Two Buildings in Sanctuaries of Asklepios

1969 ◽  
Vol 89 ◽  
pp. 106-117 ◽  
Author(s):  
R. A. Tomlinson
Keyword(s):  

In describing the sacred grove () of Asklepios in the territory of Epidaurus, Pausanias (ii 27.1) mentions two of the rules that were in force there: (he has just mentioned that the ἄλσος is surrounded on all sides by boundary stones), and, secondly, Those about to give birth or to die were eventually accommodated immediately outside the peribolos in a building constructed for them in Pausanias' own time by ‘Antoninus, a Senator’. The eating accommodation was provided earlier, most obviously in the building generally described as the καταγώγιον. Since this lies between the temple of Asklepios and the theatre, which is itself, according to Pausanias we can assume that sacrificial meat consumed in it had not been taken outside the boundaries.


1992 ◽  
Vol 34 (2) ◽  
pp. 203-224 ◽  
Author(s):  
Mary Beard

In 1985 Edmund Leach, well into retirement from his chair of Anthropology in Cambridge, made his first visit to the site of the temple of Diana at Nemi, some fifteen miles southeast of Rome.Leach called this visit a pilgrimage, for Nemi and the problems of its bizarre cult were the starting place for James Frazer's founding work of Social Anthropology, The Golden Bough. This was the spot that Frazer described in such lavish detail in his opening chapter: ‘the sylvan landscape [that] was the scene of a strange and recurring tragedy.’ This was the setting for the problem that Frazer set out to solve: Why in Roman times could the priest-king of the sacred grove of Nemi (the so-called Rex Nemorensis) win his priestly office only by killing the previous incumbent; why would he himself lose it only through murder at the hands of his successor? For those who see Frazer's work as the start of anthropological study in its modern sense, the site and the cult of Nemi must hold a particular place: This colourful, but minor, backwater of Roman religion marks the source of the discipline of Social Anthropology.



2015 ◽  
Vol 32 ◽  
pp. 77-91
Author(s):  
J. Nithyadevi ◽  
R. Sivakumar

The konjikuppam village lies on the state highway linking panruti (5 km south) and Neyveli (10 km north). The sacred grove of konjikuppam is also situated on the main read and is proximate to the village. A large bond of about 3 ha. Size lies behind the temple complex and cannel bringing strong water from the neighboring shallow ferralitic terrain runs into it. An extensive floristic survey of carried out in the sacred groves at monthly intervals between December 2011 and October 2012. Specimen flowering plants were collected and identified taxonomically with the help of different floras. Nine plots were established in three different disturbance areas within the sacred groves and it is divided into three site I. Disturbances, II. Moderately disturbance III. Undisturbance. Present study revealed that a total number of 110 plants belonging to 96 genera and 45 families were recorded from three sites (I. Disturbed, II. Moderately Disturbed, III. Undisturbed) of konjikuppam sacred groves Cuddalore district. The present study revealed that more number of species found in undisturbed site III and least number and density in disturbed site I. a total of 24 plants used in herbal preparations. The local health traditions provide immediate and cheaper remedy or relief to the poor and down trodden inhabiting the villages. The devastation of species diversity in the study area there is an urgent need for regeneration of the species for conservation of species and biodiversity.







1884 ◽  
Vol 18 (462supp) ◽  
pp. 7373-7373
Keyword(s):  


Author(s):  
Victoria N Osuagwu

Human beings have always left signs of their activities behind them. These signs take both tangible and intangible forms, including buildings, sites, sculptural works, antiquities, rock art paintings, belief systems, and traditions. The people of this millennium have recognized the remains of our fore-bears namely archaeological, architectural monuments, sites, and cultural works as an integral part of the cultural heritage of all humanity. They also recognized the fact that heritage is an invaluable source of information about the lives and activities of human beings and their artistic and technical capabilities over the centuries. The Nigerian Ancient Art Tradition which spans eight thousand years is a product of diverse artists from Dufuna, Nok, Igbo-Ukwu, Ife, Owo, Benin, Tada, etc. Also remarkable are the sculptural works created by late Susanne Wenger (an Austrian) and her New Sacred Art Movement in Osun-Osogbo Sacred Grove, which gave meaning to open spaces within the grove. This paper examines the role played by these artworks to project Nigeria to the global art world. The benefits to Nigeria and the global art traditions and recommendations on how to revive this dwindling economic resource will also be examined. The approach used was to study the artworks produced by some of these artists. Some of the findings were that the works were carefully done with suitable materials that have withstood climate change.



