Chaikovskii’s Visit to Prague in 1888
The foreign travels of Petr Il'ich Chaikovskii have never been a particular issue to scholars of his life and work. Even in such demonstrably important cases as his visits to the opening of the Bayreuth Festival and to Paris during which he heard Bizet’s Carmen for the first time, his tours—which brought him as far as New York City for the opening of Carnegie Hall—are treated perfunctorily, without objectivity, balance, or due regard for the impact his travel may have had on his music. This is not surprising, since Chaikovskii was not by profession a touring virtuoso; it is his musical composition which looms large in the biography as a whole. An experience which was called “the high point of earthly glory” the composer was destined to achieve, however, merits examination in detail. Chaikovskii himself claimed his visit to Prague in February 1888 constituted the “best and happiest days of [his] life” and brought him a “moment of absolute bliss.” An investigation of why Chaikovskii considered his stay there important is essential. Because the exploration of these questions depends on a scrutiny of Russian sources, this article will also be an investigation of how documents are used (or misused) to write history.