scholarly journals A new inscription from Sirmium and the basilica of St. Anastasia

Starinar ◽  
2013 ◽  
pp. 101-114
Author(s):  
Ivana Popovic ◽  
Snezana Ferjancic

A fragmentary marble inscription, preserved in the Museum of Srem in Sremska Mitrovica, seems to mention the basilica of St. Anastasia: [In dom]o beati[ssimae dominae nost]re Anast[asiae. This monument provides epigraphic evidence on the cult place of the martyr in Sirmium, already recorded by written sources. According to the Passion of St. Demetrius, the church of St. Anastasia had already existed in Sirmium when Leontius, praetorian prefect of Illyricum, started the construction of the basilica of St. Demetrius. Although the find spot of the plate is not known, the finds of Ostrogothic coins next to the northern city wall imply that the basilica of St. Anastasia was located in that zone of the city, as the Ostrogoths highly respected the Martyr. It is possible that it should be identified with a martyrium leaning against the northern city wall that had been unearthed and then destroyed at the end of the 19th century.

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


Author(s):  
Alexey B. Mazurov ◽  
Alexander V. Rodionov

The article considers theoretical development of the problem of the origin and provenance in the 15th — the first quarter of the 19th century of the famous Old Russian book monument — the Zaraysk Gospel. Although it has repeatedly attracted the attention of archaeographers, textologists, paleographers, linguists and art historians, this article is the first experience of studying these issues. Created in 1401 in Moscow, the Gospel, which is parchment manuscript, was purchased in 1825 by K.F. Kalaidovich for Count N.P. Rumyantsev from the Zaraysk merchant K.I. Averin, that determined its name by the place of discovery. The scribe book of Zaraysk in 1625 in the altar of the Pyatnitsky chapel of the St. Nikolas wooden church (“which’s on the square”) in the city’s Posad, recorded the description of the manuscript Gospel, corresponding by a number of features to the Zaraysk Gospel. The connection of the codex with the St. Nicholas church is indirectly confirmed by the drawing of the church placed on one of its pages (f. 156 ver.) with the remains of inscription mentioning St. Nicholas the Wonderworker. This allows concluding that the manuscript in the 17th century was in the book collection of the temple. In the 17th century, the ancient St. Nicholas church was re-consecrated to the Epiphany, and the sacristy was moved to the stone St. Nicholas cathedral in Zaraysk. It is most likely that in the first quarter of the 19th century, the merchant K.I. Averin purchased the Gospel from the members of the cathedral’s clergy. The article analyzes the context of the early contributions of the 15th century “to the Miraculous Icon of St. Nikolas of Zaraysk”, one of which, most likely, was the parchment Zaraysk Gospel. The authors assume that this contribution is related to the chronicle events of 1401 or 1408. The study is significant in terms of the theoretical development of methods for identifying ancient manuscripts and their origin.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.


2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.


2009 ◽  
Vol 41 (4) ◽  
pp. 555-575 ◽  
Author(s):  
Saïd Amir Arjomand

One of the oldest extant documents in Islamic history records a set of deeds executed by Muhammad after his migration (hijra) in 622 from Mecca to Yathrib, subsequently known as “the City [madīna] of the Prophet.” Marking the beginning of the Islamic era, the document comprising the deeds has been the subject of well over a century of modern scholarship and is commonly called the “Constitution of Medina”—with some justification, although the first modern scholar who studied it at the end of the 19th century, Julius Wellhausen, more accurately described it as the “municipal charter” (Gemeindeordnung) of Medina. In 1889, Wellhausen highlighted the text's antiquity, which has been acknowledged by even the most skeptical of contemporary “source-critical” scholars, Patricia Crone, who thinks that, in Ibn Ishaq's Sira, “it sticks out like a piece of solid rock in an accumulation of rubble.”


