Folktales and Civil Rights

2014 ◽  
Author(s):  
Michael Suk-Young Chwe
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Real World ◽  
Strategic Thinking ◽  
The Real ◽  
Real World Applications ◽  
The 1960S ◽  
Brer Rabbit

This chapter examines African American folktales that teach the importance of strategic thinking and argues that they informed the tactics of the 1960s civil rights movement. It analyzes a number of stories where characters who do not think strategically are mocked and punished by events while revered figures skillfully anticipate others' future actions. It starts with the tale of a new slave who asks his master why he does nothing while the slave has to work all the time, even as he demonstrates his own strategic understanding. It then considers the tale of Brer Rabbit and the Tar Baby, along with “Malitis,” which tackles the problem of how the slaves could keep the meat and eat it openly. These and other folktales teach how inferiors can exploit the cluelessness of status-obsessed superiors, a strategy that can come in handy. The chapter also discusses the real-world applications of these folktales' insights.

The Postblack Ethos in “Texts Out of Time”: Rosa Parks and the African American Freedom Struggle in Cultural Memory

2015 ◽  
Author(s):  
Carol Bunch Davis
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Cultural Production ◽  
Cultural Memory ◽  
American Identity ◽  
Freedom Struggle ◽  
Black Arts ◽  
African American Identity ◽  
The 1960S

This book challenges the cultural memory of the African American Freedom Struggle era that hinges on a master narrative focused on the “heroic period” of the Civil Rights Movement. It argues that this narrative limits the representation of African American identity within the Civil Rights Movement to Martin Luther King's nonviolent protest leadership in the segregated South and casts Malcolm X's advocacy of black nationalism and the ensuing Black Power/Arts Movement as undermining civil rights advances. Through an analysis of five case studies of African American identity staged in plays between 1959 and 1969, the book instead offers representations that engage, critique, and revise racial uplift ideology and reimagine the Black Arts Movement's sometimes proscriptive notions of black authenticity as a condition of black identity and cultural production. It also posits a postblack ethos as the means by which these representations construct their counternarratives to cultural memory and broadens narrow constructions of African American identity shaping racial discourse in the U.S. public sphere of the 1960s.

The Argument

2014 ◽  
Author(s):  
Michael Suk-Young Chwe
Keyword(s):  
Game Theory ◽  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Strategic Thinking ◽  
Practical Advantage ◽  
The Core ◽  
Basic Concepts ◽  
The U.S

This book examines the connection between Jane Austen's fiction and game theory. It argues that Austen systematically explored the core ideas of game theory in her six novels some two centuries ago. It investigates Austen's basic concepts of choice and preferences as well as her views on strategic thinking. Given the breadth and ambition of her discussion, the book asserts that Austen's explicit intention is to explore strategic thinking, theoretically and not just for practical advantage. It also considers how the strategic legacy of African American folktales influenced the tactics of the U.S. civil rights movement and the ways that “folk game theory” expertly analyzed strategic situations long before game theory became an academic specialty. Finally, it looks at Austen's particular advances in a topic not yet taken up by modern game theory: the conspicuous absence of strategic thinking, or “cluelessness.”

Jazz Internationalism

2017 ◽  
Author(s):  
John Lowney
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Literary History ◽  
Social Criticism ◽  
Ann Petry ◽  
Black Internationalism ◽  
Claude Mckay ◽  
The Great Depression ◽  
The 1960S

Jazz Internationalism argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s. Through consideration of literary texts that feature jazz as a mode of social criticism as well as artistic expression, it examines how jazz functions as a discourse of radical internationalism and Afro-modernism during the Long Civil Rights Movement. This book redefines the importance of jazz for African American literary history, as it relates recent jazz historiography to current theoretical articulations of black internationalism, including articulations of socialist, diasporic, and Black Atlantic paradigms. In discussing how jazz is invoked as a mode of social criticism in radical African American writing, it considers how writers such as Claude McKay, Frank Marshall Davis, Ann Petry, Langston Hughes, Bob Kaufman, and Paule Marshall dramatize the possibilities and challenges of black internationalism through their innovative adaptations of black music.

Disobedience In Black

2020 ◽  
pp. 45-63
Author(s):  
Juliet Hooker
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Political Thought ◽  
Civil Disobedience ◽  
American Political Thought ◽  
Protest Movements ◽  
Black Protest ◽  
The Us ◽  
The 1960S

Philosophical and political questions about the legitimacy of uncivil disobedience have been a core preoccupation of African American political thought since its inception. Additionally, a systematic misreading of black protest movements, particularly the US Civil Rights Movement of the 1960s, has been a fundamental referent for philosophical defenses of a right to civil disobedience. This essay takes Candice Delmas’s defense of uncivil disobedience as a point of departure to reflect on how African American political thought challenges dominant liberal understandings of dissent, and to consider the conceptions of political obligation that should accompany accounts of principled lawbreaking.

6. Equality

2018 ◽  
pp. 76-91
Author(s):  
David J. Bodenhamer
Keyword(s):  
African American ◽  
World War Ii ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Women's Movement ◽  
African American Men ◽  
World War ◽  
Political Equality ◽  
National Citizenship ◽  
The 1960S

Equality was not an explicit core value of the Constitution, nor was it a basic condition of republican governments. The framers, living in a world based on class distinctions, rejected hereditary aristocracy, but casually accepted the idea of a natural aristocracy based on merit. Political equality was an animating force of the Revolution, although this condition applied primarily to white, property-owning men. ‘Equality’ outlines the three Amendments adopted between 1865 and 1870 that ended slavery, made state citizenship a consequence of national citizenship, and designated African-American men as political equals. It also describes the women’s movement of the 1920s, the aftermath of World War II, and the civil rights movement of the 1960s.

Not as It Is Written

2020 ◽  
Vol 42 (2) ◽  
pp. 78-100
Author(s):  
Benjamin Houston
Keyword(s):  
African American ◽  
Civil Rights ◽  
Oral History ◽  
Civil Rights Movement ◽  
International Exhibition ◽  
Black Experience ◽  
American Perspective ◽  
History Of ◽  
Black Life ◽  
Made In

This article discusses an international exhibition that detailed the recent history of African Americans in Pittsburgh. Methodologically, the exhibition paired oral history excerpts with selected historic photographs to evoke a sense of Black life during the twentieth century. Thematically, showcasing the Black experience in Pittsburgh provided a chance to provoke among a wider public more nuanced understandings of the civil rights movement, an era particularly prone to problematic and superficial misreadings, but also to interject an African American perspective into the scholarship on deindustrializing cities, a literature which treats racism mostly in white-centric terms. This essay focuses on the choices made in reconciling these thematic and methodological dimensions when designing this exhibition.

scholarly journals INSTITUTIONAL RACISM IN AMERICAN POST-CIVIL RIGHTS MOVEMENT IN DEAR MARTIN BY NIC STONE (2017)

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Social Relations ◽  
Institutional Racism ◽  
The Novel ◽  
Systemic Racism ◽  
Civil Rights Era ◽  
Group Interest ◽  
Post Civil Rights

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.

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