scholarly journals The Rural Ideal and Agrarian Realities: Arthur E. Holt and the Vision of a Decentralized America in the Interwar Years

1983 ◽  
Vol 52 (1) ◽  
pp. 50-65 ◽  
Author(s):  
Jacob H. Dorn
Keyword(s):  
New York ◽  
The United States ◽  
Urban Life ◽  
Rural Life ◽  
Family Farms ◽  
Jane Addams ◽  
Great Community ◽  
Corporate Farms ◽  
Work Family ◽  
American Society

A revolution in rural life since the 1940s has produced agribusiness, corporate farms, and situation in which less than five percent of Americans are engaged in farming activities and fewer still work family farms. Richard Hofstadter once observed, “The United States was born in the country and has moved to the city.” Today, when few vestiges remain of “the localistic and personalistic frame of reference, which describes farming and country life effectively all the way through the depression years,” it is important to remember the influence that an idealized picture of rural life had on earlier generations of American intellectuals. Amidst the profound changes in American society produced by industrialization, urbanization, and corporate capitalism, many thinkers adhered to a vision of simpler times—one of grass-— Hofstadter, The Age of Reform: From Bryan to F.D.R. (New York, 1955), p. 23. John L.—Last Minority: The Transforming of Rural Life in America (DeKalb, Ill., 1976), p. xvi; Shover's book is a poignant analysis of the revolution in rural life since the 1940s. Jean Quandt, From the Small Town to the Great Community: The Social Thought of Progressive Intellectuals (New Brunswick, N.J., 1970), examines the nostalgia for simpler times in the thought of nine people, including John Dewey, Charles H. Cooley, Jane Addams, Josiah Royce, and Robert E. Park, who identified personally and professionally with urban life.

Since 1945: New Amenities, New Hazards

2000 ◽  
Author(s):  
William B. Meyer
Keyword(s):  
New York ◽  
Large Scale ◽  
Social Scientist ◽  
World History ◽  
The United States ◽  
Economic Role ◽  
The Past ◽  
American Society ◽  
Service Employment

If the average citizen's surroundings defined the national climate, then the United States grew markedly warmer and drier in the postwar decades. Migration continued to carry the center of population west and began pulling it southward as well. The growth of what came to be called the Sunbelt at the "Snowbelt's" expense passed a landmark in the early 1960s when California replaced New York as the most populous state. Another landmark was established in the early 1990s when Texas moved ahead of New York. In popular discussion, it was taken for granted that finding a change of climate was one of the motives for relocating as well as one of the results. It was not until 1954, though, that an American social scientist first seriously considered the possibility. The twentieth-century flow of Americans to the West Coast, the geographer Edward L. Ullman observed in that year, had no precedent in world history. It could not be explained by the theories of settlement that had worked well in the past, for a substantial share of it represented something entirely new, "the first large-scale in-migration to be drawn by the lure of a pleasant climate." If it was the first of its kind, it was unlikely to be the last. For a set of changes in American society, Ullman suggested, had transformed the economic role of climate. The key changes included a growth in the numbers of pensioned retirees; an increase in trade and service employment, much more "footloose" than agriculture or manufacturing was; developments in technology making manufacturing itself more footloose; and a great increase in mobility brought about by the automobile and the highway. All in one way or another had weakened the bonds of place and made Americans far freer than before to choose where to live. Whatever qualities made life in any spot particularly pleasant thus attracted migration more than in the past. Ullman grouped such qualities together as "amenities." They ranged from mountains to beaches to cultural attractions, but climate appeared to be the most important, not least because it was key to the enjoyment of many of the rest. Ullman did not suppose that all Americans desired the same climate. For most people, in this as in other respects, "where one was born and lives is the best place in the world, no matter how forsaken a hole it may appear to an outsider."

Ethnocultural Political Analysis: A New Approach to American Ethnic Studies

1971 ◽  
Vol 5 (1) ◽  
pp. 59-79 ◽  
Author(s):  
Robert P. Swierenga
Keyword(s):  
New York ◽  
Ethnic Studies ◽  
New York Times ◽  
The United States ◽  
Melting Pot ◽  
Political Analysis ◽  
Heated Debate ◽  
American Society ◽  
Nathan Glazer

At the seventy-ninth annual meeting of the American Historical Association in 1964, a panel of scholars enlivened one of the sessions with a heated debate over the effects of ethnic assimilation in American culture. The topic of debate, ‘Beyond the Melting Pot: Irish and Jewish Separateness in American Society’, focused on a recent controversial study of ethnic mixture in New York City by Nathan Glazer and Daniel Patrick Moynihan, both sociologists. Glazer and Moynihan in their bookBeyond the Melting Pottraced the ‘role of ethnicity’ in the seaboard city. The melting pot ‘did not happen’, they concluded, ‘at least not in New York and,mutatis mutandis, in those parts of America which resemble New York’. This frontal assault on the concept of Americanization, long a cherished ideal in the United States, drew a sharp reaction from several panellists, especially William V. Shannon, editorial writer for dieNew York Timesand author ofThe American Irish, and Irving Greenberg, professor of history at Yeshiva University. Both Shannon and Greenberg insisted that Irishmen and Jews had indeed been assimilated in American society, either for better or for worse. At this point, the discussion degenerated into the traditional moralistic debate on the merits and demerits of assimilation. Reflecting the divergent views of their colleagues in the history profession, Shannon praised assimilation and Greenberg condemned it.

