National Discourse of the Park Jung-hee Regime — Focusing on the Discourse on the use of ‘Hwarang(화랑)’ Expressed through Newspaper Media —

2021 ◽  
Vol 77 ◽  
pp. 39-72
Author(s):  
Mee Eun Jo
Keyword(s):  
2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.


2011 ◽  
Vol 52 (1-4) ◽  
pp. 351-361
Author(s):  
Martina Grempler

Freedom fighters and national heroes frequently appeared on the operatic stage of the 19th century. Rossini used the story of Wilhem Tell, Verdi composed an opera about Jeanne D’Arc, the national heroine of France, and in La battaglia di Legnano Emperor Barbarossa figures as the incarnation of the menace for the Italians’ longing for freedom, exerted through centuries by the sovereigns of German-speaking countries. The article deals with Italian operas about personalities of German history who had special importance in the national discourse of their own country. In particular it focuses on the historical characters of Arminius and Charlemagne, already present on the operatic stage in the 17th century. Their representation underwent essential modifications in the age of the Risorgimento.


Detritus ◽  
2021 ◽  
pp. 118-135
Author(s):  
Evans Kwadwo Donkor ◽  
Victor Kweku Bondzie Micah ◽  
David Akomea

The prevalence use and handling of plastics have become a global menace to the environment. This menace has even led to a national discourse on banning plastics in Ghana. The plastic waste situation seems to be an oblivious less concerned by some Ghanaian sculptors, engineers and scientists on its artistic exploration and contribution to the quota of environmental sanitation in Ghana. However, having identified the artistic qualities of plastics, this article seeks to transform plastic waste into art by exploring and analysing non-biodegradable polyethylene as a viable and unconventional material for sculpture. The focus of this studio-based research employed the Praxis with arts-based recycling approach as technique and procedures to create a bust from plastic waste as a means of establishing its viability as an unconventional material for sculpture. It was established from the outcome of the research that plastics as non-biodegradable material should not be seen as an environmental menace, but a viable and unconventional material for sculptors and other professionals like engineers and scientists beyond Ghana must also expand on this research further.


Nordlit ◽  
2019 ◽  
Author(s):  
Anders Aschim

In most Protestant countries, the Reformation was closely connected to the development of vernacular languages and literatures. In Norway under Danish rule, this was not the case. Only in the 19th century, during the nation-building period of independent Norway, a Norwegian ecclesiastical language was developed. Some authors claim that this completed the Reformation in Norway – a protracted Reformation indeed. Particularly important were the hymns of Magnus Brostrup Landstad and Elias Blix. This study examines the role of Luther in the Norwegian 19th century national discourse, suggesting a three-phase development: Luther as text, as inspiration, and as argument. The full-blown use of Luther as argument was taken up by proponents of a nynorsk ecclesiastical language only during the final years of the Swedish-Norwegian union, just before its dissolution in 1905.


2021 ◽  
Vol 13 (1) ◽  
pp. 63-82 ◽  
Author(s):  
Mariona Lladonosa-Latorre ◽  
Mariona Visa-Barbosa

This article addresses how advertisements are narrative devices for the construction, imagination and diffusion of the nation’s depictions in the context of globalization. In this analytical sense, we suggest the current traits in advertising: the hyper-symbolization of the brand and the extrapolation of nation branding to product advertising. We study different representations of Catalonia through a sample of the audio-visual commercial advertising on food and drinks on public television in Catalonia between 2009 and 2017. These examples show the main symbolic frameworks of the nation and re-created identity through two types of depictions of Catalan tradition and experiential Catalanness, that which can exemplify the idea of banal nationalism in the sense of Billig and Edensor’s everyday nationalism. The main objective of our proposal is to understand commercial advertisements as forms of national discourse in everyday nationalism and how the private sector uses this.


2021 ◽  
Vol 21 (2) ◽  
pp. 121-138
Author(s):  
Chiara Maritato

With the inclusion of women among the religious officers of the Presidency of Religious Affairs (Diyanet) who are serving abroad, the “ideal Turkish family” has become the main program underlying projects and activities oriented towards women, families, and young people. This international mission has led to an expansion of religious services and moral support in order to reinforce a religion–nation–family nexus within the diaspora. This article examines how the Diyanet officers reproduce the Islam–nation–family intersection as a discourse to be propagated to the diaspora, and whether this narrative reinforces Turkey’s attempts to create loyalty to Turkey within the diaspora. Based on ethnographic observations, an analysis of Diyanet official publications, and interviews with Diyanet officers at mosques in Vienna and Stockholm, this article shows the extent to which the Diyanet’s international mission is a catalyst for the dissemination of nationalist, moral, and religious values within the diaspora, how Diyanet officers are actively involved in fostering a religious-national discourse within diaspora communities and how they specifically reinforce the connection between Islam, the Turkish nation, and the traditional Turkish family.


Andean Truths ◽  
2016 ◽  
pp. 30-59
Author(s):  
Anne Lambright

Chapter One examines post-2003 novels by celebrated authors Alonso Cueto, Santiago Roncagliolo, and Ivan Thays. These texts present a lens through which to read the CVR’s Final Report, by teasing out and focusing on its central themes and revealing how a certain sector, namely upper-middle-class, limeño, male intellectuals, process the civil war and its consequences. The novels elucidate postconflict efforts to redefine concepts of sovereignty and citizenship, while reifying dominant understandings of class, race, and ethnicity within national discourse. Even as they construct stories set in the post-war period, with protagonists who must intimately struggle with the vestiges of violence, these novels further a sustained project of symbolic violence that began with the Conquest and that engendered and sustained the war itself.


Sign in / Sign up

Export Citation Format

Share Document