scholarly journals An Acceptable Level of Violence: Assessing the Development of the British Government’s Security Approach to ‘The Troubles’ From 1969-79

2018 ◽  
Vol 1 (2) ◽  
pp. 16
Author(s):  
Jack McDonnell ◽  
Rory David McDonald Butcher
Keyword(s):  
Northern Ireland ◽  
20Th Century ◽  
21St Century ◽  
Acceptable Level ◽  
Guerrilla Warfare ◽  
Careful Examination ◽  
British Army ◽  
The Troubles ◽  
Security Issues ◽  
Asymmetric Warfare

Those seeking to engage in warfare against organised governments in the 21st century are increasingly relying on such governments being unable to respond in an appropriate manner. The latter half of the 20th century in Northern Ireland is a perfect example of a ruling authority modifying its approach to the security issues it was confronted by throughout the conflict. “The Troubles”, as the three decades of guerrilla warfare has now become known, was dealt with by the British establishment through three specific policies – all of which saw changes implemented during the first ten years of the landmark conflict. These were: the implementation of Direct Rule, the so-called “Normalisation” of asymmetric warfare, and the reliance on the local paramilitaries over the British Army. All of these policies can be seen to have failed in particular ways, although careful examination shall explain the logic behind these shifts in British reactionary policy and their effects in the regions of the province of Ulster affected by the conflict. Being a very brief survey of this conflict, this paper does not address other policies enacted – nor does it encompass every aspect of the evidence available. It merely aims to act as an overview.

21st Century Conflict

2016 ◽  
pp. 108-126
Author(s):  
Athul M. A.
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Clear Picture ◽  
Asymmetric Warfare

Warfare has evolved rapidly in the first few years of the 21st century. There are stark differences with conventional mode of warfare, which was the de facto mode for much of 20th century, and today's asymmetric warfare. In the conventional mode of warfare, if winning and losing a war could be defined by the traditional yard sticks of number of enemy dead, how much area of land occupied and number of prisoners taken, today these yardsticks no longer us get a clear picture of who is winning or losing it.

scholarly journals Ethnicity monopoly: Ulster-Scots ethnicity-building and institutional hegemony in Northern Ireland

2018 ◽  
Vol 26 (2) ◽  
pp. 139-161 ◽  
Author(s):  
Peter R Gardner
Keyword(s):  
Northern Ireland ◽  
Cultural Identity ◽  
20Th Century ◽  
Second Phase ◽  
The Troubles ◽  
Good Friday ◽  
Grass Roots ◽  
Third Phase ◽  
Depth Interviews ◽  
Official Recognition

Ulster-Scots is a contemporary case of ethnicity-building, materialising in Northern Ireland at the end of the 20th century. As the ‘Troubles’ began to be reinterpreted as being about cultural identity in the 1980s, avenues were sought through which to find a ‘Protestant-ness’ comparative to the considerably more developed discourse of Irishness. It was at this point that Ulster-Scots emerged. While its initial decades were marked by derision, hostility, and resistance, it has gained considerable ground in recent years. This article outlines the development of Ulster-Scots from its beginnings in the late 1980s to the present. Utilising in-depth interviews with a variety of current and historical actors, I contend that this development entailed three phases. First, grass-roots educationalists operated independently while unionist elites lobbied for official recognition. In a second phase, the official recognition and institutionalisation of Ulster-Scots in the wake of the Good Friday Agreement initiated a process wherein the Ulster-Scots Agency came to be established as the key player in the field. A third phase began in the early 2010s with the Agency establishing a monopoly over the processes of Ulster-Scots peoplehood-making.

scholarly journals ‘Look What We Have Gone Through’: Representation and Memory in the Bogside Murals in Northern Ireland

2014 ◽  
Vol 7 (3) ◽  
Author(s):  
Laura Aguiar
Keyword(s):  
Northern Ireland ◽  
The Other ◽  
British Army ◽  
The Troubles ◽  
The Past ◽  
Visual Evidence

Murals have been painted on the outside walls of houses and businesses in Northern Ireland and have functioned as visual evidence of people’s experiences of the conflict known as the Troubles. Created in 1994, The People’s Gallery is a series of twelve murals painted by three local artists in the Bogside district in Derry. This article examines how the murals ‘remember’ the conflict, what stories are included or excluded, how ‘Us’ and ‘Them’ are portrayed, and how the depiction of the past relates to the present. The analysis shows that the murals focus on the Bogside’s own experiences, portraying ‘Us’ as victims and as activists. The Other is represented directly by the image of the British army/RUC, and indirectly by the image of the chaos and violence caused to ‘Us’. Due to the lack of sectarian messages, The People’s Gallery can have a positive use as a storytelling tool in Northern Ireland’s current transitional scenario.