Parks in Urban America

2015 ◽  
Author(s):  
David Schuyler
Keyword(s):  
New York ◽  
Urban Parks ◽  
The United States ◽  
Urban Life ◽  
Public Parks ◽  
Public Park ◽  
Professional Career ◽  
Political Patronage ◽  
Calvert Vaux ◽  
Active Recreation

The creation and evolution of urban parks is in some ways a familiar story, especially given the attention that Frederick Law Olmsted’s work has commanded since the early 1970s. Following the success of Central Park, cities across the United States began building parks to meet the recreational needs of residents, and during the second half of the 19th century, Olmsted and his partners designed major parks or park systems in thirty cities. Yet, even that story is incomplete. To be sure, Olmsted believed that every city should have a large rural park as an alternative to the density of building and crowding of the modern metropolis, a place to provide for an “unbending of the faculties,” a process of recuperation from the stresses and strains of urban life. But, even in the mid-1860s he sought to create alternative spaces for other types of recreation. Olmsted and his partner Calvert Vaux successfully persuaded the Prospect Park commission, in Brooklyn, New York, to acquire land for a parade ground south of the park as a place for military musters and athletics; moreover, in 1868 they prepared a plan for a park system in Buffalo, New York, that consisted of three parks, linked by parkways, that served different functions and provided for different forms of recreation. As the decades progressed, Olmsted became a champion of parks designed for active recreation; gymnasiums for women as well as men, especially in working-class areas of cities; and playgrounds for small children. He did so in part to relieve pressure on the large landscape parks to accommodate uses he believed would be inappropriate, but also because he recognized the legitimate demands for new forms of recreation. In later years, other park designers and administrators would similarly add facilities for active recreation, though sometimes in ways that compromised what Olmsted considered the primary purpose of a public park. Urban parks are, in important ways, a microcosm of the nation’s cities. Battles over location, financing, political patronage, and use have been a constant. Through it all, parks have evolved to meet the changing recreational needs of residents. And, as dominant a figure as Olmsted has been, this is a story that antedates his professional career and that includes the many voices that have shaped public parks in U.S. cities in the 20th century.

Introduction: Immigration and Incorporation

1997 ◽  
Vol 40 (3) ◽  
pp. 333-338 ◽  
Author(s):  
Rubén G. Rumbaut
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
Race And Ethnicity ◽  
The United States ◽  
The Past ◽  
Immigrant Settlement ◽  
Wide Range ◽  
The Subject ◽  
American Society

In at least one sense the “American century” is ending much as it had begun: the United States has again become a nation of immigrants, and it is again being transformed in the process. But the diversity of the “new immigration” to the United States over the past three decades differs in many respects from that of the last period of mass immigration in the first three decades of the century. The immigrants themselves differ greatly in their social class and national origins, and so does the American society, polity, and economy that receives them—raising questions about their modes of incorporation, and challenging conventional accounts of assimilation processes that were framed during that previous epoch. The dynamics and future course of their adaptation are open empirical questions—as well as major questions for public policy, since the outcome will shape the future contours of American society. Indeed, as the United States undergoes its most profound demographic transformation in a century; as inexorable processes of globalization, especially international migrations from Asia, Africa, and the Americas, diversify still further the polyethnic composition of its population; and as issues of immigration, race and ethnicity become the subject of heated public debate, the question of incorporation, and its serious study, becomes all the more exigent. The essays in this special issue of Sociological Perspectives tackle that subject from a variety of analytical vantages and innovative approaches, covering a wide range of groups in major areas of immigrant settlement. Several of the papers focus specifically on Los Angeles and New York City, where, remarkably, fully a quarter of the total U.S. immigrant population resides.

Stephen Foster

Music ◽  
2020 ◽  
Author(s):  
Deane L. Root ◽  
Codee Spinner
Keyword(s):  
United States ◽  
New York ◽  
Cultural History ◽  
Western Europe ◽  
The United States ◽  
Online Information ◽  
Tin Pan Alley ◽  
George Gershwin ◽  
Instrumental Works ◽  
American Society

