The Beast in the Closet: Interrogating the Trauma of Sibling Incest in Emma Donoghue’s Neo-Victorian Novel The Wonder

2021 ◽  
Vol 13 (4) ◽  
Author(s):  
Poulomi Modak ◽  
Keyword(s):  
Sexual Abuse ◽  
Victorian Novel ◽  
Child Safety ◽  
The Novel ◽  
Behavioural Patterns ◽  
Religion And Law ◽  
Sibling Incest

Emma Donoghue’s neo-Victorian novel The Wonder (2016) is a remarkable exploration of the Victorian era’s indifference towards the issues of woman and child safety against the heinous crimes of sexual abuse. The horror of sibling incest, which eventually develops the sense of guilt within the protagonist and gradually isolates her from the entire extrinsic world, has been taken into consideration for the analysis of the unusual narratives of tremendous shock and trauma that the novel enterprises. The paper examines incest as a trope for inflicting everlasting trauma and seeks to locate if amelioration is at all achievable for the abused ‘body’. The intended study further interrogates the placid indifference of the contemporaneous behavioural patterns of the societal institutional bodies of family, religion, and law, while encountering the forever forbidden taboo of incest.

scholarly journals The Concept of Victorianism in A. S. Byatt’s “Posession”

2019 ◽  
Keyword(s):  
Literary Criticism ◽  
Victorian Novel ◽  
The Novel ◽  
Victorian England ◽  
Victorian Era ◽  
English Novel ◽  
The Past ◽  
Russian Literary ◽  
Postmodern Novel ◽  
Current Research Interest

The late 1990s – early 2000s was a time of numerous projects dedicated to the Victorian age and the Victorian novel as a specific phenomenon that inspires the modern novel development. The English postmodern novel with its typical narrative, time transferal to Victorian England, weaving of time layers, invokes current research interest. The relevance of this study is caused by considerable interest of researchers in the Victorian era heritage and by need of a comprehensive study of Victorian linguoculture and its implementation in the modern English novel. The Victorian text influences a new genre of the novel that reflects the gravity of modern English prose to the traditional literature of Victorian era, assumed to be particularly important in this context. The analysis of A. S. Byatt’s “Possession” in the Russian literary criticism was made only by O. A. Tolstykh; in the Ukrainian science, this work was investigated by O. Boynitska in the context of searching the past, so this subject is not investigated enough, and in our opinion is new and relevant, especially from the perspective of the “Victorian era” concept embodied in the novel. The aim of the paper is to analyze the “Victorian era” concept peculiarities in the intercultural context, on the basis of A. S. Byatt’s “Possession” as a Victorian novel. The paper takes into account the reproduction of concepts of Marriage, Home, Family, Freedom, Life, as components of “Victorian era.” The Victorian family is often represented through the place of their dwelling; therefore, the great Victorians’ works are overwhelmed by interior descriptions (Dombey’s house, Miss Havisham’s home, Mr. Rochester’s Castle). However, in “Possession,” there is an obvious contrast of Victorian buildings to the same structures in the XX century: the past prime – the modern decline. All the secrets and delusions hidden behind the facades of supposedly respectable buildings result in distorting facts and, to some extent, to violating the rights of ownership to the memories of the past. This gives another meaning to the title of the novel – “possession,” that is ownership, possession of letters, memory, truth.

NEO-VICTORIAN STUDIES

2012 ◽  
Vol 40 (1) ◽  
pp. 339-346 ◽  
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Victorian Novel ◽  
Vantage Point ◽  
Point Of View ◽  
First Century ◽  
The Novel ◽  
Literary Genres ◽  
Victorian Studies ◽  
Remarkable Effect

Long ago, Margery Williams'sThe Velveteen Rabbit(1922) taught us that toys become real when they are loved. Literary genres, however, become real when they are parodied. The neo-Victorian novel, therefore, must now be real, for its features have become so familiar and readily distinguishable that John Crace has been able to have naughty fun at their expense inBrideshead Abbreviated: The Digested Read of the Twentieth Century(2010), where John Fowles'sThe French Lieutenant's Woman(1969) stands as representative of the type. Crace's treatment of Fowles's first-person narrator results in a remarkable effect: the ironic commentary upon the nineteenth century from a twentieth-century vantage point that runs throughout the novel gets subjected, in turn, to ironic commentary from a twenty-first-century point-of-view:

scholarly journals Amusing Abusers and Humourless Survivors: Analysing the Role of Comedy in Media Representations of Sexual Violence

