scholarly journals Painting materials investigation from dragu wooden church, Salaj county

2021 ◽  
Vol 66 (3) ◽  
pp. 225-238
Author(s):  
Victor Constantin Marutoiu ◽  
◽  
Ioan Bratu ◽  
Olivia Florena Nemes ◽  
Constantin Marutoiu ◽  
...  
Keyword(s):  
2020 ◽  
Vol 13 (04) ◽  
pp. 2099-2105
Author(s):  
Kulash K. Syrmanova ◽  
Aktolkyn B. Agabekova ◽  
Zhanat B. Kaldybekova ◽  
Anastassiya Y. Kovaleva ◽  
YersultanT. Botashev

2008 ◽  
Vol 59 (4) ◽  
Author(s):  
Irina Crina Anca Sandu ◽  
Constantin Luca ◽  
Ion Sandu ◽  
Viorica Vasilache ◽  
Mikiko Hayashi

This is the second paper belonging to a study concerning the authentication of ancient easel-paintings, on canvas and wood support, from private and public collections, by using the FT-IR spectrophotometry technique for the analysis of the painting materials. Different pigments, egg binders, caseins and animal glue, often found in ancient easel-paintings on wood or canvas, have been used as standards for establishing the ageing rate of the paintings by correlation with the dates presented in the first note. The determination of the degradation rate of the painting materials is an important archaeometric characteristic used in authentication.


2019 ◽  
Vol 70 (8) ◽  
pp. 2747-2752
Author(s):  
Constantin Marutoiu ◽  
Ioan Bratu ◽  
Mircea Gelu Buta ◽  
Olivia Florena Nemes ◽  
Sergiu Petru Timbus(Monk Siluan) ◽  
...  

A two-sided wooden icon from a monastery in Transylvania was submitted for multidisciplinary investigations involving X-Ray Fluorescence, Radiographic Photographyand Fourier Transform Infrared Spectroscopy. The most important part of the icon is St. Nicholas wooden icon, painted over forty years ago. The spectroscopic methods used revealed the painting materials composition, the status of the wooden stage, and the presence of resins as varnish (Fourier Transform Infrared Spectroscopy). On one side, the St Nicholasicon was painted over an old icon, St. Arch. Michael, which was evidenced by X-Ray Photography. The obtained data can serve for the preservation and the restoration of these wooden icons.


2018 ◽  
Vol 69 (5) ◽  
pp. 1139-1144
Author(s):  
Iosif Lingvay ◽  
Adriana Mariana Bors ◽  
Livia Carmen Ungureanu ◽  
Valerica Stanoi ◽  
Traian Rus

For the purpose of using three different types of painting materials for the inner protection of the transformer vats, their behavior was studied under actual conditions of operation in the transformer (thermal stress in electro-insulating fluid based on the natural ester in contact with copper for electro-technical use and electro-insulating paper). By comparing determination of the content in furans products (HPLC technique) and gases formed (by gas-chromatography) in the electro-insulating fluid (natural ester with high oleic content) thermally aged at 130 �C to 1000 hours in closed glass vessels, it have been found that the presence the investigated painting materials lead to a change in the mechanism and kinetics of the thermo-oxidation processes. These changes are supported by oxygen dissolved in oil, what leads to decrease both to gases formation CO2, CO, H2, CH4, C2H4 and C2H6) and furans products (5-HMF, 2-FOL, 2 -FAL and 2-ACF). The painting materials investigated during the heat treatment applied did not suffer any remarkable structural changes affecting their functionality in the electro-insulating fluid based on vegetable esters.


2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Jie Miao

In the process of children's growth, in addition to the development of language and movement skills, the development of thinking is also a great leap forward period. For painting, from the initial contact with painting materials to the gradual completion of painting works, a series of development process of the whole painting has become another form for us to understand a child. Painting is different from language. Painting itself is an activity. Children's painting is rich, unique, spontaneous and complex, which is a means of communication. Similar to language, but it is a special symbolic representation.


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