Jurnal SCALE ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 24
Author(s):  
Sri Pare Eni

Architecture of the ancient kingdoms of Kediri, Singasari and Majapahit, have the same  religion that is Hindu and Buddhist shrines, which requires either a temple. Each temple has a good difference in the environment, culture technology, function, and form of the building.The method of the description will be used here to be able to give you an idea of the temple reliefs in details.Each temple has a different relief and can be found on the head / body / foot which tells about the life story or series, or legend of a moral message containing the story.



1989 ◽  
Vol 16 (3) ◽  
pp. 263-274 ◽  
Author(s):  
L. JESSOP
Keyword(s):  


Author(s):  
Kathryn A. Sloan

Popular culture has long conflated Mexico with the macabre. Some persuasive intellectuals argue that Mexicans have a special relationship with death, formed in the crucible of their hybrid Aztec-European heritage. Death is their intimate friend; death is mocked and accepted with irony and fatalistic abandon. The commonplace nature of death desensitizes Mexicans to suffering. Death, simply put, defines Mexico. There must have been historical actors who looked away from human misery, but to essentialize a diverse group of people as possessing a unique death cult delights those who want to see the exotic in Mexico or distinguish that society from its peers. Examining tragic and untimely death—namely self-annihilation—reveals a counter narrative. What could be more chilling than suicide, especially the violent death of the young? What desperation or madness pushed the victim to raise the gun to the temple or slip the noose around the neck? A close examination of a wide range of twentieth-century historical documents proves that Mexicans did not accept death with a cavalier chuckle nor develop a unique death cult, for that matter. Quite the reverse, Mexicans behaved just as their contemporaries did in Austria, France, England, and the United States. They devoted scientific inquiry to the malady and mourned the loss of each life to suicide.



2019 ◽  
Vol 2 (1) ◽  
pp. 18-59
Author(s):  
Saepul Iman ◽  
Deden Hidayat ◽  
Asep Supianudin

Kitab Qashidah Burdah is a book authored by Shaykh Muhammad Al Bushiri. This Qashidah in the book tells the story of the story of the Prophet Muhammad, the Apostolic privileges, the Prophet Muhammad, to the miracle. In Verse-verse contained in the book of Qashidah is very beautiful Burdah. Therefore, the very need to be examined, beauty-beauty that exists on the Poetry Book. Qashidah Burdah by using the review Balaghoh Bayan Tasybih Science in particular. The problem in this research include what type of Tasybih in the book Qashidah Burdah works of Shaykh Muhammad Imam Al Bushiri?, and how Tasybih Purpose in the book Qashidah Burdah works of Shaykh Muhammad Imam Al Bushiri?. As for the purpose of this research is to know the type and purpose of Tasybih in the book Qashidah Burdah works of Shaykh Muhammad Imam Al Bushiri. To achieve that goal this research uses descriptive analytic method. Descriptive analytic method is done by means of descript the data in the form of a word or phrase containing Tasybih, then proceed with the analysis. This research uses the study of science science approach with Parrot Balaghah.  Conclusion of this research is that the Tasybih contained in the book of Qashidah Burdah works of Shaykh Muhammad Imam Al Bushiri 11 types of Tasybih, such as: Tasybih Mursal Mufashshal on get at 4 Temple of poetry, Tasybih Puberty in the get on 2 the Temple of poetry, Tasybih Mursal Mujmal Temple poems on 2, Tasybih Mufashshal Ghoiru Tamtsil Mursal at 2 Temple of poetry, Tasybih Muakkad Mufashshal at 2 Temple of poetry, Tasybih Mursal Mufashshal Tamtsil at 7 Tasybih poetry, Mursal Temple on Temple 5 poems Tasybih Mujmal Temple poems 1 Tasybih, Muakkad Mufashshal Tamtsil at 1 Temple of poetry, and Tasybih Muakkad Mujmal Maqlub 1 Temple, Tasybih Dhimny Temple on 12 verses. The purpose of Tasybih found in: Bayan musyabbah al things in 28 Temple of poetry, Bayan al imkan musyabbah in poetry, Tazyin Temple 3 al musyabbah in the 5th stanza poem, Mengongkritkan musyabbah Temple in three verses, and Bayan miqdar al musyabbah thing in 3 Temple poems



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