Archetypal Criticism:

2020 ◽  
pp. 131-240
Keyword(s):  
Author(s):  
Jeremiah Mutuku Muneeni

There has been an intense debate with regards to Chinua Achebe’s (mis)representation of women in his creative works, especially his first four novels. Some scholars have argued that Achebe is a patriarchal writer who has relegated women to the periphery. Nevertheless, a few have read subtle nuances of gender balance in his works. This paper is a continuation of this debate. Specifically, it argues that Achebe has created Mother Archetypes in his novels and if the same is not recognized, he will continue to be demonized as a gender insensitive writer. The unit of analysis is three of the five Achebe’s novels namely: Things Fall Apart, No Longer at Ease, and A Man of the People. The paper interrogates the aforementioned novels within the framework of archetypal criticism, with the aim of unearthing and examining Mother Archetypes inherent in them. The paper identifies religion, education, and justice as the spheres of life in which Achebe has created, empowered and elevated Mother Archetypes to be at par with their male counterparts. However, owing to the breadth of the subject, the paper dwells on education. The paper concludes that creation of empowered Mother Archetypes in Achebe’s novels is a symbolic relay in which women characters hand in the symbolic empowerment baton to the next woman in the next novel until the last one where the creation of a woman major character, Beatrice, wins the race against male dominance.


2021 ◽  
Vol 3 (5) ◽  
pp. 217-220
Author(s):  
Xiuyun Chen

The Chrysanthemums is a short story written by John Steinbeck, a modern American writer. The short story reveals the heroine’s inner pain and spiritual pursuit by taking the chrysanthemums as a central image and clue. The paper aims to analyze the short story based on the perspective of archetypal criticism. It mainly includes three parts: the first one is about archetypes of images and characters, the second part is to analyze the archetype of motif, and the third part is about the archetype of narrative structure.


2021 ◽  
Vol 11 (11) ◽  
pp. 1482-1486
Author(s):  
Hussein H. Zeidanin

The current study examines archetypal patterns and themes underlying contemporary Native American initiation fiction. Moccasins Don’t Have High Heels and The Red Wars, both written by Le Anne Howe, are informed by the conventions of initiation fiction. The portrayal of characters with uncertain identities and feelings of alienation and solitude is a recurring theme in both works which are approached from the viewpoint of archetypal criticism. The research claims, questions and aims are stated in the introduction, which also offers an overview of Native American literature, initiation fiction, and archetypal criticism. An archetypal reading of Howe’s stories is presented in the Discussion. Research findings and analysis outcomes are stated in the Conclusion.


Author(s):  
Xu Xiaotong ◽  

Fire is of great significance in the process of human civilization, carrying multiple functions such as hunting, sacrifice, cooking, and punishment. Arson, as one of the means of destroying objects, often appears in literary and artistic works. Why arson has become a means of evil favored by creators, and occasionally presents a strong sense of beauty in the text. This article will start with Bertha Mason’s arson in "Jane Eyre", linking classic texts with arson as an important plot, such as "Burn the Warehouse" and "Golden Pavilion", and explore the unique literary meaning of the dialectic of the beauty and evil of arson in combination with archetypal criticism.


Author(s):  
V. Dmytrenko

The article deals with Oles Ulyanenko’s first novel «Stalinka» (1994), which presented the appearance of a new extraordinary artist in literature. Today we have a lot of research for this novel and the writer’s works in general, with a radically opposite representation of the artistic component of his works. There are studies, and not only in which the artist is accused of immorality and other «sins», but also those that contain attempts to define the writer as a kind of seer. Such ambiguity and, at the same time, high appreciation of the work of the writer by P. Zahrebelnyi, who initiated the awarding to the novice writer of the unique Small Shevchenko Prize (1997) for the novel «Stalinka», as well as F. Shteinbuk’s monograph «Pid Znakom Savaofa» or «Tam, de …» Ulyanenko» (2020)  opened new dimensions for the analysis of the writer’s work. It inspired the author of the publication to comprehend the work of the extraordinary artist from archetypal criticism. The selection of the archetype «shadow» is represented in work in various guises. It is dominant for understanding the characters of the work. The interpretation of the text with the selection of this archetype helps reveal new meanings encoded by the author and gives the work new dimensions in understanding the author’s hyperbole of human sins. The publication argues that the malignant transformation of the individual is the result of external influences associated with the totalitarian reality of Stalin’s time. The general situation in the country has objectified the «shadow” archetype as the collective unconscious in its worst manifestations. Man’s overcoming of his dark nature is presented in the novel through the image of Lord-Yonka, who undergoes a kind of initiation, i.e., a series of dedicated trials, and eventually overcomes the dark part of his soul, becomes ready for another life.


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