himself a first time author, has created a beautiful and unexpected piece of art for the youngest readers and it is as much a delight to read as it is to behold.  With creamy paper and softly-coloured images, created digitally after first creating ‘hand-drawn patterns and images’, it is reminiscent of a small person’s version of a coffee table book, if said coffee table were in a nursery.It starts out simple enough, with A for Aviator and a full page spread with a boldly-coloured A as well as mountain tops that echo the A’s shape.  The next page, however, alerts the reader to the fun in store – B is for Butcher, shown chasing after a group of raccoons who have absconded with a string of sausages. Yes, there are occupations like Grocer and Tailor but there are also the Ice Cream Vendor, K-9 Officer and the Wedding Singer! What’s wonderful to note are the many alternative occupations, some that you may have not have heard of, and that there is a nice mix of women, men, and cultures taking part. For the curious reader, there is a section of funny ‘Want Ads’ which provides a short description of the occupation.This would make a wonderful new baby gift and is an excellent addition to a home or public library.Highly recommended: 4 stars out of 4 Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Debbie Feisst

Armstrong, Kelley. The Calling. Toronto: Doubleday Canada, 2012. Print. Ontario writer, Kelley Armstrong, author of the New York Times and Globe and Mail bestselling Darkest Powers young adult urban fantasy trilogy, brings us the second offering of her Darkness Rising trilogy.  The first in the trilogy, 2011’s The Gathering, was previously reviewed in the inaugural issue of Deakin, Vol. 1 No 1. This book is not recommended as a standalone, as The Calling starts immediately where we left off with The Gathering and the author’s recap on events and characters is minimal, which for fans of series is refreshing. Sixteen-year-old Maya Delaney and her friends have been forced to flee from their community of Salmon Creek, a small town on Vancouver Island, during a forest fire that was surely deliberately set.  After their rescue helicopter makes an emergency landing in the remote wilderness, the group is on the run and forced to survive using nothing but their wits and their supernatural abilities that begin to unfold as they find themselves in danger.  Through this we learn more about Maya’s friends as well as the circumstances surrounding the death of her best friend, Serena, in a bizarre swimming accident the previous year. Maya also learns a lot about her own powers but perhaps the most mysterious event is the introduction of Calvin Antone, a man who is pursuing Maya, and who admits to being her biological father. Teen readers will certainly delight in the run-and-hide action as well as the intensifying romance, but I couldn’t help feeling a little let down by The Calling.  After the adrenaline-fuelled and plot-driven action of The Gathering, the lack of storyline and character development in this book was disappointing. With that said, however, we don’t have long to wait to see how things turn out for Maya - the final title in the trilogy, The Rising, is set for release in April 2013. As such, I am giving it three stars out of four on the promise of the final book. Recommended: 3 out of 4 stars Reviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Leslie Aitken

Welwood, Margaret. Marie and Mr. Bee. Illustrated by Coralie Rycroft.  Bomars Ventures, 2016.Very few children in Canada’s towns and smaller cities can buy a “locally” published picture book of reasonable quality. Happily for them, young children living in tiny Beaverlodge, Alberta (population, 2,327 as of 2016) can do just that.Marie and Mr. Bee is locally produced. Its author, Margaret Welwood, has teamed with Beaverlodge artist, Coralie Rycroft, to produce an enjoyable work for young children. Its publisher, Bomars Ventures, (also known as “Grandma’s Bookshelf”) appears to operate from Welwood’s address. The book is printed in Canada. It is a paperback, its sturdy, glossy pages stapled to its soft cover along the central fold (technically, “saddle bound”).Because this appears to be a self-published book, Welwood’s professional credentials should be noted. She holds a BA in Psychology and a Diploma in Adult Education, both from the University of Alberta. She is a member of the Writer’s Guild of Alberta, and the Canadian Children’s Book Centre. For twenty years she has taught English as a second language at Grande Prairie Regional College. She edited Northwest Business Magazine; has contributed nonfiction articles to a variety of journals, e.g., The Alberta Report, New Trail, Christian Woman; and has reviewed books ranging from children’s picture books to Bible study materials. This experience culminates in a writing style well suited to engaging, entertaining, and instructing her intended audience.Her book is admittedly didactic in intent, but not in style. A “Note to Parents” [Inside front cover] identifies one of its themes, “…get your work done first, and then it’s time to play.” While this theme evokes the Protestant work ethic (and, indeed, the back cover of the book features an endorsement by the Christian Fellowship Assembly) Albertans of every faith would embrace it.Welwood’s storyline is simple but charming. Marie, like her small forest friends—the Squirrels, Little Bear, and Fox—is a model of industry until Mr. Bee corrupts her with his own carefree attitude to life:            “I don’t have to make honey. The workers make the honey and I eat it!” [p.6]  Ultimately, however, indolence proves painful for Mr. Bee, and tedious to Marie.A secondary theme is much more subtly explored. Marie is wheelchair-bound.  No words allude to her situation; it is simply conveyed by the exquisite artwork of Coralie Rycroft. With ink and colour, Rycroft depicts Marie’s lifestyle in an idyllic log cabin surrounded by beautiful woodlands. Marie is independent, self-sustaining, and fully functioning; the concept is powerfully communicated.Beyond its intended messages, the book conveys a third by its very existence.  Given a few individuals with gifts and initiative, a small community can develop its own “literary oeuvre”, enrich the lives of its citizens, and communicate its cultural norms in ways that the wider world can appreciate.Reviewer:  Leslie AitkenRecommended: 3 stars out of 4Leslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections. She is a former Curriculum Librarian at the University of Alberta.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Debbie Feisst

