scholarly journals IDEOLOGI FEMINISME DALAM NOVEL ZEINA KARYA NAWAL EL SAADAWI BERDASARKAN PERSPEKTIF STRUKTURALISME GENETIK LUCIUS GOLDMANN

Diksi ◽  
2018 ◽  
Vol 25 (1) ◽  
Author(s):  
Abdul Basid ◽  
Isma Nida Aulia
Keyword(s):  
Radical Feminism ◽  
Analysis Tool ◽  
The Novel ◽  
Main Character ◽  
Dialectical Method ◽  
The Public ◽  
Social Facts ◽  
Participation Of Women ◽  
Female Figures ◽  
The Public Sphere

Tulisan ini bertujuan untuk menguraikan Ideologi Feminisme dalam Novel Zeina karya Nawal El Saadawi. Peneliti menggunakan perspektif Strukturalisme Genetik yang meliputi fakta kemanusiaan, subjek kolektif, pandangan dunia, strukturasi karya sastra dan metode dialektika pemahaman penjelasan sebagai alat analisis. Hasil penelitian ini adalah a) fakta-fakta kemanusiaan baik yang bersifat individual seperti kondisi psikologis tokoh utama laki-laki yang mengalami kelainan seksual sehingga berdampak terhadap adanya frigiditas terhadap wanita, marginalisasi, subordinasi dan eksploitasi jasmaniah, maupun yang bersifat sosial seperti masyarakat patriarki; b) Subjek kolektif tokoh sentral wanita dalam novel mewakili wanita terhormat dari kalangan atas yang terstrukturasi dengan relasi yang terjadi baik antar tokoh, antara tokoh laki-laki dan tokoh perempuan maupun tokoh sentral dengan dunianya yang berlatar negara Mesir; c) Pandangan dunia pengarang yang ditemukan adalah adanya ideologi feminisme liberal dan radikal; d)strukturasi karya sastra nampak dalam merepresentasikan tokoh wanita yang termarginalkan dan hubungannya dengan kaum laki-laki yang mendominasi; dan e) dialektika pemahaman nampak dalam penggambaran budaya patriarki yang berkembang dalam masyarakat arab menjadikan laki-laki sebagai pemegang sentral kekuasaan dan wanita menjadi kelompok yang tersubordinasi. Hal ini yang menjadikan Nawal El Saadawi menuntut kesetaraan gender dengan cara menanamkan ideologi feminisme dalam setiap karya-karyanya.Kata Kunci: ideologi feminisme, fakta kemanusiaan, subjek kolektif, pandangan dunia, strukturasi karya sastra  FEMINISM IDEOLOGY IN ZEINA BY NAWAL EL SAADAWI BASED ON GENETIC STRUCTURALISM PERSPECTIVE BY LUCIUS GOLDMANN AbstractThis paper aims to describe the ideology of feminism in the novel Zeina by Nawal El Saadawi. Researchers use Genetic Structuralism’s perspective which contains the facts of humanity, collective subjects, worldviews, the structure of literary, and the dialectical method of understanding explanations as an analysis tool. Results of this study are a) the facts of humanity expresses individual facts of humanity, such as the psychological condition of the male main character who is experiencing sexual disorder, which affects frigidity, discrimination and bodily exploitation towards women, and also social facts of humanity such as patriarchal society;b) collective subject represents the respectable women of the upper circle who are structured with relationships that occur between the characters, between male and female figures as well as central figures with his world setting in the country of Egypt; c) worldview elaborates the ideology of liberal and radical feminism; d) the structure of literaryreflected in the participation of women in the public sphere is still relatively low because it is dominated by men; and e) the dialectical method of understanding explanations shows that a man is stronger and has a full sthrength than a women Arabic society. Thus, it causes Nawal El Saadawi demand gender equivalent through her literature works.Keywords: feminism ideology, the facts of humanity, collective subject, worldview, the structure of literary

Women and participatory constitutionalism

2020 ◽  
Vol 18 (1) ◽  
pp. 233-259
Author(s):  
Ruth Rubio-Marín
Keyword(s):  
Civil Society ◽  
Public Sphere ◽  
Gender Equality ◽  
Structural Dimension ◽  
The Public ◽  
Participation Of Women ◽  
The World ◽  
Turn Taking ◽  
The Public Sphere ◽  
Constitution Making

Abstract This article underscores the foundational exclusion of women from constitution-making as an expression of the ideology of separate and gendered spheres dominant at the birth of written constitutionalism. It traces the incorporation of women into constitution-making within a broader gender equality participatory turn taking place, since the late 1980s and especially 1990s, coinciding in time with the rise of popular constitutionalism more broadly speaking. By looking at a variety of examples drawn from multiple jurisdictions across the world, it explores the forms of participation of women in constitution-making both through their gradual (though yet insufficient) incorporation into official constitution-making bodies and institutions and, more importantly, through civil society mobilization. It claims that without taking into account the structural dimension of women’s traditional exclusion from the public sphere and constitution-making it is not possible to have an adequate comprehension of the strategies, challenges, meaning, and impact of women joining constitution-making, all of which I briefly describe.

