scholarly journals Valued Number And Set

Author(s):  
Henry Garrett

In this essay, the new notion concerning longest path is introduced. Longest path has a close relation with the notion of diameter in graph. The classes of graph are studied in the terms of having the vertex with longest path. Valued number is the number of edges belong to the longest path in the matter of vertex. For every vertex, there’s a valued number and new notion of valued set is the generalization of valued number for the vertex when all vertices of the graphs are corresponded to a vertex which has the greater valued number. For any positive integer, there’s one graph in that, there’s vertex which its valued number is that. By deleting the vertices which don’t belong to valued set, new notion of new graph is up. It’s called valued graph. The comparison amid valued graph and initial graph is up, too.

Ramus ◽  
1985 ◽  
Vol 14 (2) ◽  
pp. 75-84 ◽  
Author(s):  
Graham Ley ◽  
Michael Ewans

For some years past there has been a welcome change of emphasis towards the consideration of staging in books published on Greek tragedy; and yet with that change also a curious failure to be explicit about the central problem connected with all stagecraft, namely that of the acting-area. In this study two scholars with considerable experience of teaching classical drama in performance consider this problem of the acting-area in close relation to major scenes from two Greek tragedies, and suggest some general conclusions. The article must stand to some extent as a critique of the succession of books that has followed the apparently pioneering study of Oliver Taplin, none of which has made any substantial or sustained attempt to indicate where actors might have acted in the performance of Greek tragedy, though most, if not all, have been prepared to discard the concept of a raised ‘stage’ behind the orchestra. Hippolytus (428 BC) is the earliest of the surviving plays of Euripides to involve three speaking actors in one scene. Both Alcestis (438 BC and Medea (431 BC almost certainly require three actors to be performed with any fluency, but surprisingly present their action largely through dialogue and confrontation — surprisingly, perhaps, because at least since 458 BC and the performance of the Oresteia it is clear that three actors were available to any playwright.


2019 ◽  
Vol 16 (2) ◽  
pp. 265-271
Author(s):  
Claudia Lintner

This article analyses the relationship between migrant entrepreneurship, marginalisation and social innovation. It does so, by looking how their ‘otherness’ is used on the one hand to reproduce their marginalised situation in society and on the other to develop new living and working arrangements promoting social innovation in society. The paper is based on a qualitative study, which was carried out from March 2014- 2016. In this period, twenty semi-structured interviews were conducted with migrant entrepreneurs and experts. As the results show, migrant entrepreneurs are characterised by a false dichotomy of “native weakness” in economic self-organisation against the “classical strength” of majority entrepreneurs. It is shown that new possibilities of acting in the context of migrant entrepreneurship are mostly organised in close relation to the lifeworlds and specific needs deriving from this sphere. Social innovation processes initiated by migrant entrepreneurs through their economic activities thus develop on a micro level and are hence less apparent. Supportive networks are missing on a structural level, so it becomes difficult for single innovative initiatives to be long-lasting.


2020 ◽  
Vol 11 (2) ◽  
pp. 139
Author(s):  
Priyo Joko Purnomo ◽  
Wahyudhi Wahyudhi

Gambuh as the performing art in Malay area became one of the cultural transformation evidences of the close relation between Java and Malay. The history of gambuh performance in Malay area recorded in the archipelago’s manuscripts, one of them is a manuscript entitled Surat Gambuh which is being the collection of Leiden University Library. This paper attempts to examine the contents of the manuscript in order to reconstruct the gambuh performance art in Malay and also trace the historical aspects. As far as the research had been done, there have been no studies of this manuscript so it is necessary to first transliterate it using a critical method. Furthermore, the historical aspects are explored using a historical approach by adding data from other texts of Panji. The analysis result of the reflection of Malay gambuh performance rules and historical aspects show that there is a transformation of work from oral tradition to written tradition, the cultural acculturation between Java and Malay, and the Islamic influence behind Malay gambuh.


10.37236/1725 ◽  
2003 ◽  
Vol 10 (1) ◽  
Author(s):  
Yair Caro ◽  
Raphael Yuster

Let $G$ be a graph. For a given positive integer $d$, let $f_G(d)$ denote the largest integer $t$ such that in every coloring of the edges of $G$ with two colors there is a monochromatic subgraph with minimum degree at least $d$ and order at least $t$. Let $f_G(d)=0$ in case there is a $2$-coloring of the edges of $G$ with no such monochromatic subgraph. Let $f(n,k,d)$ denote the minimum of $f_G(d)$ where $G$ ranges over all graphs with $n$ vertices and minimum degree at least $k$. In this paper we establish $f(n,k,d)$ whenever $k$ or $n-k$ are fixed, and $n$ is sufficiently large. We also consider the case where more than two colors are allowed.


2017 ◽  
Vol 31 (2) ◽  
pp. 67-74
Author(s):  
G. V. Yakshibaeva

The problem of providing the most efficient and rational selection, distribution, use of migrant workers, with regard to both internal and external migration in close relation to socio-economic and demographic interests of the state are currently of particular relevance. Scientific novelty of work consists in the identification of factors and directions of flows as departing and arriving labor migrants in the Republic of Bashkortostan, the characteristics of the development of labour migration and its impact on employment, which allowed to identify problems and negative trends.


2009 ◽  
Vol 52 (2) ◽  
pp. 267-272 ◽  
Author(s):  
Muhammet Tamer Koşan

AbstractLet R be an associative ring with unity. Then R is said to be a right McCoy ring when the equation f (x)g(x) = 0 (over R[x]), where 0 ≠ f (x), g(x) ∈ R[x], implies that there exists a nonzero element c ∈ R such that f (x)c = 0. In this paper, we characterize some basic ring extensions of right McCoy rings and we prove that if R is a right McCoy ring, then R[x]/(xn) is a right McCoy ring for any positive integer n ≥ 2.


Author(s):  
Matthias Armgardt

AbstractReuven Yaron (1924–2014) in memoriamThe importance of Ancient Jewish Law for Roman Law and Ancient Legal History – the example of the Rabbinic reception and modification of the Greco-Hellenistic diathēkē as dîjathîqî and the donatio mortis causa. This paper aims to show that ancient Jewish law is of greatest importance for interpreting Roman law and understanding ancient legal history. After exemplifying the close relation of the Pentateuch and the cuneiform law, we focus on the reception and modification of the Greco-Hellenistic diathēkē (testament), which came into Jewish law during tannaitic times as dîjathîqî and was reinterpreted by the rabbis as donation. Finally, we compare the rabbinic dîjathîqî and the Roman donatio mortis causa.


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