Implants in the Aesthetic Zone: A Guide for Treatment of the Partially Edentulous Patient by Todd R. Schoenbaum. New York, USA: Springer, 2019

Author(s):  
Ievgen Fesenko

“Talent attracts talent” — Jay Elliot and William L. Simon Authors of textbook The Steve Jobs Way Whether you are from the field of periodontics, trying to develop new flap techniques around implants, prosthodontics, or oral and maxillofacial surgery, you can definitely see state of the art chapters by Dr. Todd R. Schoenbaum in Newman & Carranza’s Clinical Periodontology (13th edition, 2018) [1]. Todd R. Schoenbaum, DDS, FACD is a highly experienced Associate Clinical Professor at the famous University of California, Los Angeles (UCLA) moves extremely fast bringing implant dentistry to new high levels of aesthetics and function. And what happens when a star starts to shine brightly? He starts to attract other stars. The 25 authors who are representing 11 countries and 10 world class universities contributed to Implants in the Aesthetic Zone: A Guide for Treatment of the Partially Edentulous Patient. Textbook consists of sixteen Chapters, six of which, are precisely focused on the surgical aspects. In summary, it`s a great pleasure to recommend such masterpiece to everyone who is interested in improving their implant treatment with aesthetics, predictability, and function.

Author(s):  
Lynne Conner

One of the first full-time newspaper dance reviewers in the United States, John Martin wrote for The New York Times from 1927 to 1962 and was often referred to as the dean of American dance critics during his 35-year tenure. Martin used his bully pulpit at the Times to launch a discourse within the dance community surrounding the aesthetics of modernism in dance as well as to educate and rally a new audience. In the process he helped to establish dance reviewing as a specialized field of arts reporting and commentary and not just a subgenre of music criticism, as it had been treated before 1927. A vocal defender of the legitimacy of an American modern dance as defined by New York-based practitioners such as Martha Graham and Doris Humphrey, Martin was among the first theorists of it, outlining a poetics of its form and function while introducing a new vocabulary. His prolific output includes thousands of essays and reviews for the Times and other periodicals, seven books, and a series of highly influential lectures given at the New School for Social Research, Bennington School of the Dance, and in the latter part of his career at the University of California-Los Angeles.


2013 ◽  
Vol 59 (1) ◽  
pp. 40-43 ◽  
Author(s):  
Alina Iacob ◽  
Bálint Bögözi

Abstract Background: In the medical literature there are multiple reconstructive procedures for small and medium size defects of the lower lip, but only a few methods for larger defects involving the whole lower lip. Choosing the repairing procedure for larger lower lip defects must take into account two aspects: flap or flaps used should be local flaps, and suture lines should correspond to the natural facial creases or follow the functional lines of different facial aesthetic units. Finally, the flap or flaps should be large enough to restore the entire postexcisional defect. However, the more tissue is lost from the lower lip, the more challenging the reconstruction is from a functional and cosmetic point of view. Material and methods: During the last 2 years in the Oral and Maxillofacial Surgery Department of the County Emergency Clinical Hospital in Tîrgu Mureș, the unilateral Fujimori technique has been successfully used for the reconstruction of large lower lip defects in 4 patients with extended, neglected squamous cell carcinomas involving almost the whole lower lip tissue. These patients underwent complex surgical and oncological treatment. Surgery was performed in two stages: first, excision of the tumor and immediate lip reconstruction, and then removal of submandibular lymph nodes (level I), in the second stage. Results: The aesthetic and functional recovery of these patients was very good, with no need of other subsequent surgical corrections. Conclusions: The postoperative reconstruction of large defects of the lower lip is far from optimal, but it is very important to restore an adequate muscle function, the lip continence and a satisfactory facial appearance.


2019 ◽  
Vol 36 (2) ◽  
pp. 109-123 ◽  
Author(s):  
Kristina Feigin ◽  
Bonnie Shope

Platelet concentrates, mostly represented by platelet-rich plasma and platelet-rich fibrin, have gained significant interest in various medical and oral disciplines because of their potential to stimulate and boost regeneration of hard and soft tissues. Prepared from the patient’s own blood, they have been tested and used in various different surgical fields including oral and maxillofacial surgery. The effects of these biomaterials are described to be a result of the large concentration of platelets which contain a wide range of growth factors. The aim of this article is to introduce the principle and function of these platelet concentrates, to review their preparation, and to provide a comprehensive examination of the published oral and maxillofacial literature on this subject.


2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Dario Andrés Bastidas ◽  
Lina Roldan ◽  
Pamela Ramirez ◽  
Andrés Munera

Abstract Background Correct positioning and alignment of dental implants are crucial to successfully meet the aesthetic and functional criteria in implant-prosthetic rehabilitation. When an implant is in the wrong position, especially in the esthetical zone, there are limited options to solve it. Some techniques have been described to reposition implants, such as reverse torque, trephine drills, and segmental osteotomies; current approaches aim to reduce the damage of the periimplant tissues. Case presentation A 20-year-old man with good general health was referred to the oral and maxillofacial surgery department of the CES University, Medellin Colombia in 2017, He had undergone a previous camouflage orthodontic therapy for a dental Class III, which finished in 2014, posteriorly a dental implant was placed in 2015 to replace upper right lateral incisor (1.2) before vertical growth of maxilla was complete; therefore, the implant was retained in a coronal position. A segmental osteotomy was suggested to reposition the implant in a more caudal position, a 3D surgical cut guide obtained by virtual planning was used to increase osteotomy accuracy and lower human error, to avoid the risk of damaging the adjacent tissues and to achieve a predictable result. Conclusions The segmental alveolar osteotomy is an effective alternative to reposition an implant; however, it must be carefully planned because human error remains a possibility that may affect the final result. Therefore, 3D planning is a better way to minimize these mistakes during the surgical procedure and the final position of the implant.


