scholarly journals Interpreters of the past and of the present: the art of historians of education and archivists

Author(s):  
Diana Vidal ◽  
José Cláudio Sooma Silva

Interpreting former times is not the sole province of historians. It is a constitutive act of the arts performed by writers, exhibition curators, docufilm directors, film writers and scenographers, re-enactors. But not only, it is also an element of the practice of historians of education and archivists, of people who throughout their lives collect records, of the exercise of patrimonial education on the part of teachers and of the organizers of school museums. Framing the discussion on the craft of historians of education and archivists, we structured the article into two parts. The first part focuses on the historiographical narrative in education, taking an example from the Brazilian history of education. The second part deals with some of the dimensions present in the acts of archiving, focusing on particularly the materiality of the documents.

2020 ◽  
pp. 275-278
Author(s):  
Yoni Furas

While working on this book at a library in Tel Aviv University, a librarian asked me to sum up my research in one sentence and remarked that knowing how to do it was essential to all researchers. Giving her a definite answer was a challenging task then and it remains so now while summing up this book. Initially, it is a book about the Mandate period, but while writing the history of education, the late Ottoman period appears not only as background but as the essential foundations of the postwar reality. This was not confined to the educators that filled the ranks of Arab and Hebrew educational administration during the Mandate. The institutionalization of educational segregation and inability or reluctance to challenge it started before the first British soldier set foot in Palestine. This is a book about the British colonial project in Palestine and its grave repercussions in the field of education for its native population. The colonial Department advocated a policy of educational restraint, articulated in a history syllabus that sought to cleanse history itself from collective lessons, national ethos, and political agency. But the colonial angle tells only a partial story because this policy was met with a growing community of Palestinian educators and students who (naturally) found in the past a space in which they could ask questions about the present, and events or people that served as inspiration and possible models for the future....


Author(s):  
Maria Helena Roxo Beltran ◽  
Vera Cecilia Machline

Studies on history of science are increasingly emphasizing the important role that, since ancient times, images have had in the processes of shaping concepts, as well as registering and transmitting knowledge about nature and the arts. In the past years, we have developed at Center Simão Mathias of Studies on the History of Science (CESIMA) inquiries devoted to the analysis of images as forms of registering and transmitting knowledge about nature and the arts – that is to say, as documents pertaining to the history of science. These inquiries are grounded on the assumption that all images derive from the interaction between the artistic technique used in their manufacture and the concept intended to be expressed by them. This study enabled us to analyze distinct roles that images have had in different fields of knowledge at various ages. Some of the results obtained so far are summarized in the present article.


2020 ◽  
Vol 60 (2) ◽  
pp. 202-202

The History of Education Quarterly is celebrating its sixtieth year of publication in 2020. During that time, it has published over 1,500 articles and extended reviews. An examination of these articles reveals several enduring themes that have shaped the field and that will likely continue to do so as HEQ moves into its seventh decade. Given this, the editors have asked scholars to envision that future. Using select articles from the past as starting points, Volume 60 features a series of forums in which historians of education consider future avenues of research related to designated themes.


Author(s):  
Pablo Toro-Blanco

The encounter between the history of education and the emerging field of historical interest in emotions is a phenomenon of recent and fast development. Researchers must bear some specific dilemmas and challenges implied in attention to affective ties regarding the past of education, being the first to define critical concepts for the delimitation of the topic. Furthermore, this new path requires that theoretical and methodological issues be addressed. Among these issues are the difference in the development of educational historiographical research in countries or cultural regions. There are challenges for education historians interested in emotions and their efforts to overcome methodological chasms, as for example, the disparities between discourse and experience. Given the fact that the research on the history of emotions applied to education is still in its first steps, it is possible to outline some potential advances in the confluence of the historic-educational and the emotional fields.


2018 ◽  
Vol 22 (55) ◽  
pp. 116-133
Author(s):  
Marcus Aurelio Taborda de Oliveira

Abstract The article, in a theoretical-historiographic perspective, discusses the current trend of studies on the history of education of the senses and sensibilities. It begins with the presentation of the theme "sensibilities" and its presence in different historiographical traditions, showing how this approach in the field of History is not new. Then, in its first part, it discusses the recent arrival of the theme in the debates of History of Education in Latin America. In the second part, it presents and situates a set of monographic studies developed by the Center for Studies on the Education of Senses and Sensibilities - Nupes, FAE/UFMG, in partnership with researchers from Brazil and other countries, discussing some of their basic assumptions. The text concludes by discussing the limits, risks, and scope of the history of education of the senses and sensibilities as a trend that balances between academic fad and the possibility of renovating the consecrated forms of investigating the past and the present of Latin American education.


The Oxford Handbook of Aesthetics looks at a fascinating theme in philosophy and the arts. Leading figures in the field contribute forty-eight articles which detail the theory, application, history, and future of philosophy and all branches of the arts. The first article of the book gives a general overview of the field of philosophical aesthetics in two parts: the first is a quick sketch of the lay of the land, and the second an account of five central problems over the past fifty years. The second article gives an extensive survey of recent work in the history of modern aesthetics, or aesthetic thought from the seventeenth to the mid-twentieth centuries. There are three main parts to the book. The first part comprises sections dealing with problems in aesthetics, such as expression, fiction or aesthetic experience, considered apart from any particular artform. The second part contains articles on problems in aesthetics as they arise in connection with particular artforms, such as music, film, or dance. The third part addresses relations between aesthetics and other fields of enquiry, and explores viewpoints or concerns complimentary to those prominent in mainstream analytical aesthetics.


2020 ◽  
Vol 13 (1) ◽  
pp. 79
Author(s):  
Antônia Rosa Almeida ◽  
João Bartolomeu Rodrigues ◽  
Levi Leonido Fernandes da Silva ◽  
Elsa Maria Gabriel Morgado

Since man is a man, history has been responsible for showing the progress of life in society and, analyzing the foundations of education, one can understand the advances and setbacks in the segments that support it. One must remember the importance and meaning of education to realize it”s contribution to people in particular and to humanity in general. For women, education is a great example of building for citizenship. Female empowerment and its entire universe overlap with the history of education, with the infinite property through the consolidation of social struggles and female resistance to what was imposed by society. The march of women made the role of education multiply in the face of more varied realities, whether in the rural environment or in the urban environment, in the most different spaces. It is known that the motivation for the search for knowledge in the circumstances in which women lived in the past was decisive for being the provocateur of women's empowerment, because it is a right for all, in the journey of the whole social force, family, religion, politics, culture, and work. In what was proposed by the advent of the role in the life of women, it is perceived that the force linked to power, wanting to learn have become more accessible to women and this development throughout life marks the vicissitudes that education manifested in the life of each individual.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Caroline Evans

Today’s fashion film is often assumed to be an entirely new form that emerged in the digital age, but in fact it has a long history going back to the time of the first film, around 1900, and this lecture will bring together examples of both to tease out some connections. It draws on methods from “media archaeology” to argue that fashion film is a multi-layered construction in which past and present are interwoven in what Michel Foucault called “a history of the present.” The talk is drawn from Caroline’s collaborative research project “Archaeology of Fashion Film.” The project is based at Central Saint Martins (University of the Arts London) in collaboration with Winchester School of Art (University of Southampton).


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