The Fifth Monarchy Men: Politics and the Millennium

1961 ◽  
Vol 30 (3) ◽  
pp. 314-324 ◽  
Author(s):  
Leo F. Solt

Of the Puritan sects which proliferated in Cromwellian England, the Fifth Monarchy Men were distinctive because of the extreme political implications which they drew from their deep commitment to millennialism. Sometimes called “millenaries” by their fellow countrymen, or “anabaptists” by continental observers, this sects wanted to set up the kingdom of Jesus Christ for His thousand-year rule by the Saints. Its members hoped to realize their quest for a religious utopia by making the old kingdoms of the Stuarts into new saintly kingdoms of the Lord. In order to carry out this idea, several of the leading Fifth Monarchy spokesmen urged Oliver Cromwell to convoke a “Jewish Sanhedrin” or Parliament of Saints which first assembled in June, 1653.

Author(s):  
Anastassia V. Obydenkova ◽  
Alexander Libman

Unlike the CIS, the Eurasian Economic Union, which was set up in 2015, but follows a long line of regional organizations which existed since 1995, focuses exclusively on economic affairs. The chapter discusses the governance and the membership of the EAEU, as well as its economic and political implications. It analyzes possible influences of the EAEU on the political regimes of the member countries, and concludes that the EAEU itself does not seem to exercise autocracy-promoting influences. However, the chapter shows that, by studying the EAEU, it is important to take into account an indirect effect: the existence of the EAEU triggers changes in Russian foreign policy, which in turn can contribute to the stabilization of authoritarian regimes.


1987 ◽  
Vol 22 (1) ◽  
pp. 49-63 ◽  
Author(s):  
Wolfgang Hager

THE 1960s APPEAR IN RETROSPECT AS THE BELLE ÉPOQUE of the postwar era. The IMF— a Cinderella while convertibility remained limited to the EPU-area—came into its own, as did the GATT with the Dillon and Kennedy Rounds. There were plenty of storm clouds, however. The monetary system, for one, was built on the shakiest of foundations. The gold/dollar parity had been fixed by an Act of Congress at $35 in 1933, a quarter century before convertibility became a reality. Four years after convertibility, in 1962, the gold pool had to be set up: a massive commodity agreement between the six richest countries, with the Bank of England as the buffer stock manager. That agreement limped on to the mid-1960s by the grace of the Russians, whose bad harvests forced them into substantial gold sales. After that, the combined effects of American arm twisting and the hubris of highly dirigiste central bankers shored up the system, until its final collapse in 1971.


2020 ◽  
Vol 11 (3) ◽  
pp. 462
Author(s):  
Akram Nagi Hizam

Paradise Lost has become a controversial epic in misrepresenting characters especially among pious critics and religious scholars. Based on applying the deconstruction theory analysis on Paradise Lost, this paper discusses three main purposes about the Miltonic exaggerations in Paradise Lost: the infringement of God divinity, the high power position of Jesus Christ, and Oliver Cromwell; as the intended symbolic political figure by Milton.In fact, the Bible and the Holy Quran are considered two main sources to the paradise story, so they apparently deconstruct the Miltonic thoughts in this epic poem. According to deconstructionism in Paradise Lost, Milton consecrated the ideology of the Trinity concept which is not explicitly mentioned in the New Testament. He also exceeded the reasonable limitation of divinity by ignoring the role of the Great God and overstating the role of Jesus Christ as the whole mercy and justices. In addition, Milton came out with Paradise Lost after Oliver Cromwell’s death in order to express his grief about Oliver Cromwell and the Commonwealth fall as well.


Daphnis ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 541-569
Author(s):  
Eva Bender

The funeral sermon of a deceased prince played a particular role within the system of communication of early modern courts. The Wohlverdiente Ehrenseule, printed in honour of Ernst I von Sachsen-Gotha und Altenburg, and the Personalia which it contained, carried multiple meanings. In the first instance they served to communicate an unquestioned acceptance of the new ruler as guarantor of the existing order, in the context of the state ceremony of mourning. They acquired additional meaning as part of the ostentatious printed account of the funeral, where they worked to communicate the newly created image of Duke Ernst set up by his oldest son Friedrich in the context of the latter’s conflict with his brothers. It has become clear that such ostentatious funeral publications can only be evaluated with an understanding of both their political implications and the complete medial system of the relevant court, because the commemoration of the deceased prince was not the consequence of his qualities as a ruler but rather of the message that his successor wished to communicate.