2021 ◽  
Vol 3 (3) ◽  
pp. 344-373
Author(s):  
Bethany Rose Lamont
Keyword(s):  
Sexual Abuse ◽  
Sexual Violence ◽  
Date Rape ◽  
Media Representations ◽  
Child Safety ◽  
American University ◽  
Interpersonal Abuse ◽  
Family Guy ◽  
Trigger Warnings

This article reflects on the importance of comedy when considering media engagements with sexual abuse themes. This approach is informed by how closely the study of humour is rooted in the analysis of power relations, with comic theorists, both historical and contemporary, grounding the work.The comic figures of both the child sex (CS) abuser and the sexual violence survivor are first identified, before exploring what exactly about these tropes evoke laughter, and what this means for wider conceptions of interpersonal abuse and victimology. In analysing examples of CS abuser themed British and American comedy, animated adult comedies such as Family Guy (1999-present) and Monkey Dust (2003-2005) are considered in the context of early 2000s anxieties towards the suburban dirty old man and online child safety. In the case of the sexual violence survivor, Saturday Night Live’s 1993 ‘Is It Date Rape?’ sketch is considered within the context of 1990s anxieties regarding feminist campus politics, and is paralleled to the mid-2010s media panic surrounding British and American university students and trigger warnings through examples including The Simpson’s 2017 ‘Caper Chase’ episode and early to mid-2010s online academic polemics on the humourless feminist, such as Mark Fisher’s ‘Exiting The Vampire Castle’ (2013) and Jack Halberstam’s ‘You are Triggering Me!’ (2014). The article concludes by considering the changing consensuses for sexual violence themed humour in the Me Too era through the 2018 episode of It’s Always Sunny in Philadelphia (2005-present) ‘Times Up For The Gang.’

scholarly journals SEXUAL ABUSE IN LAURIE HALSE ANDERSON’S NOVEL SPEAK

2021 ◽  
Vol 3 (1) ◽  
pp. 28-34
Author(s):  
Dwi Anggriani ◽  
M. Amrin Siregar
Keyword(s):  
Sexual Abuse ◽  
Sexual Assault ◽  
Sexual Harassment ◽  
Qualitative Method ◽  
Female Sexuality ◽  
Strong Impact ◽  
The Novel ◽  
Male And Female ◽  
Descriptive Qualitative

This paper discusses the impacts of sexual abuse found in the novel Speak which has been selected as the source of data because this novel has a strong impact on sexual abuse victim. The story is about a female teenager who becomes a victim of abuse and it gives her many impacts. The aims of this study are to find out and analyze the impacts of sexual abuse and is conducted based on the concept of sexual abuse, a crime related to sexuality and more specifically related to male and female sexuality. Sexual abuse can include sexual harassment and sexual assault. Sexual abuse is an act that can harm and damage the victims with physical, psychological, sexual and even emotional impacts.  This study applies descriptive qualitative method which collects the data taken from the novel that has been read. The result of the study shows that there are three forms of sexual abuse impacts: physical, psychological and behavioral.

ARIADNE AND THE RIPPLED NOSE: PORTRAIT LIKENESSES IN MIDDLEMARCH

2006 ◽  
Vol 34 (1) ◽  
pp. 167-187
Author(s):  
Elizabeth Hollander
Keyword(s):  
Cultural History ◽  
Thomas Aquinas ◽  
Victorian Novel ◽  
The Novel ◽  
Related Sequence ◽  
Newly Married

LOOKING BACK to an earlier moment in its own cultural history, no Victorian novel works harder than Middlemarch at the integration of art and life, in terms of both the issues it addresses and its method of composition. Central to this effort is the art-related sequence (chapters 19–21) in which Will Ladislaw encounters the newly married Casaubons on their honeymoon in Rome. In the Belvedere Gallery of the Vatican with a painter friend, Will discovers Dorothea standing lost in thought near a famous Hellenistic sculpture of a sleeping, bare-breasted woman. Struck by the congruity of poses in two such different figures, Will's friend Naumann is on fire to paint Dorothea, and a few days later, rather in spite of himself, Will brings the Casaubons to Naumann's studio. Here, in one of the most broadly comic scenes in the novel, the painter persuades Casaubon to pose as Thomas Aquinas for a historical portrait, slyly securing his sketch of Dorothea during breaks in the sitting. Throughout the sequence, Will engages in aesthetic discourse first with Naumann, then with Dorothea, introducing her to the hugeness of art and, incidentally, to the smallness of her husband.