Hughes, Alison. Gerbil, Uncurled. Illus. Suzanne Del Rizzo. Markham, ON: Fitzhenry & Whiteside, 2015. Print.Gerbil, Uncurled is the latest in Fitzhenry & Whiteside’s ‘Tell-Me-More! Storybook’ series and the 2nd title to use award-winning children’s book illustrator Suzanne Del Rizzo’s unique plasticine dimensional illustrations, the 1st being Skink on the Brink. The ‘Tell-Me-More! Storybook’ series is a set of fictional picture books that tell a tale about our natural world and include additional activities and brief informational text.This is award-winning writer Alison Hughes’ first foray into picture book territory, and she succeeds.  The storyline is sweet: Little Gerbil is trying her very best to fit in with her gerbil family by following the Gerbil Mottos. The Gerbil Mottos are the basic life rules that her extended family follow daily, and include keeping one’s whiskers clean and ‘celery tops come to those who wait,’ among others.  Little Gerbil is having a hard time with a specific motto, though; ‘curl up nose to toes’ while sleeping, as she finds it too restrictive and enjoys sleeping stretched out. Little Gerbil confides in wise Grandpa Gerbil who is ‘five whole years old’ and while he is sensitive to her predicament, she still can’t sleep curled up nose to toes though she certainly tries.  But our Little Gerbil is brave, and in her willingness to stand up for herself and question the world, others are able to question the mottos, too.This delightful and visually appealing book encourages young readers to be themselves, ask questions and respond positively to suggestions if it can make you happier.  The factual information about gerbils and other rodents as well as the instructions on making a clay gerbil are great endings to the book.Recommended: 3 stars out of 4Reviewer:  Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Debbi Feisst

Reagan, Jean. How to Babysit a Grandpa. Illus. Lee Wildish. New York: Alfred A. Knopf, 2012. Print. Salt Lake City, Utah children’s author Jean Reagan offers a delightful and humorous read-aloud about a boy and his special relationship with his grandpa.  But just who is babysitting who? In this fun switcheroo, a little boy’s parents go out and he is given the very serious task of babysitting his grandpa. The little boy as narrator gives plenty of tips including the types of snacks that grandpas like – anything dipped in ketchup – as well as things that grandpas like to do such as putting on a scary play or showing off your muscles. Turns out the hardest part of babysitting a grandpa is goodbye time, but as any good babysitter knows, a hug, a kiss and the promise of a future visit solves this dilemma. Especially sweet are the reassuring remarks the boy makes to his grandpa when the parents are leaving, “Don’t worry. They always come back…” as well as the advice he provides the reader: ‘When your grandpa says “Naptime,” it’s time for his nap.’ It was interesting to watch the reactions of my own children, aged 6 and 3, as we read the story together.  My 3-year-old did not quite grasp the nuance and was therefore fairly impressed that the little boy was indeed babysitting the grandpa, while my 6-year-old ‘got it’ straightaway and relished this knowledge that she had over her little brother.  Both ages, however, enjoyed the book immensely and have requested it several times over. Wildish’s digitally-created illustrations are fun and colourful and genuinely add to the enjoyment of the story with their tongue-in-cheek humour. Perfect for preschoolers aged 3 and up, this book would also be a fabulous Grandpa gift for birthdays or Father’s Day. Highly recommended: 4 out of 4 starsReviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Liwska, Renata. Red Wagon. New York: Philomel Books, 2011. Print. This picture book is designed to be read by an adult to young children. Somewhat reminiscent of Peter Rabbit stories, the characters in this book are woodland animals.  The plot is simple.  Lucy is a young fox who has just got a red wagon.  She wants to play with it, but her mother sends her to the market for vegetables, so on the way, she imagines great adventures. Lucy’s companions on the journey are a bear, a rabbit, a hedgehog and a raccoon.  Liwska’s illustrations are endearing.  The illustrations are two-page spreads with the animals in various imaginary and “real” places.  With each new imaginary scene, the red wagon morphs into something different.  First it is a boat on the high seas, then a covered wagon, then a gypsy caravan at the market, then a train car, a space ship, and a piece of construction equipment.  In each scene the animals have props or clothing to match the theme.  In the space ship scene, the raccoon acquires a third eye to look alien.  All of the illustrations are done with fine pencil strokes that make the animals look like cuddly stuffed toys. Strangely, the text is generic and could be divorced from this work and applied to a completely different set of illustrations.  There is no mention of Lucy being a fox and no references to her companions or the wild changes in scenery.  For example, the text that accompanies the elaborate covered wagon scene, in which the animals have cowboy hats and bandanas and Lucy has a boots and a sheriff’s badge reads: “Soon the rain stopped and the sun came out.  She continued on her way.”  Lucy could have been an elephant, a robot, a child or an ant, as long as she had a red wagon.  While this will make no difference to a young child’s enjoyment of the book, the text could have been so much more engaging if the animals had been given names and the text reflected the content of the illustration, or for example, “Rabbit pushed, while Lucy pulled.” Similarly, the European look and feel of the book will make it more difficult for Canadian children to identify with the story. There are no wild hedgehogs in Canada and most Canadian children do not go to a market for vegetables – they go to a supermarket.  Even if they did go to a farmers’ market they would not find tents with flags, gypsy caravans, stilt walkers, jugglers and trapeze artists. However, oddities aside, this is a book that pre-readers and new readers will love. Recommended: 3 out of 4 starsReviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


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