2005 ◽  
Vol 4 (1) ◽  
pp. 95-104

Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City , by Arlene Dávila . Berkeley : University of California Press , 2004 . xi + 260 pp . ISBN 0‐520‐24093‐6 ( paper ). La Lucha For Cuba: Religion and Politics on the Streets of Miami La Lucha For Cuba: Religion and Politics on the Streets of Miami , by Miguel A. De LaTorre . Berkeley and Los Angeles : University of California Press , 2003 . Latino Crossings: Mexicans, Puerto Ricans, and the Politics of Race and Citizenship Latino Crossings: Mexicans, Puerto Ricans, and the Politics of Race and Citizenship ( New York : Routledge , 2003 ), by Nicholas De Genova and Ana Y. Ramos‐Zayas . Landscapes of Privilege: The Politics of The Aesthetic in an American Suburb Landscapes of Privilege: The Politics of The Aesthetic in an American Suburb , by James S. Duncan and Nancy G. Duncan . New York : Routledge , 2004 . Globalizing L.A.: Trade, Infrastructure and Regional Development Globalizing L.A.: Trade, Infrastructure and Regional Development , by Steven P. Erie . Stanford UP , 2004 .


Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 106
Author(s):  
Taylor

This essay details the curating strategies and central premise behind the 2013 traveling exhibition The American Algorists: Linear Sublime. This group exhibition, which showcased the artwork of Jean-Pierre Hébert, Manfred Mohr, Roman Verostko, and Mark Wilson, marked the 20th anniversary of New York Digital Salon. In organizing this exhibit, I attempted to expand the discourse of digital art curation by linking the Algorists, a group formed at the Los Angeles SIGGRAPH conference in 1995, to the broader narrative of American art. Through the exhibition catalogue, I constructed a detailed history of the Algorists and connected the movement’s narrative to ideas of national identity and myth. To cultivate this nexus, I interpreted the Algorists’ unique approach to linear abstraction through the various theories of the sublime active within the history of American art. Ultimately, this case study reveals the incongruities of aligning this group of digital artists—who shared a decidedly internationalist outlook—with a national narrative. While the Algorists resisted parochial characterizations, the concept of the sublime provided a useful vehicle for theorizing the aesthetic response to computer-generated abstraction. The travelling exhibition also offered a potential model, based on effective partnerships and resource sharing, for small college and university galleries.


Author(s):  
Diane Isabel Selvido ◽  
Bishwa Prakash Bhattarai ◽  
Dinesh Rokaya ◽  
Nattisa Niyomtham ◽  
Natthamet Wongsirichat

AbstractOver the years, the pain has been defined numerous times in several ways. In oral and maxillofacial surgery, the occurrence of pain, especially postoperatively, is anticipated. Pain arises as a combination of various processes after tissue damage. Distinct pain experiences in oral surgery were depicted in several previous studies, adding knowledge to the field. The management of these encounters has been suggested over time, improving treatment approaches in the clinical setting. This review aims to understand the pain and its types and intervention in the field of oral and maxillofacial surgery.


Author(s):  
CHELSEA JEGADISH ◽  
JACOB RAJA ◽  
JOHNSON RAJA JAMES ◽  
MOHAN RAJ JP ◽  
DIVYA LAL.S

Piezoelectric surgery was first explained by French Jacques and Pierre Curie in 1880. Piezoelectric bone surgery is a novel osteotomy and osteoplasty technique invented by Professor Vercellotti in 1988 to overcome the limitations of traditional instrumentation in oral bone surgery by modifying and improving conventional ultrasound technology. The cutting action is the result of linear microvibrations, in amplitude between 30 and 200 μm that allow to obtain a micrometer precision in the range of 25-29 KHz modulated ultrasonic resonant frequency. Nerves, vessels, and soft tissue are preserved by the microvibrations (60 to 200 mm/sec), which are optimally adjusted to target only mineralized tissue. It is a minimally invasive osteotomy device to achieve unparallel precision, patient comfort, intra-operative sensitivity, intra-operative visibility, blood free surgical site and reduced damage to the surrounding soft tissues, osteocytes and important structures like nerves, muscles and mucosa. Also Piezosurgery is very useful in harvesting autogenous bone for regenerating periodontal defects. Various treatment modalities are based on removal of etiologic factors and preserving bone architecture. Recently this novel surgical approach has gained popularity in various fields of dental implantology, oral and maxillofacial surgery, endodontics, and orthopedics. This article aims to review the clinical calibre of piezosurgery in the field of periodontology and implant dentistry. Key Words : LESS INVASIVE, PRECISION CUTTING, MICRO VIBRATIONS, FASTER RECOVERY, PIEZO TECHNIQUE


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