Gillian Jondorf and D. N. Dumville, editors. France and the British Isles in the Middle Ages and Renaissance: Essays in Memory of Ruth Morgan. Rochester, N.Y.: Boydell & Brewer. 1991. Pp. 282. $70.00.

1992 ◽  
Vol 24 (4) ◽  
pp. 628-629
Author(s):  
W. Scott Jessee
2021 ◽  
Vol 02 (06) ◽  
pp. 150-156
Author(s):  
E.M. Yanenko ◽  
◽  
V.I. Zolotov ◽  

The article deals with the actual problem of cultural contact for modern historical knowledge on the example of the origin and development of the legends about King Arthur and the Knights of the Round Table. The main purpose of the research is to reflect the understanding of historically important images and symbols of European society through the subjective ideas, thoughts and intentions of a person of the Middle Ages. The main method of research is the socio-cultural approach, focused on the relations of people of the time, characterized by cultural diversity. Christianity in the Arthurian legends of the Middle Ages was one of the elements that had a significant impact on their formation and further development. This was influenced by the early and peaceful Christianization of the British Isles, as well as the cultural and religious contact of the Celtic settlers with the population of Armorica. This article examines two branches of the development of Arthurianism, the Christian origins of the legend of the Holy Grail, as well as the influence of Christian morality and homiletics on the plot-forming motifs of the medieval chivalric novel. In the course of the study, it is traced what influence on the development of the Arthurian cycle, in addition to the ancient Celto-Welsh tradition, was exerted by the early Christianization of the British Isles and how the combination of these factors turned Arthurian into a significant cultural tradition of European civilization.


BMJ ◽  
1890 ◽  
Vol 1 (1524) ◽  
pp. 630-630
Author(s):  
J. Dreschfeld

2021 ◽  
Vol 27 (2) ◽  
pp. 89-102
Author(s):  
Sławomir Kościelak

This article presents the religious aspects of the community of emigrants from the British Isles, mainly Scots, in Gdańsk. They tried to provide for their religious needs already in the Middle Ages, as evidenced by the existence of chapels and altars in some of the churches in Gdansk. After the success of the Reformation, mainly Scottish Presbyterians settled in Gdansk. Clergymen from their home country were brought in for their ministry. Both the Presbyterian clergy and the wealthy Scottish merchant elite of this denomination ruled the sacred building acquired in 1707, called the English Church. However, only few of the Presbyterians living in Gdansk identified with this building - according to legal arrangements, having the character of an “ethnic” temple - together with the Anglicans. Most Scots - by entering into family relationships - slowly melted into the community of the city on the Motława, using other Calvinist facilities. In addition to Presbyterians and very few Anglicans and Catholics there, English radicals, Chialists and Quakers, also tried to settle in Gdansk, but the city's unfavourable legislation and deterrent actions effectively prevented this transfer.


Traditio ◽  
1957 ◽  
Vol 13 ◽  
pp. 313-344 ◽  
Author(s):  
Carl Selmer

Among the medieval hagiographical writings derived from the British Isles none enjoyed greater popularity throughout the Middle Ages than the Navigatio Sancti Brendani Abbatis (= NB). This celebrated prose work, a typical product of the Othonian period, has come down to us in more than a hundred MSS in various versions. It embodies the adventurous sea-story of the Irish Abbot St. Brendan, one of the great sixth-century founders of monasteries. In structure, the NB consists actually of three parts: a brief introduction comments on St. Brendan's descent, youth, ascetic life, and early monastic foundations; the main body reports some twenty-six adventures which he and his fourteen companions encountered in their search for the terra repromissionis or paradisum terrestre, the tír tairgirne of the ancient Celts; finally, a terse epilogue narrates his life after his return and subsequent happy death. While the main body of the NB, the sea-voyage proper, is uncompounded and has been modeled after Old Irish sea-tales, known in Celtic literature as immrama, both the introduction and epilogue, necessary to give the story the appropriate frame, represent incidents culled from the Vita Sancti Brendani (= VB), which has come down to us in various Irish and Latin recensions. These two narratives have over the centuries been combined by several medieval compilers into a single story in a more or less artistic way. Consequently, the student of the NB is ultimately confronted with that much feared and confusing type of Brendaniana, called conflated texts, which in view of the absence of clearly drawn lines between the contents of the VB and NB, have for centuries offered vexing problems to researchers. One of the minor, but nevertheless irritating, results of these fusions is the misleading caption ‘Vita’ Sancti Brendani, exhibited by a goodly number of NB-MSS, which has misled many cataloguers, medieval and modern, to list the Navigatio as a Vita. Thus, not less than half of all NB-MSS sail in the maelstrom of medieval literature under a false flag. A most peculiar Latin NB-MS, showing the same misleading caption Vita Sancti BrendaniAbbatis, is codex 256 of the Biblioteca Nacional de Lisboa, Lisbon, Portugal. This MS, hitherto unavailable to research, is of signal importance for the history of the Vita, the Navigatio, and above all, for the Old French translations of the Navigatio with their re-translations into Latin, so unique in medieval literature.


2021 ◽  
Author(s):  
John McEwan

Our understanding of the relationship between visual culture and regional identity in the medieval British Isles is being transformed through the study of medieval seals. Art historians have argued that the visual culture of the British Isles during the middle ages was a rich patchwork with important pockets of local diversity. However, they have made little attempt to apply the sigillographic sources to the problem of charting variations in visual culture across the British Isles. To establish a foundation for comparative regional analysis based on seals, a dataset of seals of Sussex in the period c.1150-1350 was created. The dataset includes seals from several repositories, including the Huntington Library (California), The National Archives (Kew), Magdalen College (Oxford), Senate House Library (London), The British Library (London), and the East Sussex Record Office (Sussex).


Author(s):  
Lewis R. Fischer ◽  
Peter N. Davies

Englishmen like to tell visitors that if they are bored by the current vista, all they need do is travel a few miles to experience scenery that is totally different. This amazing variety is truly one of the joys of the British Isles.. Yet even by such lofty standards, Lincolnshire is an especially diverse unit. This is true in several ways. For starters, it is spatially one of the largest of the counties. It is also highly heterogeneous economically: part of it comprises rich agricultural lands, while other areas have given rise to mining, manufacturing and fishing industries. Indeed, some geographers have questioned whether Lincolnshire forms any kind of coherent whole. While travellers who visited the region between the Middle Ages and the nineteenth century almost always commented on the diversity of topography and economy, most tended nonetheless to see a kind of unity in its people, who were most often described as “pious,” “industrious” and, most typically, “independent.” These attributes perfectly describe Gordon Jackson, Lincolnshire born and bred....


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