Diachronic trends in the evolution of civilizations in the Nile valley

2018 ◽  
pp. 37-49
Author(s):  
Элеонора Кормышева ◽  
Eleonora Kormysheva
Keyword(s):  
Material Culture ◽  
Social History ◽  
Contact Zone ◽  
Scientific Discourse ◽  
Cultural Development ◽  
Nile Valley ◽  
Mediterranean World ◽  
The Mediterranean

The diachronic trends in socio-economic and cultural development of the societies in the Nile valley are revealed based on the materials from Giza necropolis (the 3rd millennium BC) and the settlement of Abu Erteila (1st century AD). The research made it possible to trace the typological similarities in the evolution of the studied societies in cultural and historical contexts. The main fields of the research were epigraphy, iconography, social history, and material culture. Many previously unknown monuments discovered by Russian archaeologists in Egypt and Sudan were introduced into scientific discourse. The basis was created for studying the Nile valley as a contact zone between the Mediterranean world and Africa.

Mycenaean civilization

2015 ◽  
Author(s):  
Jeremy Rutter
Keyword(s):  
Material Culture ◽  
Bronze Age ◽  
Late Bronze Age ◽  
Stages Of Development ◽  
Historical Reality ◽  
Mediterranean World ◽  
The Mediterranean

Mycenaean civilization takes its name from the hilltop citadel of Mycenae in the Argolid, celebrated in Homer’s epics as “rich in gold” and the capital of Agamemnon. In 1876, Heinrich Schliemann, fresh from his excavations at Troy, which in his view had established the historical reality of the Greeks’ legendary siege and sack of that city, unearthed five astonishingly rich tombs at Mycenae and claimed them to contain the burials of Agamemnon and his followers, thus inaugurating the study of Greece’s Late Bronze Age (LBA) past. One and a half centuries of subsequent fieldwork have exposed the remains of hundreds of settlements and thousands of tombs characterized by the distinctive material culture termed Mycenaean that flourished for over six centuries (c. 1700–1050 bce). This lengthy duration of the mainland Greek LBA (better known as the Late Helladic [LH] or Mycenaean era) is conventionally subdivided into three major stages of development: pre-palatial or early Mycenaean (LH I–IIB; c. 1700–1425/1400 bce); palatial (LH IIIA1–LH IIIB2; c. 1425/1400–1200/1190 bce); and post-palatial (LH IIIC; c. 1200/1190–1050 bce). The regions within which Mycenaean material culture was dominant changed significantly as a function of time, as did the culture’s external contacts within the Mediterranean world and continental Europe.

scholarly journals Ptolemaic Cavalrymen on Painted Alexandrian Funerary Monuments

Arts ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 58
Author(s):  
Sara E. Cole
Keyword(s):  
Material Culture ◽  
Cultural Transmission ◽  
Cross Cultural ◽  
Northern Greece ◽  
Funerary Practices ◽  
Funerary Monuments ◽  
Geographic Origins ◽  
Mediterranean World ◽  
The Mediterranean ◽  
Military Status

The multiethnic environment of Ptolemaic Alexandria resulted in cross-cultural transmission of funerary practices and associated material culture that introduced many traditions to Egypt from the Mediterranean world. Along with an influx of mercenaries serving in the Ptolemaic army came cultural and artistic knowledge from their places of origin, which they (or their families) incorporated into their burials. One motif, which appears on late 4th–3rd-century painted funerary monuments from Alexandria, is that of a soldier on horseback, alluding to images of the heroic hunter or warrior on horseback found in tombs in the regions of northern Greece. These Alexandrian monuments commemorated members of the Ptolemaic cavalry, some of whom are identified as Macedonian or Thessalian by accompanying Greek inscriptions. The image of a soldier astride his rearing horse not only emphasized the deceased’s military status, but also established a link with Macedonian and Ptolemaic royal iconography. This type of self-representation served a number of purposes: to signal the deceased’s cultural and geographic origins, demonstrate his elite role in Ptolemaic society and imply connections to the Ptolemaic court, all of which were important to the immigrant inhabitants of early Alexandria as they sought to express their identity in a new geographical, cultural, and political setting.

The Oxford Handbook of the Phoenician and Punic Mediterranean

2019 ◽  
Keyword(s):  
North America ◽  
Material Culture ◽  
North Africa ◽  
Cultural Identities ◽  
Regional Studies ◽  
Wide Range ◽  
Mediterranean World ◽  
History Of ◽  
The Mediterranean ◽  
A Current

The Phoenicians created the Mediterranean world as we know it-yet they remain a shadowy and poorly understood group. The academic study of the Phoenicians has come to an important crossroads; the field has grown in sheer content, sophistication of analysis, and diversity of interpretation, and we now need a current overview of where the study of these ancient seafarers and craftsman stands and where it is going. Moreover, the field of Phoenician studies is particularly fragmented and scattered. While there is growing interest in all things Phoenician and Punic, the latest advances are mostly published in specialized journals and conference volumes in a plethora of languages. This Handbook is the first of its type to appear in over two decades, and the first ever to appear in English. The chapters (organized in four parts) are written by a wide range of prominent and promising scholars from across Europe, North America, Australia, and the Mediterranean world, who offer readers summary studies and new perspectives on key historical moments (such as the history of Carthage), areas of culture (organized around language, religion, and material culture), regional studies and areas of contact (spanning from the Levant and the Aegean to Iberia and North Africa), and the reception of the Phoenicians as an idea, entangled with the formation of other cultural identities, both ancient and modern.