2011 ◽  
Vol 41 (3) ◽  
pp. 374-395 ◽  
Author(s):  
Christopher Lauer

AbstractIn this paper I argue that one of the most important impulses that structure Hegel’s account of religion is the need to show gratitude for the gift of creation. Beginning with the “Love” fragment and 1805-6 Realphilosophie, I first explore what it means to see God’s relationship to spirit as one of externalization or divestment (Entäusserung). Then, relying on the Berlin Lectures on the Philosophy of Religion, I argue that Hegel takes Christianity to be the Consummate Religion because it not only offers its own divestment to match God’s, but actually takes itself to participate in God’s own divestment. This leads to a discussion of revealed religion in the Phenomenology, which, in contrast to simpler forms of religion such as the worship of luminous being (Lichtwesen), is able to conceive of a divine generativity in which spirit actively participates. I conclude by identifying two political implications of the centrality of divestment in Hegel’s account. First, it means that, since Hegel takes Christianity to be unique in its representation of divine divestment, he cannot be a simple pluralist on religious truth. Second, Hegel’s emphasis on divestment in his various accounts of religion helps set up his critique of sovereignty from the standpoint of philosophy or absolute knowing. While religion still clings to a vision of humanity as sovereign over nature, its origin in gratitude for creation proves to be incompatible with this vision.


1972 ◽  
Vol 7 (4) ◽  
pp. 426-433
Author(s):  
Mary T. W. Robinson

THE VEDEL GROUP HAD THE DISTINCTION OF BEING THE FIRST such working party set up by the Commission of the European Communities involving the ten countries of the proposed enlarged Community. The membership of fourteen reflected the model for the new Commission, one from the smaller and two from the larger countries. The decision was taken by the Commission on 22 July 1971 to set up a working party of independent experts to advise it in its preparations for the summit the following year, in which one of the headings for discussion by the heads of governments of the ten countries would be the institutions of the Community. The Group first met in October 1971 with a mandate ‘to examine all the implications of extending the powers of the European Parliament’. It reported on 25 March 1972.As a member of the Group I shall attempt a personal assessment of the political implications of the report. I have not consulted with any of my thirteen colleagues; I do not purport to represent their views, nor are they to be taken as sharing or endorsing in any way my personal analysis in this article.


Author(s):  
Niall Allsopp

Chapter 2 revisits the question of Marvell’s place in the Engagement controversy, to map his ambivalent use of arguments from sovereignty. It contextualizes the mode of cavaliering activism celebrated in several of Marvell’s poems within contemporary republican and Engager challenges to the royalist doctrine of passive obedience. This includes a rapprochement with, and appropriation of, Davenant. This context provides the basis for, first, a new reading of Marvell’s ‘Horatian Ode’ in comparison with the Engagers Marchamont Nedham and Anthony Ascham; and, second, a survey of Marvell’s poetic engagements with Davenant, and their political implications, in the 1650s poems ‘Tom May’s Death’, ‘Upon Appleton House’, and ‘Music’s Empire’. Marvell’s habitual emphasis on modest and participatory government is strategically suspended when he uses defactoist and absolutist arguments to magnify the personal authority of Oliver Cromwell.


