scholarly journals Evgenij Anan’in and the problem of the Italian Renaissance

2021 ◽  
Vol 14 (2) ◽  
pp. 138-152
Author(s):  
Olga I. Kusenko ◽  

A reevaluation of the dogmas and canons rooted in the Renaissance historiography was а сommon trend in the studies in this field in the first half of the 20th century. At that time, there appeared many original concepts that corrected or completely refuted the previous ones. The present article is devoted to the participation of the Russian historian Evgenij Anan’in, who lived and worked in Italy, in the debates around the notion of the Italian Re­naissance and to his attempts to contribute to the elimination of various cliché from the field of Renaissance studies (primarily to abolish the postulated opposition of the Middle Ages and the Renaissance and the idea of the Renaissance as the revival of antiquity). A signifi­cant part of Anan’in’s publications in Italian scientific journals consists of polemic articles and reviews that reveal a panorama of Renaissance concepts in Europe in 1920–1930s. The Russian researcher was strongly opposed to foreign historians who denied the originality of the Italian Renaissance. He was also against all kinds of attempts to use the concept of the Renaissance ad usum proprium (national, ideological, etc). The article focuses on the con­cepts of the Renaissance and their authors (Burkhard, Burdach, Papini, Walser, Zabughin, Neumann, Nordström), which Anan’in analized (or, conversely, сlearly ignored) in his texts as well as on his own views that are hidden inside his critical remarks. The publication also deals with a campaign that began in Italy in the mid-1930s against a foreign “occupation” of the Renaissance field (according to that campaign, the primacy in the Renaissance stud­ies belonged to Italians). Finally, the paper explores the case of an open confrontation be­tween Anan’in and Giovanni Papini, who became the head of the National Institute of the Renaissance studies established in Florence in 1937.

Author(s):  
О.И. Кусенко

Статья посвящена участию русского историка-медиевиста Евгения Аркадьевича Ананьина, проживавшего в Италии, в дебатах вокруг концепции итальянского Ренессанса в первой половине XX в., его попыткам очистить поле ренессансных исследований от укоренившихся клише (в первую очередь от постулируемой антитезы Сред-невековья и Возрождения и представления о Ренессансе как возвращении к античности). Значительная часть публикаций Ананьина в итальянских научных журналах – полемические статьи и рецензии, раскрывающие панораму ренессансных концепций в Европе 1920–1930-х гг. Русский исследователь выступал против зарубежных историков, обесценивающих оригинальность итальянского Возрождения, и в целом против попыток использовать понятие Ренессанса ad usum proprium. В настоящей статье речь пойдет о некоторых ренессансных концепциях и их авторах (Буркхард, Бурдах, Папини, Вальзер, Забугин, Нейман, Нордстрем), о которых говорит (или же, наоборот, умалчивает) Ананьин, и о его собственных взглядах, скрывающихся за критическими замечаниями. В статье затрагивается кампания против оккупации иностранцами поля ренессансных исследований, развернутая в Италии в середине 1930-х гг., и связанное с этой кампанией открытое противостояние Ананьина итальянскому мыслителю и литератору Джованни Папини, ставшему во главе открывшегося во Флоренции в 1937 г. Национального института ренессансных исследований. The reevaluation of the dogmas and canons rooted in the Renaissance historiography was а сommon direction of the studies in this field in the first half of the 20th century. At that time many original concepts emerged that corrected or completely refuted the previous ones. The present article is devoted to the participation of the Russian historian Evgenij Anan’in, who lived and worked in Italy, in the debates around the notion of the Italian Renaissance and to his attempts to contribute to the elimination of cliché from the field of Renaissance studies (primarily to abolish the postulated antithesis of the Middle Ages and Renaissance and the idea of the Renaissance as the revival of antiquity).A significant part of Anan’in's publications in Italian scientific journals consists of polemic articles and reviews, which reveal a panorama of Renaissance concepts in Europe of the 1920-1930s. The Russian researcher was strongly opposed to foreign historians who denied the originality of the Italian Renaissance; he also was against all the kind of attempts to use the concept of the Renaissance ad usum proprium (national, ideological etc.). The article focuses on the Renaissance concepts and their authors (Burkhard, Burdach, Papini, Walser, Zabughin, Neumann, Nordström), which Anan’in analyzed (or, conversely, clearly ignored) in his texts and on his own views that are hidden behind critical remarks. The publication also deals with a company deployed in Italy in the mid-1930s against the foreign «occupation» of the Renaissance field (the primacy in which was believed to belong to Italians) and the case of an open confrontation of Anan’in and Giovanni Papini, who became the head of the National Institute of Renaissance studies opened in Florence in 1937.


Author(s):  
Martin McLaughlin

During the period of 1300–1600, autobiography and biography flourished in Italy despite the controversial thesis of the ‘rise of the individual’ during the Italian Renaissance. In the same period, a typology of biographical works emerged distinguishing the Middle Ages and the Renaissance in Italy. These three strands of biography are: collection of lives, a De viris illustribus tradition, revived in Petrarch's work of the same name and inspired by Classical lives of famous rulers, by medieval Viri illustres, and by famous writers and artists; individual biographies, again either of a single ruler or of an individual, and once more derived from Classical models, such as Boccaccio's De vita et moribus Francisci Petrarcchi and Trattatello in laude di Dante; and autobiography, which was pioneered by Petrarch through his Secretum, a purportedly secret dialogue in which St. Augustine was the subject. This chapter discusses distinctive examples of the three strands of biography, with emphasis on the biographies and autobiographies of the writers. It charts the rise and principal developments of these genres during 1350 to 1550.


Traditio ◽  
1947 ◽  
Vol 5 ◽  
pp. 335-339
Author(s):  
A. L. Gabriel

Life within the Colleges of the University of Paris was a charming one, full of interesting details concerning teaching and education in medieval Paris. A manuscript buried amongst the documents of the National Archives is revealing for those who believe that the lectures on Boethius and the explanation of Donatus constituted the entire programme of the student. The present article is only a sketch intended to call attention to some of the practical methods used to implement the Christian teachings on charity.


2007 ◽  
Vol 59 (4) ◽  
pp. 311-330
Author(s):  
Steffen Dix

AbstractIn recent years the study of local religious histories, especially in Europe, has gained in prominence. Because of the encounters between different cultural traditions in the Middle Ages and the voyages of discovery, the religious history of the Iberian Peninsula became one of the most complex in Europe. This article focuses on one portion of this history around the turn of the 19th/20th century, and in particular on two attempts to blame the Catholic religion for the general crisis in Spain and Portugal at the start of the modern era. These two forms of critiquing religion are illustrated by the examples of Miguel de Unamuno and Antero de Quental, whose writings were characteristic of the typical relationship between religion and intellectuals in this period. Not only were the Spanish philosopher and the Portuguese poet influential on their own and later generations, but they are also truly representative of a certain tragic ”loss“ of religion in the Iberian Peninsula.


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