Laughter, Learning, or Enlightenment?: Viewing and Avoidance Motivations Behind the Daily Show and the Colbert Report

2012 ◽  
Author(s):  
Dannagal G. Young
Author(s):  
Julia Fox ◽  
Edo Steinberg

With the new millennium came a new source of political information–comedic news. Though it existed prior to the 21st century–indeed, its roots can be traced to 17th-century English country fairs–the genre came into its own during the 2004 presidential election, when young voters in particular began to rely on comedic news as their primary source of political information. The rise in popularity and influence of The Daily Show with Jon Stewart and its first spin-off, The Colbert Report, raised a number of concerns and consequently research questions for scholars to examine. How do comedic news shows compare to serious journalism? What questions and concerns do comedic news shows raise about serious journalism? Can comedic news shows serve as a gateway to greater attention to serious news? How is comedic news viewership related to attention to politics, political knowledge, and learning about politics? Does viewing comedic news influence attitudes toward politics and the media, particularly cynicism, and does partisanship moderate these effects? Is there a relationship between viewing and political participation? More broadly, what is the role of comedic news in the political system? This bibliography provides a comprehensive, though not exhaustive, collection of mostly empirical studies addressing these research questions that uphold standards of good social science. For example, experiments should include multiple messages to instantiate study conditions and random assignment to conditions. Thus this bibliography should be particularly useful for those interested in scientific evidence about the influence of these shows. Empirical studies in this emerging area come primarily from political science and communication and thus draw on a number of different theories, and not all studies in this area include explicit theoretical underpinnings. While there is no common theoretical thread running throughout the studies included here, perhaps as this literature matures we will see more, and more common, theoretical grounding to studies of comedic news. In the meantime, although The Daily Show with Jon Stewart and its first and second spin-offs, The Colbert Report and The Nightly Show with Larry Wilmore, are no longer running, The Daily Show with its new host, Trevor Noah, is, as are new shows by two former Daily Show reporters, Last Week Tonight with John Oliver and Full Frontal with Samantha Bee, giving viewers plenty more comedic news to enjoy and scholars more material to explore as this emerging genre and related field of study evolve.


Author(s):  
Alexei Yurchak ◽  
Dominic Boyer

This chapter reviews a collaboration that chronicles how an article project comes into being. It provides an analysis of how a collaborative process impacts the conceptual tools and analytical process that have been developed. It also mentions anthropological insight that often has meager beginnings — a hunch, a slight puzzling, an observation or moment of recognition that happens to ramify. The chapter cites that Jon Stewart's The Daily Show had emerged as a rare channel of political insight and sincerity despite being broadcast on the Comedy Central channel and was becoming a go-to news source, especially for many younger Americans. It discusses academic scholarship on The Colbert Report, which revealed that viewers from across the political spectrum found the show funny and thought that Colbert's political sympathies corresponded to their own.


2021 ◽  
Author(s):  
Ryan Harris Parker

The press is a constitutive part of our society. It helps create national identities and formulates society's understanding of itself and its place in the world. Moreover, a free press is indispensable for ensuring the vibrancy of a democracy. For these reasons, a close inspection of news, and an evaluation of its performance, is crucial. We must look to the development of the mass press at the turn of the twentieth century to locate the beginnings of journalistic objectivity and the type of news we are familiar with today. The first section of this paper offers a review of accounts of this transformational period, placing opposing theories within the larger framework of the frictions between cultural studies and political economy, and underscores the need for a holistic understanding of the period. The second section chronicles the press's articulation of its new professional tenets, offers a definition of journalistic objectivity, and reveals its intrinsic limitations. The third section details how the modern press's ideal democratic mandate has been compromised, with the influence of the press being used instead to ensconce powerful interests. And the fourth section outlines the calls for a redefinition of journalism in light of the failures covered in the preceding section. Finally, The Daily Show with Jon Stewart is offered as an alternative journalistic form that transcends the dangerous dogma of traditional news outlets, allowing it to fulfill the democratic responsibility of the press by encouraging a critical and astute citizenry.


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