Vox Patrum ◽  
2016 ◽  
Vol 65 ◽  
pp. 389-431
Author(s):  
Stanisław Longosz

The author of this paper tries to prove that the origins of Christian drama shouldn’t be sought in Latin liturgical drama crystalized in 9th and 10th century – as it is commonly accepted – but rather much earlier: in Eastern dramatized patristic homilies of 5th, 6th and 7th century. All fully dramatized homilies of those days are arranged in three groups: The homilies about John the Baptist and the Baptism of Jesus Christ; The homilies about descending of Jesus Christ into the abyss and libera­tion of those who are righteous from hell; Homilies about the Annunciation of Blessed Virgin Mary – most numer­ous texts. In this article only homilies from group 1 and group 2 are analyzed. The eight most dramatized speeches from these two groups were chosen. From these homi­lies some fragments or full parts of dialogs are chosen and quoted, as examples of dramatic action, shown in the clearest way (containing the fullness of psychologi­cal expression and motion, rhetorically built dialogs of Biblical characters). These parts are explained and commented in the context of the idea of drama proposed by Origen (Commentarius in Cantica Canticorum. Prologus 1, 1-3; I 1, 1-2). From Group 1, the author of this article presents two homilies: Homilia in Sanctam Theophaniam (which authorship is mistakenly assigned to St. Gregory the Wonderworker) and Homilia de baptismo Christi [CPG 5520] of Pseudo- Eusebius of Alexandria. From Group 2 six speeches are chosen. Five of them are written by Pseudo- Eusebius of Alexandria. They make specific cycle, known as Eusebian cycle of de­scending Christ into the abyss. This cycle – in its contents and structure – is a rhe­torical amplification of apocryphal Evangelium Nicodemi (17-27) and Quaestiones S. Bartholomaei Apostoli (I 1-9). These homilies are summarized by the author of this paper. These five Eusebian homilies are completed with well-known Homilia de divini corporis sepultura et de Christi adventu in infernum [CPG 3768] of anonymous author. This last one is quoted on the Holy Saturday in the Liturgy of the Hours (II 386-388). According to some modern authors (i.e. G. La Piana), all these six homilies seem to set up the Christian Passion Drama in three acts (A-C). The structure of this drama is as follows. At the beginning we have well doc­umented theological introduction about descensus in inferos. Then we have three acts with following homilies (first five of them are written by Pseudo-Eusebius of Alexandria): A. Descending of John the Baptist to the abyss to prepare those who are righ­teous for the coming of Christ: Homilia in illud: „Tu es qui venturus es, an alium exspectamus” [CPG 5521] and Homilia de adventu Joannis in infernum et de ibi inclusis [CPG 5522]; B. The Judas’ betrayal, imprisonment of Jesus and the dread of rulers of the underworld – Satan and Hades – after they have heard about coming of Christ: De proditione Judae [CPG 5523] and Homilia in Diabolum et Hadem [CPG 5524]; C. The Passion and Death of Christ and his descending into the abyss: Homilia de Christi passione [CPG 5526] and Homilia in divini corporis sepultura et de Christi adventu in infernum [CPG 3768]. The numerous and widely presented fragments of dramatized homilies – com­pleted with highly quoted literature of subject – seem to convince clearly, that the origins of Christian drama (reconstructed in unspecified way during the liturgy in the Church) could be reasonably sought as far as in patristic dramatized homily of 6th and 7th century.


Author(s):  
T. G. Naymik

Three techniques were incorporated for drying clay-rich specimens: air-drying, freeze-drying and critical point drying. In air-drying, the specimens were set out for several days to dry or were placed in an oven (80°F) for several hours. The freeze-dried specimens were frozen by immersion in liquid nitrogen or in isopentane at near liquid nitrogen temperature and then were immediately placed in the freeze-dry vacuum chamber. The critical point specimens were molded in agar immediately after sampling. When the agar had set up the dehydration series, water-alcohol-amyl acetate-CO2 was carried out. The objectives were to compare the fabric plasmas (clays and precipitates), fabricskeletons (quartz grains) and the relationship between them for each drying technique. The three drying methods are not only applicable to the study of treated soils, but can be incorporated into all SEM clay soil studies.


Author(s):  
T. Gulik-Krzywicki ◽  
M.J. Costello

Freeze-etching electron microscopy is currently one of the best methods for studying molecular organization of biological materials. Its application, however, is still limited by our imprecise knowledge about the perturbations of the original organization which may occur during quenching and fracturing of the samples and during the replication of fractured surfaces. Although it is well known that the preservation of the molecular organization of biological materials is critically dependent on the rate of freezing of the samples, little information is presently available concerning the nature and the extent of freezing-rate dependent perturbations of the original organizations. In order to obtain this information, we have developed a method based on the comparison of x-ray diffraction patterns of samples before and after freezing, prior to fracturing and replication.Our experimental set-up is shown in Fig. 1. The sample to be quenched is placed on its holder which is then mounted on a small metal holder (O) fixed on a glass capillary (p), whose position is controlled by a micromanipulator.


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