A Study on the Literary Education for Fostering the Media Narrative Literacy for Youth Learners in the Digital Age

Author(s):  
Yun Joo Oh
SPIEL ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 13-23
Author(s):  
Bernhard Pörksen

Resentment toward the media establishment is on the move – from the far right towards the centre of society. With fatal effect: it turns media criticism and journalism debates into ideologically entrenched battles which in turn lead to reciprocally escalating crises of trust and, subsequently, funding in journalism. An essay on this new power dynamic and a vision of communication in the digital age.


Author(s):  
Jonathan Rose

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. For the Internet and digitial generation, the most basic human right is the freedom to read. The Web has indeed brought about a rapid and far-reaching revolution in reading, making a limitless global pool of literature and information available to anyone with a computer. At the same time, however, the threats of censorship, surveillance, and mass manipulation through the media have grown apace. Some of the most important political battles of the twenty-first century have been fought--and will be fought--over the right to read. Will it be adequately protected by constitutional guarantees and freedom of information laws? Or will it be restricted by very wealthy individuals and very powerful institutions? And given increasingly sophisticated methods of publicity and propaganda, how much of what we read can we believe? This book surveys the history of independent sceptical reading, from antiquity to the present. It tells the stories of heroic efforts at self-education by disadvantaged people in all parts of the world. It analyzes successful reading promotion campaigns throughout history (concluding with Oprah Winfrey) and explains why they succeeded. It also explores some disturbing current trends, such as the reported decay of attentive reading, the disappearance of investigative journalism, 'fake news', the growth of censorship, and the pervasive influence of advertisers and publicists on the media--even on scientific publishing. For anyone who uses libraries and Internet to find out what the hell is going on, this book is a guide, an inspiration, and a warning.


Comunicar ◽  
2010 ◽  
Vol 18 (35) ◽  
pp. 25-32 ◽  
Author(s):  
Michel Clarembeaux

Film education in the digital age should be based on three closely-related and complementary fundamentals: to see, to analyze and to make films with young people; three basics that must interact and support each other. The concept of creative analysis could be the glue the binds this subject together, making it coherent and efficient for educational purposes. If cinema is an art, it is above all the art of memory, both individual and collective. This article suggests that we can join the pedagogy of film education to the citizen’s desire to perpetuate memory and preserve cultural heritage. The author describes various types of films to prove this hypothesis, and at the same time indicates the economic and cultural dimension of the media. The essay starts with an approach to film education in the digital age. Later, it analyzes certain aspects of films of memory, referring specifically to the typology of standpoints of film-makers and the treatment of their sources. Lastly, there is a reflection on the convergence of the concept of creative analysis, promoted by film education, and the production of videos by young people dedicated to the individual or collective memory. This convergence matches European Union proposals concerning the production and creation of audiovisual media from this viewpoint. La educación para el cine en la era digital debería apoyarse en tres polos complementarios y estrechamente asociados: ver, analizar y hacer películas con jóvenes. Estos tres polos han de potenciarse mutuamente. El concepto de análisis creativo podría ser la argamasa que diera coherencia y eficiencia al dispositivo educativo. Si el cine es un arte, es sobre todo el arte de la memoria, tanto colectiva como individual. Este artículo sugiere que es posible hacer converger la pedagogía de la educación cinematográfica y la voluntad ciudadana de perpetuar la memoria, al tiempo que se protege el patrimonio cultural. El autor propone una serie de películas para ilustrar estos planteamientos, que ponen de relieve la dimensión económica y cultural de los medios de comunicación, respondiendo en esta convergencia a las más recientes directrices de la Unión Europea sobre creación y producción, desde esta perspectiva, de medios audiovisuales. El trabajo se inicia con una aproximación a la educación para el cine en la era digital. Posteriormente se recogen algunas singularidades de las «películas de la memoria», aludiendo concretamente a la tipología de los puntos de vista de los realizadores y al tratamiento de sus fuentes. Por último, se refleja el encuentro entre el concepto de «análisis creativo», fomentado por la educación cinematográfica, y la realización de videogramas hechos por jóvenes y dedicados a la memoria individual o colectiva.


2022 ◽  
Author(s):  
Edda Humprecht ◽  
Laia Castro Herrero ◽  
Sina Blassnig ◽  
Michael Brüggemann ◽  
Sven Engesser

Abstract Media systems have changed significantly as a result of the development of information technologies. However, typologies of media systems that incorporate aspects of digitalization are rare. This study fills this gap by identifying, operationalizing, and measuring indicators of media systems in the digital age. We build on previous work, extend it with new indicators that reflect changing conditions (such as online news use), and include media freedom indicators. We include 30 countries in our study and use cluster analysis to identify three clusters of media systems. Two of these clusters correspond to the media system models described by Hallin and Mancini, namely the democratic-corporatist and the polarized-pluralist model. However, the liberal model as described by Hallin and Mancini has vanished; instead, we find empirical evidence of a new cluster that we call “hybrid”: it is positioned in between the poles of the media-supportive democratic-corporatist and the polarized-pluralist clusters.