Becoming Foreign in the Victorian Novel: International Migration in Little Dorrit and Villette

2020 ◽  
Author(s):  
Tamara S Wagner
Keyword(s):  
Nineteenth Century ◽  
Migrant Workers ◽  
Victorian Novel ◽  
The Novel ◽  
Global Studies ◽  
Victorian Fiction ◽  
Time Migration ◽  
Globalizing World ◽  
Social Invisibility ◽  
Nineteenth Century Novels

Abstract This article analyses the representation of migrant workers in Victorian fiction. While exploring the seldom-discussed experience of such migrants, I argue that in the fiction of the time, migration for work outside of the empire expresses the experience of individual isolation as the result of increasing urban anonymity as well as of global exchanges. The figure of the migrant thereby literalizes modern isolation in an emergent society of strangers. In depicting migratory characters as embodiments of loneliness, while establishing it as a shared experience through parallel plots, nineteenth-century novels map out possible connections in a globalizing world. In parsing the interplay of isolation and imaginary sympathy in two texts of the 1850s, Charles Dickens’s Little Dorrit and Charlotte Brontë’s Villette, I argue that the experience of feeling foreign while working abroad enables characters to seek connections that transcend boundaries of class and national identity, even as the sympathy they imagine might be flawed, warped by projection and identification. In Little Dorrit, Cavalletto’s accident in the streets of London enacts a pivotal moment of imagined sympathy for the recently returned Arthur Clennam that ultimately helps to solve the renegotiation of home and host country in the novel, while in Villette, a female migrant articulates an increasingly widespread experience not only of modern isolation, social invisibility, and cultural disorientation, but also of the power of anonymity. A critical analysis of migratory work in Victorian fiction adds an important new dimension to nineteenth-century global studies.

scholarly journals ‘Our close but prohibited union’: Sibling incest, class and national identity in Iain Banks’s The Steep Approach to Garbadale (2007)

2018 ◽  
pp. 180-197
Author(s):  
Robert Duggan
Keyword(s):  
National Identity ◽  
The Novel ◽  
Border Zones ◽  
Sibling Incest ◽  
A Site

The work of Iain Banks has been prominent in exploring the crossing of different kind of borders: national, aesthetic and generic, ontological, gender and class to name but a few. Banks has also been part of a wider preoccupation in contemporary Scottish writing to do with inhabiting border zones, where the border ceases to be an idealised geometric line with almost no width or physical extension, and instead broadens to become a site that one can reside in, the ground against which the figure emerges. The Bridge, along with The Crow Road (1992) forms the background of the chapter. This chapter will illuminate how The Steep Approach to Garbadale’s continuation of and departure from the border explorations and reflections on national identity of his earlier books is rendered through the crucial deployment of the motif of sibling incest in the novel.

scholarly journals The New Face of Abuse?: Questioning the Fall of the Father and Assessing the Child Exploitation in Deborah Moggach’s Porky

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Poulomi Modak ◽  
Keyword(s):  
Sexual Abuse ◽  
Child Sexual Abuse ◽  
Critical Analysis ◽  
Sexual Exploitation ◽  
The Novel ◽  
Child Exploitation ◽  
A Site

In contemporaneous world child sexual abuse is possibly the most heinous kind of child exploitation; therefore, continuous dialogue and discourse regarding the child sexual abuse should be given the primordial prominence in order to be well aware about and thereby engage with possible measures against this monster in the closet. It is in this context that the paper attempts through a detailed and critical analysis of Deborah Moggach’s controversial novel Porky to make a reading of the narratives of pain, sufferings, and trauma inflicted upon the ‘abject’ body. Further, the novelist has incorporated the havoc of non-consensual incest which concomitantly attributes the novel as a site for insightful discussion. The proposed article, therefore, interrogates family as a possible locus of sexual exploitation of the children. This reorientation of family as a disintegrated entity eventually brings forth the question of victim’s rehabilitation. Extending this, the paper finally argues any possible healing of the oppressed body.

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