Prolegomena to the Study of Meroitic Art

2021 ◽  
pp. 603-652
Author(s):  
Janice W. Yellin
Keyword(s):  
Nile Valley ◽  
Greco Roman ◽  
Preliminary Examination ◽  
Stylistic Development ◽  
Mediterranean World ◽  
Roman Egypt ◽  
History Of ◽  
The Mediterranean ◽  
Historical Trajectory ◽  
Art And Architecture

The history of Kush is a complex one in which the polities of Egypt, Kerma, Napata, and Meroe shaped the culture and historical trajectory of the Middle Nile Valley. During the Meroitic Period appropriations and adaptations of art from pharaonic and Greco-Roman Egypt and to a lesser extent from the Mediterranean world obscure its art’s fundamental qualities. Because Meroitic artists enjoyed a degree of autonomy, different visual styles and standards of quality coexisted without following particular paths of stylistic development. Michel Baud aptly described Meroitic art as multivalent in nature. Examples of art and architecture have typically been studied and published as individual artifacts without systematically contextualizing them within broader study of Meroitic aesthetics, exploring the nature of Meroe’s appropriations of Egyptian and classical styles and iconography, creating a history of their stylistic development, or considering how the circumstances of their manufacture impacted their appearance. This entry offers a preliminary examination of these as prolegomena to the development of a history of Meroitic art.

Crossing the Pomerium

2020 ◽  
Author(s):  
Michael Koortbojian
Keyword(s):  
Social Practices ◽  
Civic Life ◽  
Public Monuments ◽  
Religion And Law ◽  
Mediterranean World ◽  
The Mediterranean ◽  
The Military ◽  
The City

The ancient Romans famously distinguished between civic life in Rome and military matters outside the city—a division marked by the pomerium, an abstract religious and legal boundary that was central to the myth of the city's foundation. This book explores, by means of images and texts, how the Romans used social practices and public monuments to assert their capital's distinction from its growing empire, to delimit the proper realms of religion and law from those of war and conquest, and to establish and disseminate so many fundamental Roman institutions across three centuries of imperial rule. The book probes such topics as the appearance in the city of Romans in armor, whether in representation or in life, the role of religious rites on the battlefield, and the military image of Constantine on the arch built in his name. Throughout, the book reveals how, in these instances and others, the ancient ideology of crossing the pomerium reflects the efforts of Romans not only to live up to the ideals they had inherited, but also to reconceive their past and to validate contemporary practices during a time when Rome enjoyed growing dominance in the Mediterranean world. The book explores a problem faced by generations of Romans—how to leave and return to hallowed city ground in the course of building an empire.

America and the Mediterranean World, 1776-1882

1970 ◽  
Vol 27 (1) ◽  
pp. 163
Author(s):  
William Stinchcombe ◽  
James A. Field
Keyword(s):  
Mediterranean World ◽  
The Mediterranean

Living by the Sword

2020 ◽  
Author(s):  
Kristen B. Neuschel
Keyword(s):  
Material Culture ◽  
Social History ◽  
English History ◽  
Culture Studies ◽  
Prestige Goods ◽  
Material Culture Studies ◽  
French And English ◽  
Warrior Culture

This book sharpens the readers' knowledge of swords as it traverses through a captivating 1,000 years of French and English history. The book reveals that warrior culture, with the sword as its ultimate symbol, was deeply rooted in ritual long before the introduction of gunpowder weapons transformed the battlefield. The book argues that objects have agency and that decoding their meaning involves seeing them in motion: bought, sold, exchanged, refurbished, written about, displayed, and used in ceremony. Drawing on evidence about swords in the possession of nobles and royalty, the book explores the meanings people attached to them from the contexts in which they appeared. These environments included other prestige goods such as tapestries, jewels, and tableware — all used to construct and display status. The book draws on an exciting diversity of sources from archaeology, military and social history, literature, and material culture studies to inspire students and educated lay readers to stretch the boundaries of what they know as the “war and culture” genre.

scholarly journals In the Camp and on the March: Military Manuals as Sources for Studying Premodern Public Health

2018 ◽  
Vol 63 (1) ◽  
pp. 44-60
Author(s):  
G. Geltner
Keyword(s):  
Public Health ◽  
Nineteenth Century ◽  
Material Culture ◽  
Population Level ◽  
Global Perspective ◽  
Medieval Latin ◽  
Vulnerable Communities ◽  
Medical Tradition ◽  
Mediterranean World ◽  
Preventative Healthcare

Historians tend to view public health as a quintessentially modern phenomenon, enabled by the emergence of representative democracies, centralised bureaucracies and advanced biomedicine. While social, urban and religious historians have begun chipping away at the entrenched dichotomy between pre/modernity that this view implies, evidence for community prophylactics in earlier eras also emerges from a group of somewhat unexpected sources, namely military manuals. Texts composed for (and often by) army leaders in medieval Latin Europe, East Rome (Byzantium) and other premodern civilisations reflect the topicality of population-level preventative healthcare well before the nineteenth century, thereby broadening the path for historicising public health from a transregional and even global perspective. Moreover, at least throughout the Mediterranean world, military manuals also attest the enduring appeal of Hippocratic and Galenic prophylactics and how that medical tradition continued for centuries to shape the routines and material culture of vulnerable communities such as armies.

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