Author(s):  
Benjamin Enahoro Assay

This chapter examines the media, intellectual property rights and the protection of Africa's traditional knowledge in the digital age. It reviews literature on intellectual property, intellectual property rights, the various forms of intellectual property rights and the misappropriation and infringement on intellectual property rights, traditional knowledge, and media in digital age. The chapter provides perspectives on the issues and controversies on the non-protection of traditional knowledge within the existing frameworks of IP system and rules. It points out that the products of Africa's traditional knowledge are in dire need of protection against global competitors and therefore urges African governments to take advantage of the IP rules to negotiate with industrialized countries for the protection of their products. The chapter called for the enactment of tougher legislations to halt the menace of counterfeiting and digital piracy and deliberate use of the media to promote the products. It also made some recommendations that would help Africa defend its IP.


2020 ◽  
Vol 31 (1) ◽  
pp. 32-45
Author(s):  
Ashley Harris

This article argues that Michel Houellebecq is an écrivain médiatique, and it examines how and why he engages in an authorial strategy that relies on more than the text and presents the author as a visible, multimedia, and culturally relevant figure. From an epistemological need to reassess authorship in the digital age, this article defines media authorship before analysing Houellebecq through a critical framework including Meizoz’s concept of posturing (2007), Saint-Gelais’s transmediality (2011) and Angenot’s social discourse (1989). It addresses how Houellebecq attempts to situate and justify his media-focused and author-centric strategy, showing how this reflects the challenges of the cultural domination of mass media and new technologies of the digital age, and indicates that the autonomy of the literary field is diminishing. This article shows how a superficially transgressive engagement with the media and multimedia in fact reflects consent to the dynamics of the contemporary socio-cultural context.


Info ◽  
1999 ◽  
Vol 1 (5) ◽  
pp. 393-403
Author(s):  
Bill Hibbert

2013 ◽  
Vol 32 (1) ◽  
pp. 163-164 ◽  
Author(s):  
Stephanie O’Donohoe ◽  
James Harris
Keyword(s):  

Author(s):  
Clàudia Diviu-Miñarro ◽  
Sergi Cortiñas-Rovira

Covid-19 has been the main focus of attention since it began spreading in December 2019. Scientific, political, and media actors have been overwhelmed by a wave of facts and data that has grown exponentially. Reporting on health crises is a challenge for scientific communicators and journalists, and spreading validated information from hospitals and research centers to society is not easy in a pandemic situation. To detail how the most important biomedical research centers in Barcelona have managed this situation to make information related to Covid-19 available to the population, a qualitative analysis of interviews carried out with communication experts at the studied research centers was carried out. The results show that the media have diverted their interest towards Covid-19, that there is a lot of pressure to publish articles, and that scientists have made a great effort to disseminate useful information. The study shows that health communicators are key players during a pandemic, that research centers need to focus on the digital age, and that more investment in communication is needed. Resumen La Covid-19 ha concentrado mucha atención desde diciembre de 2019, cuando empezó su propagación. Los actores científicos, políticos y mediáticos se han visto desbordados por una ola de hechos y datos que ha crecido diariamente. Informar sobre crisis sanitarias supone un reto para los comunicadores científicos y periodistas, y hacer llegar la información actualizada y validada desde los hospitales y centros de investigación a la sociedad no es fácil en situación de pandemia. El objetivo de este estudio es detallar cómo los centros de investigación biomédica más importantes de Barcelona, un hot point europeo de biomedicina, han gestionado la situación para hacer llegar la información relacionada con la Covid-19 a la población. Como metodología, se ha llevado a cabo un análisis cualitativo mediante entrevistas realizadas a los expertos de comunicación de los centros de investigación estudiados. Se ha evidenciado que los medios de comunicación han desviado su interés hacia la Covid-19, que hay mucha presión para publicar artículos y que los científicos se han volcado en la divulgación de la enfermedad. El estudio pone de manifiesto que los comunicadores científicos son piezas clave durante una pandemia, que los centros de investigación tienen que enfocarse en la era digital y encontrar nuevas formas para trasladar la información científica a la sociedad de manera más entendible, y que se necesita más inversión en comunicación por parte de los gobiernos. La conclusión más general que remarcan los expertos es que hay cambios que han llegado para quedarse.


SPIEL ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 13-23
Author(s):  
Bernhard Pörksen

Resentment toward the media establishment is on the move – from the far right towards the centre of society. With fatal effect: it turns media criticism and journalism debates into ideologically entrenched battles which in turn lead to reciprocally escalating crises of trust and, subsequently, funding in journalism. An essay on this new power dynamic and a vision of communication in the digital age.


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