JOKULL ◽  
2021 ◽  
Vol 70 ◽  
pp. 129-138
Author(s):  
Erik Sturkell ◽  
Magnus Tumi Gudmundsson

The first recorded visit to Grímsvötn occurred on the 31st of August 1919. Two Swedish geology students, Hakon Wadell and Erik Ygberg, stood on the edge of a hitherto unknown large caldera. This discovery was the most significant finding in the first west-to-east transect across Vatnajökull, starting at Síðujökull on the 27th of August. This was an expedition into the unknown, but a principal aim was nevertheless to find the source of the large jökulhlaups on Skeiðarársandur. They named the ice-filled caldera “Svíagígur”. Studies of written sources in the 1930s revealed that this place was indeed Grímsvötn, well known in the 17th and 18th centuries but the name and location had been forgotten in the 19th century. From Svíagígur they continued eastwards, descending down the crevassed Heinabergsjökull, reaching civilization in the morning the 6th. They announced the news that a huge volcano existed under Vatnajökull and this was the source of the jökulhlaups emerging from Skeiðarárjökull. Upon their return to Stockholm, they received a hero’s welcome, but soon it all changed into no one believing them, as prominent figures in Sweden at this time insisted that a volcano can’t be active beneath a glacier! After they finished their studies, both left Sweden very disappointed. Hakon Wadell had a successful geological career in America presenting a doctoral thesis in 1932 from the University of Chicago. Erik Ygberg worked as an international prospector a few years before his bad health, a result of the hardships experienced at the end of the Vatnajökull expedition, forced him back to Sweden, where he had a career at the Swedish Geological Survey. The name Svíagígur has not been used but the two nunataks marking the highest points on Grímsfjall are named in the honour of the two Swedes, Svíahúkur eystri and Svíahnúkur vestri.


2014 ◽  
Vol 6 (1) ◽  
pp. 28
Author(s):  
Piet Defraeye

Sven Augustijnen is a Belgian film maker and visual artist. In 2012 he contributed a piece called AWB 082-3317 7922 to the Track exhibition in the city of Gent (Belgium). Track invited artists to provide art installations that were site-specific, and engaged with local narratives, history, and situations. Augustijnen had an old bike chain-locked against a park tree, with a bunch of charcoal on its baggage rack; it stood in the vicinity of the so-called “Moorken” monument, a memorial for the heroic adventures of the brothers Van de Velde in Congo Free State, erected in Gent’s prominent Citadelpark at the end of the 19th century. The idea of AWB 082-3317 7922 came about during the shooting of his film Spectres (2011), in which Augustijnen goes in search for the location of Patrice Lumumba’s assassination in Katanga, Congo, in January 1961. While the theme of the bike installation is the (only partially resolved) murder of Patrice Lumumba, first Prime Minister of the newly independent Congo, the piece spawns a spatial and historical cartography of events and developments within the park landscape as well as the greater urban, and global scope. It is the kind of street art that needs its environment for any chance of meaning, which derive from the contiguities it allows and creates.


2020 ◽  
pp. 096853322097617
Author(s):  
Sarah Fox ◽  
Margaret Brazier

Throughout the 19th century, midwives were depicted as incompetent slatterns in both popular imagery and medical literature. We examine how, between 1500 and 1800, midwifery was regulated by a combination of formal licensing by the Church and informal oversight within the community. We argue that episcopal licensing demanded that midwives demonstrate knowledge and competence in midwifery, not only that they were spiritually fit to baptise dying infants. Although episcopal licensing lacked statutory authority, the symbiosis of formal and informal systems of regulation ensured good midwifery practice and midwives were regarded as experts in all matters relating to childbirth. The Midwives Act 1902 introduced statutory regulation of midwives, restoring their ‘professional status’ if in a subordinate role. We show that the history of the regulation of midwives across four centuries casts light on the interplay between formal and informal regulation and matters of gender and professional status.


1996 ◽  
Vol 52 (4) ◽  
Author(s):  
A. D. Pont

Church vis it vis culture among the republican Afrikaner of the 19th century - an historical investigation. In this study attention is given to the question of the correlation between and/or position of the church vis a vis culture among the republican Afrikaner of the 19th century. Initially attention is given to  a workohle definition of church and culture and then, in the light of Calvinist theology, the relationship is discussed. Eventually the stated problem is discussed and the conclusion formulated that the culture of the Afrikaner was strongly influenced and directed by its theological viewpoints. A few conclusions are drawn.


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