The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art

1991 ◽  
Vol 54 ◽  
pp. 43 ◽  
Author(s):  
Scot McKendrick
Author(s):  
Michael Mitterauer

The research is concerning two unusual evidences of the late Medieval art, which could be seen in the Museum of the cathedral St. Stephan in Vienna. Both of them are related to Herzog Rudolf IV of Austria (1358 - 1365). One artefact in the museum is his silk gold woven shroud elaborated with especial mastership from Chinese silk in Tabriz, a city in present Iran. Especially important for this fabric is that thanks to the interwoven name of the ruler it could be dated precisely. The road of this Near East fabric to Europe and to the tomb of the Herzog in Vienna could be reconstructed. Rudolf IV died suddenly during the visit to his relative Bernabo Visconti in Milano who was one of the richest men in Europe by that time. Probably the fabric was brought across the Silk Road to Constantinople and further across the sea to Genova and to the city of silk Lucca and then to Milano. Such gold woven fabrics from the Islamic world could be found not rarely in the European ruler’s tombs. The second unusual object in the cathedral museum is a portrait of the Herzog. So far this portrait was attributed to a Prague artist. But it could be proved that it originated from Upper Italy and probably was painted by an artist from Verona who was associated to the society around the great humanist Francesco Petrarca. This portrait rises the question about the emergence of early ruler's portraits in Eu-rope and in this aspect is also related to achievements of the „Palaeologus Renaissance“ art in South – East Europe. The two objects are considered as expression forms of the ruler’s funeral culture of the late Medieval age. In the context formed by the comparative approach new possibilities for analysis are created which cross over the traditional methodology of History of Art.


Author(s):  
Katerina Chatzopoulou

This study is an investigation of the expression of negation in the history of Greek, through quantitative data from representative texts from three major stages of vernacular Greek (Attic Greek, Koine, Late Medieval Greek), and qualitative data from Homeric Greek until Standard Modern. The contrast between two complementary negators, NEG1 and NEG2, is explained in terms of sensitivity of NEG2 μη‎ to nonveridicality: NEG2 is a polarity item in all stages of the Greek language, an item licensed by nonveridicality. The asymmetry in the diachronic development of the Greek negator system (the replacement of NEG1 and the preservation of NEG2) is explained with reference to the particulars of the uses of NEG2, specifically the inertial forces drawn by the nonnegative uses of NEG2, which being nonnegative did not experience the renewal pressures predicted by the Jespersen’s Cycle. These are its complementizer uses: (i) as a question particle, and (ii) in introducing verbs of fear complements. A viewpoint for Jespersen’s Cycle is proposed that abstracts away from the morphosyntactic and phonological particulars of the phenomenon and explicitly places its regularities in the semantics, accommodating not only for Greek, but for numerous other languages that deviate in different ways from the traditional description of Jespersen’s Cycle. The developments observed in the history of the Greek negator system agree with current generative theories of syntactic change, regarding the notions of up-the-tree movement.


Author(s):  
Peter Linehan

This book springs from its author’s continuing interest in the history of Spain and Portugal—on this occasion in the first half of the fourteenth century between the recovery of each kingdom from widespread anarchy and civil war and the onset of the Black Death. Focussing on ecclesiastical aspects of the period in that region (Galicia in particular) and secular attitudes to the privatization of the Church, it raises inter alios the question why developments there did not lead to a permanent sundering of the relationship with Rome (or Avignon) two centuries ahead of that outcome elsewhere in the West. In addressing such issues, as well as of neglected material in Spanish and Portuguese archives, use is made of the also unpublished so-called ‘secret’ registers of the popes of the period. The issues it raises concern not only Spanish and Portuguese society in general but also the developing relationship further afield of the components of the eternal quadrilateral (pope, king, episcopate, and secular nobility) in late medieval Europe, as well as of the activity in that period of those caterpillars of the commonwealth, the secular-minded sapientes. In this context, attention is given to the hitherto neglected attempt of Afonso IV of Portugal to appropriate the privileges of the primatial church of his kingdom and to advance the glorification of his Castilian son-in-law, Alfonso XI, as God’s vicegerent in his.


2021 ◽  
Vol 13 (14) ◽  
pp. 2719
Author(s):  
Nicodemo Abate ◽  
Alessia Frisetti ◽  
Federico Marazzi ◽  
Nicola Masini ◽  
Rosa Lasaponara

Unmanned aerial vehicles are currently the most used solution for cultural heritage in the field of close range and low altitude acquisitions. This work shows data acquired by multitemporal and multispectral aerial surveys in the archaeological site of San Vincenzo al Volturno (Molise, Italy). The site is one of the most important medieval archaeological sites in the world. It is a monastic settlement that was particularly rich during the early Middle Ages, and is famous for its two full-frescoed crypts which represent a milestone in the history of medieval art. Thanks to the use of multispectral aerial photography at different times of the year, an area not accessible to archaeological excavation has been investigated. To avoid redundancy of information and reduce the number of data to be analysed, a method based on spectral and radiometric enhancement techniques combined with a selective principal component analysis was used for the identification of useful information. The combination of already published archaeological data and new remote sensing discoveries, has allowed to better define the situation of the abbey during the building phases of the 8th/9th century and 11th century, confirming and adding new data to the assumptions made by archaeologists.


Urban History ◽  
2019 ◽  
Vol 47 (4) ◽  
pp. 568-588
Author(s):  
Frederik Buylaert ◽  
Jelten Baguet ◽  
Janna Everaert

AbstractThis article provides a comparative analysis of four large towns in the Southern Low Countries between c. 1350 and c. 1550. Combining the data on Ghent, Bruges and Antwerp – each of which is discussed in greater detail in the articles in this special section – with recent research on Bruges, the authors argue against the historiographical trend in which the political history of late medieval towns is supposedly dominated by a trend towards oligarchy. Rather than a closure of the ruling class, the four towns show a high turnover in the social composition of the political elite, and a consistent trend towards aristocracy, in which an increasingly large number of aldermen enjoyed noble status. The intensity of these trends differed from town to town, and was tied to different institutional configurations as well as different economic and political developments in each of the four towns.


1995 ◽  
Vol 64 (2) ◽  
pp. 185-201 ◽  
Author(s):  
Philip Krey

“Use Auriol's Compendium as a mould, pour in Lyre, flavor with Augustine, and sprinkle with Grosseteste.” This was John Wyclif's (1330–1384) recipe for biblical commentary. It may be the nature of biblical commentary that commentators do not follow recipes closely, but the history of how the admirers of Nicholas of Lyra's Apocalypse Commentary (1329) received and reworked it indicates that Nicholas's work served frequently as the “mould” into which other interpretations were “poured,” while his own Augustinian seasonings were largely ignored. Although later commentators often adopted Nicholas's method, they more frequently poured in the ingredients of his younger Franciscan colleague, Peter Auriol (whose Apocalypse Commentary of 1319 Nicholas sharply critiqued), serving up a dish that Nicholas would not have enjoyed eating.


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