Member of a school or exponent of a paradigm? Jürgen Habermas and critical theory

2015 ◽  
Vol 20 (2) ◽  
pp. 252-274 ◽  
Author(s):  
Stefan Müller-Doohm
Keyword(s):  
Critical Theory ◽  
Public Sphere ◽  
Communication Theory ◽  
Frankfurt School ◽  
The Novel ◽  
Jürgen Habermas ◽  
The Public ◽  
Jurgen Habermas ◽  
Constitutional State ◽  
The Public Sphere

The label ‘Frankfurt School’ became popular in the ‘positivism dispute’ in the mid-1960s, but this article shows that it is wrong to describe Jürgen Habermas as representing a ‘second generation’ of exponents of critical theory. His communication theory of society is intended not as a transformation of, but as an alternative to, the older tradition of thought represented by Adorno and Horkheimer. The novel and innovative character of Habermas’s approach is demonstrated in relation to three thematic complexes: (1) the public sphere and language; (2) democracy and the constitutional state; and (3) system and lifeworld as categories for a theory of modernity.

Women as film directors in Turkish cinema

2016 ◽  
Vol 24 (4) ◽  
pp. 321-335 ◽  
Author(s):  
Hulya Uğur Tanrıöver
Keyword(s):  
Public Funding ◽  
Women Directors ◽  
The Public ◽  
Secondary Sources ◽  
Participation Of Women ◽  
Film Directors ◽  
Turkish Cinema ◽  
Feminist Film ◽  
Film Productions ◽  
The Public Sphere

Representations of women, or more exactly of gender, and the presence and works of women filmmakers constitute an important area of analysis for gender studies and feminist film theories. In Turkey the presence and the participation of women in the public sphere have been one of the important objectives of the Kemalist modernization project since the founding of the modern nation-state in 1923. However, despite the modernizing efforts to empower women in different spheres of life there was no woman director in Turkish commercial feature cinema until the beginning of the 1950s. Since the beginning of the 2000s the number of women directors has increased significantly, reaching a number well above that of the entire period before. This article investigates the reasons behind this increase based on quantitative data gathered from secondary sources and in-depth interviews with women producers and directors. It also questions whether and to what extent the increase in the number of women film directors contributed to the production of ‘women’s films’, based on a qualitative analysis of films produced by women directors between the years 2004 and 2013. The results show that in addition to technological and aesthetic changes in the industry, the increase in the availability of international and national public funding for low-budget independent film productions and the enlargement of the women’s movement allowed more women directors to enter the film industry. While half of the films made by women directors in the 2000s could be qualified as ‘women films’, the other half remained, largely due to market forces, within the conventions of popular or art house cinema.

scholarly journals Women economic participation in novel Tentang Kamu by Tere Liye

LEKSIKA ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 27
Author(s):  
Fikha Nada Naililhaq ◽  
Wening Udasmoro
Keyword(s):  
Descriptive Analysis ◽  
The Novel ◽  
The Public ◽  
Data Table ◽  
Literary Research ◽  
Women's Participation ◽  
Economic Participation ◽  
The Public Sphere ◽  
Women's Role ◽  
Descriptive Method

The issue of the women’s role in the public sphere has been widely carried out in literary research. However, research on women's participation specifically on economic issues by looking at its theoretical and empirical aspects is still something that is very rarely carried out in literary research. The purpose of this study is to explore in more detail about women's participation in the economy. By using the lens of women's thinking and their participation in the economic field in the concept of women economic participation from Jacqui True, this research focuses on this issue. The method used is analyzing the content of the story that has been done by collecting data by collecting words, sentences, paragraphs related to women's participation in the economy. Furthermore, the data that have been found are analyzed using descriptive analysis methods. The descriptive method of analysis was carried out in several stages. The first stage is data collection which is done by collecting the aspects of women's participation in the economy in general in the data table. From the data table, it is classified according to the economic participation patterns found. The next stage is data analysis by dialogue data from the novel with the theory of women's participation in the economy. The results of this study indicate that women are able to get out of the crisis with their own efforts and hard work. Women also have an important role in the economic sector because they are able to create their own business opportunities so that they can improve their life.

scholarly journals Use of Internet data to track Chinese behavior and interest in COVID-19

2020 ◽  
Author(s):  
Tengteng Wang ◽  
XIude Chen ◽  
Qi Zhang ◽  
Xunbo Jin
Keyword(s):  
Media Coverage ◽  
Policy Decision ◽  
Floating Population ◽  
Analysis Tool ◽  
The Novel ◽  
Prevention Education ◽  
The Public ◽  
Search Volume ◽  
Health Policy Decision ◽  
Novel Coronavirus

