Discussion on the relationship between Temple food and Tea ceremony in the Tang Dynasty - Focusing on the formation and perspective of Seon -

2021 ◽  
Vol 52 ◽  
pp. 37-65
Author(s):  
Ji-ha Shin
1996 ◽  
Vol 145 ◽  
pp. 323-331 ◽  
Author(s):  
Zhenru Wang

The oldest historical supernova (SN), recorded by ancient Chinese in 14th Century B.C. on pieces of tortoise shells or bones, is identified with the aid of modern space γ-ray observations. Hard X-rays with energy up to 20 keV were observed from IC 443 by the X-ray satellite Ginga. We infer from these observations the age of IC 443 is ∼ 1000 — 1400 yrs. The result supports the hypothesis that IC 443 is the remnant of the historical SN 837 that occurred during the Tang Dynasty. The association between the supernova remnant (SNR) CTB 80 and SN 1408 has been hotly debated for about ten years and is briefly reviewed and discussed here. A new picture is presented to explain this association. High energy emission from historical SNRs can persist in a multiphase interstellar medium (ISM). As a result, the study of the relationship between SNRs and ancient guest stars has gained new vitality.


2016 ◽  
Vol 12 (1) ◽  
pp. 137-150 ◽  
Author(s):  
Y. Su ◽  
L. Liu ◽  
X. Q. Fang ◽  
Y. N. Ma

Abstract. In ancient China, shifts in regional productivity of agriculture and animal husbandry, caused by climate change, either led to wars or peaceful relations between nomadic and farming groups. During the period spanning the Western Han Dynasty to the Tang Dynasty, 367 wars were waged between these groups. While 69 % of the wars were initiated by nomads, 62.4 % were won by the farming groups. On a centennial timescale, the battlegrounds were mostly in northern areas (at an average latitude of 38.92° N) during warm periods, moving southward (at an average latitude of 34.66° N) during cold periods. On a decadal timescale, warm climates corresponded to a high incidence of wars (a correlation coefficient of 0.293). While farming groups were inclined to initiate wars during dry and cold periods, their chances of achieving victory were reduced at such times. The main reasons for this are, first, that a warm climate provided a solid material foundation for nomadic and farming groups, contributing especially to enhanced productivity among the former. However, the overriding desire of nomadic groups to expand essential subsistence means led to wars. Second, during cold periods, farming groups moved to and settled in the south, while nomadic groups occupied the Central Plain. Thus, the locations of the battlefields also changed. While other factors also influenced these wars, climate change served as a backdrop, playing an indirect role in wars between these groups.


2018 ◽  
Vol 6 (2) ◽  
pp. 191-222
Author(s):  
Xiaomeng Ning

AbstractThis essay offers a critical reflection on the central concept of “famous painting” as expounded in Zhang Yanyuan’s Lidai minghua ji (历代名画记, A Record of Famous Paintings of All Dynasties). Building upon the past scholarship, this essay will proceed in the following three steps. I propose to distinguish the concept of “famous painting” from the common understanding of painting. I argue that it is the former that plays a central role in the entire text of the Lidai minghua ji. As a result of this new approach, I will outline an intentional and discernable structure formed by the fifteen essays in the first three books. I proceed with discussing the relationship between famous paintings and famous painters so as to demonstrate Zhang Yanyuan’s implicit intention and considerations in selecting and evaluating painters and their works. Finally, I examine the basic formats of famous painting and further elucidate the historical dimension embedded within the concept of famous painting that constituted and changed the very idea under consideration.


Author(s):  
Huang Shanshan ◽  
Wang Feng

<p>Li Bai, a great poet in the Tang Dynasty, is known for his romantic poetic style, but sadness metaphor is not rare in his poems. Therefore, this paper takes sadness metaphor in Li’s poetry as the object of study to explore its metaphorical meanings from the perspective of cognitive linguistics. From that, we can find that image schema is frequently used as the source domain to describe the abstract sadness. Based on this, the authors focus on the relationship between sadness metaphor and image schema and then discuss the English translation of sadness metaphor, trying to find out the characteristics and effective strategies of translating sadness metaphor in Li Bai’s poems.</p><p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0693/a.php" alt="Hit counter" /></p>


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