Outside Ravel's Tomb

1999 ◽  
Vol 52 (3) ◽  
pp. 465-530 ◽  
Author(s):  
Carolyn Abbate
Keyword(s):  
Eighteenth Century ◽  
Intellectual History ◽  
Human Subjectivity ◽  
Mechanical Reproduction ◽  
The Uncanny ◽  
Tombeau De Couperin ◽  
History Of ◽  
The Dead ◽  
Musical Modernism

In his 1956 study of Ravel, Vladimir Jankélévitch remarked that music machines and animated objects are pervasive motifs in the composer's oeuvre. These motifs shaped Le Tombeau de Couperin (1917) and L'Enfant et les sortilèges (1925), and are significant generally in musical modernism. To trace their historical and philosophical meanings, we begin with a peculiar visual icon: Rousseau's tomb in the Panthéon (1794), which symbolizes an Enlightenment sense of tombeau as "containing the dead" yet also "animated from within." This characterization, in an imaginative leap, could also be applied to a box that reproduces music: the musical automaton. Such automata were perfected in the eighteenth century, and musical performers were compared to them, suggesting the uncanny aspects of both; a full intellectual history of this phenomenon has yet to be written. But given this history, which assumed new forms by 1900, we understand more fully the meanings borne by symptoms of mechanism in Ravel's piano suite and his opera. They are modernist reflections on human subjectivity in music, its loss in mechanical reproduction, and the futility of seeking lost objects by breaking open a tomb.

Projecting the Enlightenment

2012 ◽  
Author(s):  
Robert Wokler ◽  
Christopher Brooke
Keyword(s):  
Eighteenth Century ◽  
Intellectual History ◽  
Intellectual Tradition ◽  
The Enlightenment ◽  
Enlightenment Project ◽  
History Of

This chapter retraces Alasdair MacIntyre's own construal of the Enlightenment Project's trajectory in order to show how his interpretation of an intellectual tradition depends above all on his assessment of its impact. It argues that MacIntyre's Enlightenment Project is largely unreconstructed, unredeemed, and undiminished in its failure, even after substantial embellishment. His three principal works comprise an extraordinary indictment of the theoretical and practical legacy of eighteenth-century philosophy. His account projects the Enlightenment's implications and influence as they stem from its aims. He holds it to blame for some of the most sinister aspects of a morally vacuous civilization, cursed by the malediction of unlicenced Reason. His intellectual history of the period forms one of the mainsprings of his own philosophy.

Islam without Europe

2018 ◽  
Author(s):  
Ahmad S. Dallal
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Intellectual History ◽  
Muslim World ◽  
Religious Knowledge ◽  
Islamic Thought ◽  
European Colonization ◽  
History Of ◽  
Definition Of ◽  
The Ganges

Replete with a cast of giants in Islamic thought and philosophy, Ahmad S. Dallal’s pathbreaking intellectual history of the eighteenth-century Muslim world challenges stale views of this period as one of decline, stagnation, and the engendering of a widespread fundamentalism. Far from being moribund, Dallal argues, the eighteenth century--prior to systematic European encounters--was one of the most fertile eras in Islamic thought. Across vast Islamic territories, Dallal charts in rich detail not only how intellectuals rethought and reorganized religious knowledge but also the reception and impact of their ideas. From the banks of the Ganges to the shores of the Atlantic, commoners and elites alike embraced the appeals of Muslim thinkers who, while preserving classical styles of learning, advocated for general participation by Muslims in the definition of Islam. Dallal also uncovers the regional origins of most reform projects, showing how ideologies were forged in particular sociopolitical contexts. Reformists’ ventures were in large part successful--up until the beginnings of European colonization of the Muslim world. By the nineteenth century, the encounter with Europe changed Islamic discursive culture in significant ways into one that was largely articulated in reaction to the radical challenges of colonialism.

Ideology Hunting: The Case of James Harrington

1959 ◽  
Vol 53 (3) ◽  
pp. 662-692 ◽  
Author(s):  
Judith N. Shklar
Keyword(s):  
Eighteenth Century ◽  
Political Theory ◽  
Intellectual History ◽  
Good Deal ◽  
English Civil War ◽  
The Political ◽  
The Past ◽  
Political Ideas ◽  
Political Theories ◽  
History Of

It is well known that each age writes history anew to serve its own purposes and that the history of political ideas is no exception to this rule. The precise nature of these changes in perspective, however, bears investigation. For not only can their study help us to understand the past; it may also lead us to a better understanding of our own intellectual situation. In this quest the political theories of the 17th century and particularly of the English Civil War are especially rewarding. It was in those memorable years that all the major issues of modern political theory were first stated, and with the most perfect clarity. As we have come to reject the optimism of the eighteenth century, and the crude positivism of the nineteenth, we tend more and more to return to our origins in search of a new start. This involves a good deal of reinterpretation, as the intensity with which the writings of Hobbes and Locke, for instance, are being reexamined in England and America testify. These philosophical giants have, however, by the force of their ideas been able to limit the scope of interpretive license. A provocative minor writer, such as Harrington, may for this reason be more revealing. The present study is therefore not only an effort to explain more soundly Harrington's own ideas, but also to treat him as an illustration of the mutations that the art of interpreting political ideas has undergone, and, perhaps to make some suggestions about the problems of writing intellectual history in general.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Jorge Duany
Keyword(s):  
Eighteenth Century ◽  
National Identity ◽  
Intellectual History ◽  
American Art ◽  
Art Museum ◽  
Cuban American ◽  
Volume Editor ◽  
History Of ◽  
Florida International University ◽  
Diasporic Identities

Volume editor Jorge Duany briefly reviews the intellectual history of Cuban thought on national identity since the late eighteenth century. Several generations of Cuban writers and artists on the island and abroad have drawn the contours of their “moveable nation,” according to different historical junctures, geographic locations, and ideological perspectives. Duany notes that the search for and affirmation of Cuba’s national identity strongly shaped the history of the visual arts, as well as literature, music, and other cultural expressions. The author then explains the origins of the current volume in an interdisciplinary 2017 conference on Cuban and Cuban-American art held at the Frost Art Museum of Florida International University in Miami. The second part of the introduction summarizes the contents of the volume, highlighting the significance of Cuban and Cuban-American art for the construction of national and diasporic identities.

