scholarly journals “MY DEAR, CLOSE AND DISTANT FRIEND”: Nina Berberova’s Letters to Sergej Rittenberg (1947–1975)

2021 ◽  
Author(s):  
Magnus Ljunggren
Keyword(s):  
United States ◽  
Short Stories ◽  
Soviet Union ◽  
The United States ◽  
Reading Interests ◽  
The Soviet Union ◽  
Letter Writer ◽  
Young Writer ◽  
Nina Berberova

Nina Berberova (1901–1993) almost appears to have lived several lives. First, she was a young writer in the revolutionary Russia. Then she witnessed the hectic 1920s in Berlin and achieved her literary breakthrough in interwar Paris with psychologically finely-honed novels and short stories set in the Russian émigré community. Finally, she went on in the latter half of the century to a career as a Slavist in the United States. She had her eyes on Russia the whole time. As an academic she studied the cracks in the ideological wall and seems early on to have foreseen her return to her homeland. At last, as she approached the age of ninety, she had vanquished the Soviet Union and could go back in triumph in the “revolutionary” year of 1989. In addition to everything else Berberova was an avid letter writer who maintained a great many correspondences. For nearly thirty years she was friends with her Russian – and Petersburgian –countryman Sergej Rittenberg (1899–1975) in Stockholm, to whom she sent more than 150 letters and postcards between 1947 and 1975. A reflection of her thoughts and reading interests, they also provide a glimpse into the genesis of her huge memoir The Italics Are Mine (Kursiv moj). This volume presents Berberova’s letters with an introduction and extensive commentaries by Professor Magnus Ljunggren.

Utopias of One

2019 ◽  
Author(s):  
Joshua Kotin
Keyword(s):  
United States ◽  
Soviet Union ◽  
World War I ◽  
Large Scale ◽  
Jim Crow ◽  
Personal Autonomy ◽  
The United States ◽  
Soviet Period ◽  
Original Research ◽  
The Soviet Union

This book is a new account of utopian writing. It examines how eight writers—Henry David Thoreau, W. E. B. Du Bois, Osip and Nadezhda Mandel'shtam, Anna Akhmatova, Wallace Stevens, Ezra Pound, and J. H. Prynne—construct utopias of one within and against modernity's two large-scale attempts to harmonize individual and collective interests: liberalism and communism. The book begins in the United States between the buildup to the Civil War and the end of Jim Crow; continues in the Soviet Union between Stalinism and the late Soviet period; and concludes in England and the United States between World War I and the end of the Cold War. In this way it captures how writers from disparate geopolitical contexts resist state and normative power to construct perfect worlds—for themselves alone. The book contributes to debates about literature and politics, presenting innovative arguments about aesthetic difficulty, personal autonomy, and complicity and dissent. It models a new approach to transnational and comparative scholarship, combining original research in English and Russian to illuminate more than a century and a half of literary and political history.

Trust, but Verify

2016 ◽  
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
International Relations ◽  
Arms Control ◽  
The United States ◽  
The Soviet Union ◽  
The Cold War ◽  
East West

This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.

Enemy Number One

2018 ◽  
Author(s):  
Rósa Magnúsdóttir
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
The United States ◽  
Peaceful Coexistence ◽  
Stalin Era ◽  
The Soviet Union ◽  
Cultural Exchanges ◽  
Inferiority Complex ◽  
Available Information

Enemy Number One tells the story of Soviet propaganda and ideology toward the United States during the early Cold War. From Stalin’s anti-American campaign to Khrushchev’s peaceful coexistence, this book covers Soviet efforts to control available information about the United States and to influence the development of Soviet-American cultural relations until official cultural exchanges were realized between the two countries. The Soviet and American veterans of the legendary 1945 meeting on the Elbe and their subsequent reunions represent the changes in the superpower relationship: during the late Stalin era, the memory of the wartime alliance was fully silenced, but under Khrushchev it was purposefully revived and celebrated as a part of the propaganda about peaceful coexistence. The author brings to life the propaganda warriors and ideological chiefs of the early Cold War period in the Soviet Union, revealing their confusion and insecurities as they tried to navigate the uncertain world of the late Stalin and early Khrushchev cultural bureaucracy. She also shows how concerned Soviet authorities were with their people’s presumed interest in the United States of America, resorting to monitoring and even repression, thereby exposing the inferiority complex of the Soviet project as it related to the outside world.

Ballet in the Cold War

2020 ◽  
Author(s):  
Anne Searcy
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Cultural Exchange ◽  
The United States ◽  
Performing Artists ◽  
Exchange Programs ◽  
The Soviet Union ◽  
History Of ◽  
The Cold War

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.

Soviet Tanks, American Sedans: Traces of India’s Cold War-era Hedging Towards the United States, 1966–1971

2021 ◽  
pp. 097492842098309
Author(s):  
Bipin K. Tiwary ◽  
Anubhav Roy
Keyword(s):  
United States ◽  
Soviet Union ◽  
The United States ◽  
Food Aid ◽  
Military Assistance ◽  
Evaluative Study ◽  
Complex Interdependence ◽  
The Soviet Union ◽  
The Us ◽  
Food Shortages

Having fought its third war and staring at food shortages, independent India needed to get its act together both militarily and economically by the mid-1960s. With the United States revoking its military assistance and delaying its food aid despite New Delhi’s devaluation of the rupee, India’s newly elected Indira Gandhi government turned to deepen its ties with the Soviet Union in 1966 with the aim of balancing the United States internally through a rearmament campaign and externally through a formal alliance with Moscow. The US formation of a triumvirate with Pakistan and China in India’s neighbourhood only bolstered its intent. Yet India consciously limited the extent of both its balancing strategies and allowed adequate space to simultaneously adopt the contradictory sustenance of its complex interdependence with the United States economically. Did this contrasting choice of strategies constitute India’s recourse to hedging after 1966 until 1971, when it liberated Bangladesh by militarily defeating a US-aligned Pakistan? Utilising a historical-evaluative study of archival data and the contents of a few Bollywood films from the period, this paper seeks to address the question by empirically establishing the extents of India’s balancing of, and complex interdependence with, the United States.

scholarly journals Why Arms Control?

Daedalus ◽  
2020 ◽  
Vol 149 (2) ◽  
pp. 101-115
Author(s):  
Jon Brook Wolfsthal
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Arms Control ◽  
Good Deal ◽  
The United States ◽  
Nuclear War ◽  
Nuclear Age ◽  
The Soviet Union ◽  
The Cold War

America survived the nuclear age through a complex combination of diplomatic and military decisions, and a good deal of luck. One of the tools that proved its value in both reducing the risks of nuclear use and setting rules for the ongoing nuclear competition were negotiated, legally binding, and verified arms control agreements. Such pacts between the United States and the Soviet Union arguably prevented the nuclear arms racing from getting worse and helped both sides climb off the Cold War nuclear precipice. Several important agreements remain in place between the United States and Russia, to the benefit of both states. Arms control is under threat, however, from domestic forces in the United States and from Russian actions that range from treaty violations to the broader weaponization of risk. But arms control can and should play a useful role in reducing the risk of nuclear war and forging a new agreement between Moscow and Washington on the new rules of the nuclear road.

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