scholarly journals Political violence and re-victimization in The Ferryman

Ars Aeterna ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 80-95
Author(s):  
Mesut Günenç
Keyword(s):  
Northern Ireland ◽  
20Th Century ◽  
Political Violence ◽  
Republican Party ◽  
Irish Republican Army ◽  
Typical Representative ◽  
Major Point ◽  
The Troubles ◽  
British Rule ◽  
The Disappeared

Abstract Jez Butterworth’s The Ferryman (2017) is a play about the Carney family living in 1980s Ireland during the period of insurgency of the Irish Republican Army (IRA – also known as the Provisional IRA) and its efforts to end British rule in Northern Ireland, a period known as “the Troubles”. This paper focuses on Jez Butterworth, one of the most distinctive voices of the contemporary British theatre scene and a typical representative of the 1990s cultural trend, and his tragedy The Ferryman, which portrays the struggle and conflicts between Catholic nationalists and Protestant loyalists in Northern Ireland in the last decades of the 20th century. The second major point of the study is that the power of the Irish Republican Party has a heavy impact on the play. The paper also discovers how Sean Carney and other members of his family both embody and apply the story of Eugene Simons and other members of “the Disappeared”. Like other young men, Seamus Carney became a victim during the Troubles and the campaign of political violence. The discovery of his body symbolizes how political violence created the Disappeared and shows that re-victimization and retraumatisation continue in the aftermath of the Troubles.

“Band Wagon and Gravy Train”: uses and abuses along the Silk Road

Afghanistan ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 171-194
Author(s):  
Warwick Ball
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Silk Road ◽  
Late 20Th Century ◽  
Ancient Trade ◽  
International Image ◽  
Academic Discussion ◽  
The Silk Road

The Silk Road as an image is a relatively new one for Afghanistan. It appeals to both the pre-Islamic and the perceived Islamic past, thus offering an Islamic balance to previous identities linked to Bamiyan or to the Kushans. It also appeals to a broader and more international image, one that has been taken up by many other countries. This paper traces the rise of the image of the Silk Road and its use as a metaphor for ancient trade to encompass all contacts throughout Eurasia, prehistoric, ancient and modern, but also how the image has been adopted and expanded into many other areas: politics, tourism and academia. It is argued here that the origin and popularity of the term lies in late 20th century (and increasingly 21st century) politics rather than any reality of ancient trade. Its consequent validity as a metaphor in academic discussion is questioned

The role of science in the study of and response to space threats

2019 ◽  
Vol 89 (8) ◽  
pp. 777-799
Author(s):  
B. M. Shustov
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
21St Century ◽  
Space Debris ◽  
The Sun ◽  
National Program ◽  
Biological Hazard ◽  
Academy Of Sciences ◽  
Space Activities

During the second half of the 20th century and the beginning of the 21st century, space hazards multiplied, the most urgent of which is space debris. Professionals working in space are exposed to this hazard daily and are aware of it as a problem. Furthermore, increasing attention is being paid to the unpredictable behavior of the Sun, which produces the so-called space weather. The asteroid-comet hazard is considered as potentially having the most catastrophic consequences. No manifestations of biological hazard have yet been observed, although as space activities develop, it is becoming increasingly important. The appropriate time scale for astrophysical hazards is many millions of years, so from a practical perspective, they have no importance. This article briefly describes the main types of space hazards. The author analyzes the results of research and practical work in the field, both worldwide and specifically in Russia. Comparative analysis leads to the clear conclusion that a national program must be developed for the study of space hazards and to respond to space threats. This article is based on a report made by the author at the meeting of the Presidium of the Russian Academy of Sciences (RAS) on January 15, 2019.

Beyond the Fife and Drum: Northern Protestant Working Class Cultures

Public Voices ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 73
Author(s):  
Paul Burgess
Keyword(s):  
Northern Ireland ◽  
Working Class ◽  
World Order ◽  
Cultural Traditions ◽  
One Dimensional ◽  
Dimensional Image ◽  
The Troubles ◽  
Meaning Systems ◽  
The World ◽  
Symbolic Systems

The author contends that throughout the duration of the present conflict in NorthernIreland, the world has been repeatedly given a one-dimensional image of this culture depicting it as mainly a product of ethnicity and also a reflection of class sentiment and lived experience.As drummer and songwriter of Ruefrex, a musical band internationally renowned for its songs about the Troubles conflict in Northern Ireland, Burgess discusses the need to express Protestant cultural traditions and identity through words and music. Citing Weber’s argument that individuals need to understand the world and their environment and that this understanding is influenced by perceptions of world order and attitudes and interpretations of symbolic systems or structures, the author argues that losing the importance of symbolic structures in relation to actual events will result in failure to understand why communities embrace meaning systems that are centrally informed by symbol and ritual. In his mind, rather than seeking to promote an understanding of Protestant or Catholic reality, it is important to speculate how the practice of difference might be used in developing any kind of reality of co-operation and co-ordination

Sign in / Sign up

Export Citation Format

Share Document