scholarly journals Carnavalização bakhtiniana e o arquétipo bobo da corte na produção de sentido nas mídias

2021 ◽  
Vol 15 (3) ◽  
pp. 232-254
Author(s):  
Miguel Luiz Contani ◽  
Nattalia Todeschini Vieira ◽  
Esther Gomes de Oliveira
Keyword(s):  
Mikhail Bakhtin

A noção de arquétipo, muito utilizada na publicidade, denomina O Bobo da Corte quando aplica a comédia e o humor em sua linguagem, como estímulo à absorção do caos do mundo de forma extrovertida. Contém elementos com que Mikhail Bakhtin estabelece um dos pilares da Teoria da Carnavalização: o riso medieval. Esses conceitos, embora criados em épocas distantes, podem ser observados na mídia contemporânea com o mesmo propósito. O presente trabalho analisa o diálogo entre o arquétipo Bobo da Corte e o riso medieval bakhtiniano nas emissões efetuadas pela produtora Porta dos Fundos.

Mikhail Bakhtin

1995 ◽  
Author(s):  
Michael F. Bernard-Donals
Keyword(s):  
Mikhail Bakhtin

The Alluring Nature of Children's Culture: Fairy Tales, the Carnival and the World Wide Web

2015 ◽  
Vol 8 (2) ◽  
pp. 169-184
Author(s):  
Željka Flegar
Keyword(s):  
Children's Literature ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Mikhail Bakhtin ◽  
Children’S Literature ◽  
Social Construct ◽  
Time Out ◽  
The Social ◽  
Children's Culture ◽  
Language And Ideology

This article discusses the implied ‘vulgarity’ and playfulness of children's literature within the broader concept of the carnivalesque as defined by Mikhail Bakhtin in Rabelais and His World (1965) and further contextualised by John Stephens in Language and Ideology in Children's Fiction (1992). Carnivalesque adaptations of fairy tales are examined by situating them within Cristina Bacchilega's contemporary construct of the ‘fairy-tale web’, focusing on the arenas of parody and intertextuality for the purpose of detecting crucial changes in children's culture in relation to the social construct and ideology of adulthood from the Golden Age of children's literature onward. The analysis is primarily concerned with Roald Dahl's Revolting Rhymes (1982) and J. K. Rowling's The Tales of Beedle the Bard (2007/2008) as representative examples of the historically conditioned empowerment of the child consumer. Marked by ambivalent laughter, mockery and the degradation of ‘high culture’, the interrogative, subversive and ‘time out’ nature of the carnivalesque adaptations of fairy tales reveals the striking allure of contemporary children's culture, which not only accommodates children's needs and preferences, but also is evidently desirable to everybody.

How Dialogical Are We Really? Insights Gleaned from Un-Dialogical Moments

2017 ◽  
Vol 6 (4) ◽  
pp. 47-69 ◽  
Author(s):  
Dongjing Kang ◽  
Chigozirim Utah Sodeke
Keyword(s):  
Mikhail Bakhtin ◽  
Research Process ◽  
Martin Buber ◽  
Crucial Step ◽  
Research Reporting

This essay emphasizes the writing of dialogical research as a crucial step in the dialogical research process. Dialogical research accounts should not suppress the ongoing struggles that accompany a genuine desire to engage dialogically in research contexts. Thus, we advocate and model evocative retellings of these struggles. Questioning our own fieldwork based on the work of Martin Buber and Mikhail Bakhtin, we highlight principles of dialogue that also serve as guidelines for dialogical research reporting: unfinalizability, engaging paradoxes, and creative (critical) transformation.

Romance e imagem em O fotógrafo, de Cristóvão Tezza

2012 ◽  
Vol 4 (8) ◽  
Author(s):  
Cimara Valim De Melo
Keyword(s):  
Mikhail Bakhtin ◽  
Roland Barthes ◽  
Susan Sontag

O presente ensaio busca analisar o romance O fotógrafo, de Cristóvão Tezza, para dele extrair elementos comuns à romanesca contemporânea quanto ao modo como esta realiza a projeção imagética e plástica das relações eu/outro nos limites espaciais da criação literária. Para isso, a pesquisa tem como base os estudos de Mikhail Bakhtin sobre as relações entre atividade estética, imagem, espaço e personagem, além dos de Roland Barthes e Susan Sontag sobre o fotográfico e de Erving Goffmann sobre representação.

Dialogue as Generative Form of Positioning

2018 ◽  
Author(s):  
Hubert J. M Hermans
Keyword(s):  
Learning Process ◽  
Main Part ◽  
Mikhail Bakhtin ◽  
Theoretical Perspective ◽  
The Self ◽  
David Bohm ◽  
Self Talk ◽  
Central Elements

For the development of a democratic self, dialogical relationships between different people and between different positions in the self are paramount. After a review of studies on self-talk, the main part of this chapter is devoted to a comparison of the works of two classic thinkers on dialogue, Mikhail Bakhtin and David Bohm. A third theoretical perspective is depicted in which central elements of the two theorists are combined. This perspective centers around the concept of “generative dialogue” that, as a learning process, has the potential of innovation in the form of new and common meanings without total unification of the different positions. Elaborating on central features of generative dialogue, a distinction is made between consonant and dissonant dialogue, the latter of which is inevitable in a time of globalization and localization in which people are increasingly interdependent and, at the same time, faced with their apparent differences.

Mikhail Bakhtin: An Aesthetic for Democracy

2001 ◽  
Vol 45 (1) ◽  
pp. 135
Author(s):  
Caryl Emerson ◽  
Ken Hirschkop
Keyword(s):  
Mikhail Bakhtin

Time

2021 ◽  
pp. 163-179
Author(s):  
Jesse Matz
Keyword(s):  
Mikhail Bakhtin ◽  
Paul Ricoeur ◽  
Reciprocal Relationship ◽  
Henri Bergson ◽  
Subjective Time ◽  
Phenomenological Hermeneutics ◽  
Paul Ricœur ◽  
The Mind ◽  
The Way

Orlando and other texts express Woolf’s interest in subjective ‘time in the mind’, an interest she shared with other modernists who challenged chronological norms, but Woolf explored other forms of time as well. Some align her work with the theories of Henri Bergson, Mikhail Bakhtin, and Mary Sturt, and this variety—the way Woolf developed forms of time across her career as a writer—tracks with the phenomenological hermeneutics of Paul Ricoeur. His Time and Narrative explains the dialectical pattern according to which Woolf perpetually found new ways for time and narrative to shape each other, culminating in novels that thematize this reciprocal relationship between the art of narrative and possibilities for temporal engagement. Woolf’s early fiction breaks with linear chronology, starting a series of virtuoso performances of temporal poiesis.

The Cambridge Introduction to Mikhail Bakhtin

2021 ◽  
Author(s):  
Ken Hirschkop
Keyword(s):  
Mikhail Bakhtin ◽  
Historical Context ◽  
Cultural Analysis ◽  
Literary Texts ◽  
The Way

In this introduction to Mikhail Bakhtin, Ken Hirschkop presents a compact, readable, detailed, and sophisticated exposition of all of Bakhtin's important works. Using the most up-to-date sources and the new, scholarly editions of Bakhtin's texts, Hirschkop explains Bakhtin's influential ideas, demonstrates their relevance and usefulness for literary and cultural analysis, and sets them in their historical context. In clear and concise language, Hirschkop shows how Bakhtin's ideas have changed the way we understand language and literary texts. Authoritative and accessible, this Cambridge Introduction is the most comprehensive and reliable account of Bakhtin and his work yet available.

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