scholarly journals AESTHETIC PSYCHOLOGY OF THE ARTISTIC CONCEPTION OF CLASSICAL TANG POEMS: AN ANALYSIS BASED ON COGNITIVE FLUENCY

2020 ◽  
Vol 65 (2) ◽  
pp. 189-202
Author(s):  
Yvonne Goga

"Theatre as an Image of Proust’s Aesthetic. In In Search of Lost Time, theatre holds an important place, especially in the first three volumes. Being part of the frequent activities of society, it gives many occasions to the narrator to express his thoughts about theatre shows. Our aim will be to demonstrate that those thoughts are one of the ways used by Proust to bring out his complex theory about novelistic creation – a theory which shows to what extent art’s aim is to access the essence of things through sensitive experience. Keywords: art, theatre show, sensitive experience, essence, artistic conception."


2014 ◽  
Vol 584-586 ◽  
pp. 650-653 ◽  
Author(s):  
Bian Ling Zhang

Chinese garden art has developed gradually along with the neutralization--lasting appeal--artistic conception trend till to the peak, meanwhile, those aesthetic forms can be existed synchronously with historical advancement, logic arrangement in parallel and correspondence as well as abundance and deepening of the interior connotation and exterior extension, which represent the high uniformity of the development history and logics of Chinese garden art. Nowadays, the landscape garden development is required to probe its root, explore its cultural soul, so as to base itself upon the garden industry all over the world. Additionally, the function of traditional aesthetic form will show the powerful functions, declare publicly the deep influence of modernized landscape garden development.


2019 ◽  
Vol 44 (3) ◽  
pp. 92-95
Author(s):  
Hua Wei

In order to find a way to combine traditional culture with modern living needs, taking “Chinese painting” as the breakthrough point, through the study of the development process and artistic characteristics of Chinese painting, four aspects of classical philosophy, natural landscape image, brush and ink composition artistic conception, and abstract aesthetic conception contained in Chinese painting are summed up. The results of the study provide enlightenment for contemporary residential landscape design, and summarize the methods of creating Chinese paintings in residential landscape design. Thus, a residential landscape model with the characteristics of “Chinese painting” is found out.


Author(s):  
Sanna Olkkonen ◽  
Pauliina Peltonen

In this review article, we combine two approaches to the study of second language (L2) fluency: cognitive fluency and utterance fluency. The former concentrates on cognitive processing and its limitations, whereas the latter involves analyzing fluency-related features from speech samples. Despite theoretical links, the research traditions associated with the approaches have been relatively separate. In addition to providing an overview of the two approaches, the similarities and differences between them are illustrated with results related to one aspect of (dis)fluency, repetitions. Bringing together results related to cognitive and utterance fluency highlights the usefulness of combining different viewpoints in L2 fluency research and demonstrates the need for further interdisciplinary dialogue to gain a comprehensive picture of L2 fluency. Together, the results of studies emphasizing different aspects of L2 fluency also have important implications for L2 fluency assessment.


2011 ◽  
Vol 331 ◽  
pp. 3-8
Author(s):  
Jin Zhu ◽  
Yi Fan Chen

The construction of the regionalism is not only affected the architecture space pattern, but also is closely related to the soft decoration art. This paper has analyzed the elements of the folkloric textile decorative art from the level of decoration pattern, color, material and technology. Taking decorative arts with regional characteristics as an example, the paper discusses how folkloric textile decorative art express the theme of the hotel and implicate the regional characteristics in symbolic elements and stylized language combined with the cultural history and folk custom in different areas. Meanwhile this paper summarizes approaches of creating regional character of modern hotel space. The adornment style should be determined according to the hotel orientation. The folkloric features should be strengthened in serialized designs to create the non-material artistic conception combined with other soft adornment.


2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Galina Tsvetkova ◽  
◽  
◽  

“Worn Dresses” is realized as a creative experiment in 2017 at “Radikalno” hall of department “Sculpture” at The University of Veliko Tarnovo. Technically speaking the project is a continuation and development of an author’s method, which has been set and elaborated since 2007 till now. Inspired by elements of collage art, this technique offers unlimited abilities for an interpretation of shaping and spatial models. The conception “Worn Dresses” is a combination of two basic creational ideas. The first one is a synthesis of the subject matter content and the architectonics of visual objects viewed by a precise combination of practical and real social dimensions. The second one aims to create a united literary image of the exhibition, which itself without any negative context, translates the item “absence” as a condition of the dualistic character of Nature. In ability to realize the sensible insight which generates “absence” and “presence” as aims to affirm not just the physical essence of a human, but the humanity in the artistic fact. The experiment is an original shaping solution, an aspect of spatial relationships and author’s intrusion in between the intersection of a piece of art and audience.


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