Bull-baiting: intellectual history

2005 ◽  
Author(s):  
Emma Griffin
Keyword(s):  
Eighteenth Century ◽  
Intellectual History ◽  
Animal Cruelty ◽  
Animal Suffering ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
Rapid Emergence

This chapter attempts to establish the extent of concern for animal suffering during eighteenth-century England. An intellectual history of this sport is provided. It looks at the rapid emergence of hostile criticism about bull-baiting in the late eighteenth-century. The chapter also attempts to situate the outpouring of concern within the wider context of concern about animal cruelty.

Navigational Accuracy in the Eighteenth Century

1953 ◽  
Vol 6 (1) ◽  
pp. 71-73 ◽  
Author(s):  
W. E. May
Keyword(s):  
Eighteenth Century ◽  
Dead Reckoning ◽  
Maritime History ◽  
History Of ◽  
The Dead

When the maritime history of the eighteenth century is under discussion it is usual to stress the limitations imposed by the inability of navigators to determine their longitude. It is generally assumed that since the advent of the Davis Quadrant or back-staff the latitude could be observed with considerable accuracy, and that with the compass in a wooden hull and with the more accurate graduation of the log-line as shown by Norwood, the dead reckoning should, over short periods of time, be reasonably reliable.

Intellectual Change in Early Eighteenth-Century Tokugawa Confucianism

1975 ◽  
Vol 34 (4) ◽  
pp. 931-944 ◽  
Author(s):  
Tetsuo Najita
Keyword(s):  
Eighteenth Century ◽  
Intellectual History ◽  
Good Reason ◽  
The Other ◽  
Modern History ◽  
Modern Culture ◽  
Intellectual Engagement ◽  
Important Impact ◽  
Confucian Thought ◽  
History Of

When teaching Tokugawa intellectual history, I consistently encounter a question that is at once deceptively simple yet so difficult to respond to in a convincing and substantial way. Why do Japanese historians argue that Confucianism had an important impact on Tokugawa society, when geographical, political, and ethical realities in Japan were so vastly different from those in China? There is, of course, good reason to be perplexed, I reply, and offer a generalization or two. Tokugawa society clearly was not “Sinified” as is sometimes implied; but, on the other hand, the imprint of Confucianism on Tokugawa thought and culture was undeniably deep. Although the picture is sometimes overdrawn, Japanese historians constantly refer to Confucianism as the “rationalizing” force that transformed Japan from a religious and ascetic culture to a bureaucratic and secular one. The same historians continue to debate the intellectual merit of Tokugawa Confucianism in Japan's modern culture, for while the precise ramifications are still controversial, there is little doubt as to the depth of the Tokugawa intellectual engagement with Confucian thought and of the profound legacy of that engagement for the modern history of Japan. Unfortunately, these generalizations, although helpful, do not add up to convincing historical instruction, a realization that has invariably left me searching for more cogent lines of interpretation and more detailed characterizations of Tokugawa thought.

Titus Andronicus and 'The Shearmen and Taylors' Play'

1969 ◽  
Vol 22 (1) ◽  
pp. 27-31
Author(s):  
Nancy Lenz Harvey
Keyword(s):  
Eighteenth Century ◽  
Titus Andronicus ◽  
Morality Plays ◽  
History Of ◽  
The Dead ◽  
The Sacrifice

Titus andronicus has long been recognized as a play wherein Shakespeare, as novice playwright, manipulated numerous plots and stage devices into an integrated whole. In an eighteenth-century chapbook, for instance, both R. M. Sargeant and J. C. Maxwell see the possible source of the main story in the prose rendition ‘The History of Titus Andronicus.’ From Kyd, Shakespeare borrowed the revenge play feigned madness of Hieronimo, the Senecan gore, the passive-to-active protagonist. From the morality plays, he borrowed the figures of Revenge, Rapine, and Murder. From Seneca's Thyestes, he borrowed the revenge of Atreus and the mad banquet; from Ovid's Metamorphoses, the rape of Philomela; from Bandello's Novella, the cruel Moor; from North's Plutarch, the revolt of Coriolanus; from the Appius and Virginia story, the sacrifice of the dishonored daughter; from Seneca's Troades, the sacrifice of the innocent captive to the honor of the dead warriors.

scholarly journals Revisiting the Churchyard

2020 ◽  
Vol 9 ◽  
pp. LW&D.CM60-LW&D.CM69
Author(s):  
James Metcalf
Keyword(s):  
Eighteenth Century ◽  
Sacred Spaces ◽  
Literary Tourism ◽  
The Earth ◽  
History Of ◽  
The Dead ◽  
A Site

The churchyard has always been a site of pilgrimage. The remains of the dead, sanctified as holy relics, conferred a hallowed status on their location in the earth; this, in turn, became a destination for travellers. By the eighteenth century, ‘pilgrims’ consciously mapped their interest in literary remains onto these sacred spaces, drawing their pursuit of literary tourism into a long history of travel to the realms of the venerated dead. Using a series of photographs, I retrace my churchyard pilgrimages in London and Thomas Gray’s Stoke Poges, reflecting on the context of thanatourism and thinking about the ways in which the places of the dead—chief among them the churchyard—still mean today.

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