Stephen Collins Foster (b. Lawrence, near Pittsburgh, PA, 4 July 1826–d. New York, 13 January 1864) was the first professional songwriter in the United States, and the earliest to write songs whose images pervaded American culture and whose melodies endure into the 21st century. For his most familiar songs, he wrote both lyrics and music, though he also set poems that had appeared in household magazines, and toward the end of his life he partnered with poet George Cooper. His oeuvre includes principally songs for solo voice (or solo voice plus four-voice chorus) with piano accompaniment, four-voice hymns, and instrumental works (mostly dances, for piano). His songs for blackface minstrels (which provided him with the majority of his income, though they amount to less than one-tenth of his 287 authenticated compositions) were controversial from the start; they made Foster’s reputation, even as he attempted to create “refined” songs in a genre he considered to be rife with “trashy and really offensive words” (Foster letter to E. P. Christy, 25 May 1852). He was of Scots-Irish descent, and as a resident of a northern industrializing urban center that drew workers from throughout Western Europe, he was attuned to different national styles of song and common sentiments of lyric poetry not confined by ethnicity, race, or social class. His song structures and lyrics became models for other songwriters well into the Tin Pan Alley era; his inability to control copyrights (which were owned by his publishers) and his death in poverty (with 38 cents in his pocket) were factors in the establishment of the American Society of Composers, Authors and Publishers (ASCAP) fifty years later. It is perhaps not coincidental that songs quoting Foster’s “Swanee River” (“The Old Folks at Home”) helped launch the careers of two of the most significant American songwriters of the 20th century, Irving Berlin (“Alexander’s Ragtime Band”) and George Gershwin (“Swanee”). This bibliography summarizes the major sources of archival, published, and online information about Foster’s life, career, music, and their interpretation and influence in the social and cultural history of the United States, Europe, and East Asia. It omits the sound recordings, plays, films, novels, and other creative works that reflect and contribute to that influence.

Whiteness Interrupted

2021 ◽  
Author(s):  
Marcus Bell
Keyword(s):  
New York ◽  
White Privilege ◽  
White Teachers ◽  
The United States ◽  
Predominantly Black ◽  
Black Schools ◽  
Upstate New York ◽  
Racial Privilege ◽  
American Society ◽  
Depth Interviews

In Whiteness Interrupted Marcus Bell presents a revealing portrait of white teachers in majority-black schools in which he examines the limitations of understandings of how white racial identity is formed. Through in-depth interviews with dozens of white teachers from a racially segregated, urban school district in Upstate New York, Bell outlines how whiteness is constructed based on localized interactions and takes a different form in predominantly black spaces. He finds that in response to racial stress in a difficult teaching environment, white teachers conceptualized whiteness as a stigmatized category predicated on white victimization. When discussing race outside majority-black spaces, Bell's subjects characterized American society as postracial, in which race seldom affects outcomes. Conversely, in discussing their experiences within predominantly black spaces, they rejected the idea of white privilege, often angrily, and instead focused on what they saw as the racial privilege of blackness. Throughout, Bell underscores the significance of white victimization narratives in black spaces and their repercussions as the United States becomes a majority-minority society.

Black and Multiracial Politics in America Edited by Yvette M. Alex-Assensoh and Lawrence J. Hanks. New York: New York University Press, 2000. 404p. $55.00 cloth, $21.00 paper.

2002 ◽  
Vol 96 (3) ◽  
pp. 629-630
Author(s):  
Michael K. Brown
Keyword(s):  
United States ◽  
New York ◽  
Latin America ◽  
Urban Politics ◽  
The United States ◽  
New York University ◽  
Original Essays ◽  
Northern Cities ◽  
American Society ◽  
The Waves

The waves of immigrants arriving in the United States over the last 20 years, largely from Latin America and Asia, have settled in a few states—mainly California, New York, Texas, Florida, Illinois, and New Jersey—and in big cities in those states. Like the migration of African Americans to northern cities in the twentieth century and the suburbanization of whites, this demographic transformation is remaking urban politics. Black and Multiracial Politics in America, a collection of original essays, addresses the implications of this change for “the practice and process of black and multiracial politics in American society” (p. xiii). The authors seek to forge a new link between the study of black and the study of multiracial politics.

scholarly journals The Alert Collector: Hip Hop in the United States

2016 ◽  
Vol 55 (3) ◽  
pp. 215
Author(s):  
Holly Boyer
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Hip Hop ◽  
Social Issues ◽  
Symphony Orchestra ◽  
The United States ◽  
South Bronx ◽  
Gangsta Rap ◽  
American Society

Hip hop is a ubiquitous part of American society in 2015—from Kanye West announcing his future presidential bid to discussions of feminism surrounding Nikki Minaj’s anatomy, to Kendrick Lamar’s concert with the National Symphony Orchestra, to Questlove leading the Tonight Show Band, hip hop has exerted its influence on American culture in every way and form.Hip hop’s origin in the early 1970s in the South Bronx of New York City is most often attributed to DJ Kool Herc and his desire to entertain at a party. In the 1980s, hip hop continued to gain popularity and speak about social issues faced by young African Americans. This started to change in the 1990s with the mainstream success of gangsta rap, where drugs, violence, and misogyny became more prominent, although artists who focused on social issues continued to create. The 2000s saw rap and hip hop cross genre boundaries, and innovative and alternative hip hop grew in popularity.

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