Background: During the novel coronavirus pneumonia (COVID-19) outbreak, the internet became the main channel for the public to access all kinds of information. Through search engines and other media, people can aquire information about the epidemic situation in real time. Baidu, currently the top online search tool in China, has developed an internet search trends gathering and analysis tool called Baidu Index. The aim of this study was to understand the public’s focus on the epidemic and their most pressing needs through analysis of the Chinese internet usage during the first month of the outbreak, which was also the most severe period. Method: The data period selected was from January 23, 2020 to February 22, 2020. Through Baidu index, we identified hot search terms related to COVID-19 which were grouped into four categories. Searching trend analysis was obtained depicting the quantities with which each category was searched. Next, we selected the category with the highest search volume, and obtained data regarding geographic and demographic characteristics. Finally, we explored Wuhan residents’ interest in COVID-19 by tracking their online seeking behavior. Results: The public was most concerned about news of "latest developments of epidemic". The remaining categories in descending order of attention received were "basic information of disease", "extended information" and "diagnosis and treatment of the novel coronavirus pneumonia". The mobile search volume was dominant. People searching for "latest developments of epidemic" mostly came from economically developed regions with a large floating population. The group with the maximum concern were men aged 20-49. The most searched terms by Wuhan residents were "how to use a thermometer", "n95 mask", "testing kit" and "nucleic acid testing". Conclusion: Through big data from internet, we can accurately understand public concerns and needs during the epidemic. If this data is used in media coverage, public health policy decision-making, and personal epidemic prevention education, it will certainly play an important role. Other countries and regions in the early stages of the epidemic can also benefit from China's experience.

Making Publics and Making Novels

2013 ◽  
Author(s):  
Brian Cowan
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Structural Transformation ◽  
Literary Culture ◽  
The Novel ◽  
The Public ◽  
English Novel ◽  
Political Partisanship ◽  
History Of ◽  
The Public Sphere

The two most influential works for the study of eighteenth-century literary culture in the last half-century must surely be Ian Watt’s The Rise of the Novel (1957) and Jürgen Habermas’s The Structural Transformation of the Public Sphere (1962). This essay discusses the influence of both Watt and Habermas on studies of the novel and the public sphere, and it explores the reasons for the endurance of their arguments despite decades of substantial criticism devoted to their interpretative shortcomings. It also explains the emergence of a post-Habermasian approach to the history of public-making in response to these criticisms. It concludes by discussing how recent post-Habermasian studies of news culture and political partisanship may illuminate the history of the origins of the English novel.

Razin’s motif of the Princess’s drowning in the literature about the Russian Civil war (“Princess” by Andrey Sobol and “Povolniki” by Alexander Yakovlev)

2021 ◽  
pp. 97-109
Author(s):  
Olga A. Simonova ◽  
Keyword(s):  
Civil War ◽  
Death Penalty ◽  
Russian Literature ◽  
The Novel ◽  
Main Character ◽  
Russian Civil War ◽  
Literary Works ◽  
Participation Of Women ◽  
Traditional Roles

The motif of the Persian Princess’s drowning was central to the plot connected with the figure of the famous Cossack ataman Stepan Razin. The motif became popular in Russian literature. The most famous was a song based on the words of Dmitry Sadovnikov, “Iz-za ostrova na strezhen…” (“Round the island to the midstream...” (Stenka Razin Song)), which served as the basis for the subsequent perception of the motif. The story of A. Sobol, “Princess” (1924), and the novel of A. Yakovlev, “Povolniki” (1922), embody the text of Sadovnikov’s song. The character and action of the “ataman” were close to the Razin’s ones. However, the reasons that caused the action and the image of the Princess were different. The heroine turns from a faceless and nameless figure into a full-fledged character, actively acting (A. Sobol “Princess”) or playing a key role in changing the fate of the main character (A. Yakovlev “Povolniki”). Sobol’s “princess” Natasha Toropova only pretends to be submissive to the “ataman” who loves her: in fact, she has her own ideas and views and became a Chekist in order to implement them. Silly but pretty Ninochka from “Povolniki” brings the hero to the embezzlement, resulting in the death penalty for both of them. Thus, the traditional roles in Razin’s story are interpreted in a new way. The initiative of the heroine is directly due to the participation of women in the Civil war: during this period, the “princess” acquires subjectivity in literary works.

Public Violence as Private Pathology: Noir Affect in The End of a Primitive

Noir Affect ◽  
2020 ◽  
pp. 59-77
Author(s):  
Christopher Breu
Keyword(s):  
Public Sphere ◽  
Private Sphere ◽  
The Novel ◽  
Political Struggle ◽  
The Public ◽  
Interracial Sex ◽  
The Public Sphere ◽  
The Way

This chapter argues that Chester Himes’s midcentury noir, The End of a Primitive, explores the forms of private violence produced by the repressive public sphere of what he terms the short 1950s. Like many of Himes’s narratives, the novel foregrounds interpersonal antagonisms around race and sex, emphasizing the way in which what is repressed in the public sphere (interracial political struggle but also interracial sex) returns with a vengeance in the private sphere. In attending to the novel’s dramatizing of noir affects, the essay also articulates the value of the negative political and historiographical vision advanced by Himes’s noir narrative.

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