Supplements to: The experimental project “Worn Dresses”. Exposition of an Artistic Conception

2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Galina Tsvetkova ◽  
◽  
◽  
Keyword(s):  
Artistic Conception ◽  
Experimental Project

The Experimental Project “Worn Dresses”. Exposition of an Artistic Conception

2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Galina Tsvetkova ◽  
◽  
◽  
Keyword(s):  
Spatial Models ◽  
Matter Content ◽  
Social Dimensions ◽  
Visual Objects ◽  
Artistic Conception ◽  
Negative Context ◽  
Experimental Project ◽  
The Subject ◽  
The University ◽  
Subject Matter Content

“Worn Dresses” is realized as a creative experiment in 2017 at “Radikalno” hall of department “Sculpture” at The University of Veliko Tarnovo. Technically speaking the project is a continuation and development of an author’s method, which has been set and elaborated since 2007 till now. Inspired by elements of collage art, this technique offers unlimited abilities for an interpretation of shaping and spatial models. The conception “Worn Dresses” is a combination of two basic creational ideas. The first one is a synthesis of the subject matter content and the architectonics of visual objects viewed by a precise combination of practical and real social dimensions. The second one aims to create a united literary image of the exhibition, which itself without any negative context, translates the item “absence” as a condition of the dualistic character of Nature. In ability to realize the sensible insight which generates “absence” and “presence” as aims to affirm not just the physical essence of a human, but the humanity in the artistic fact. The experiment is an original shaping solution, an aspect of spatial relationships and author’s intrusion in between the intersection of a piece of art and audience.

Roses for the Revolution

2011 ◽  
Vol 4 (4) ◽  
pp. 361-384
Author(s):  
Ulises Moreno Tabarez
Keyword(s):  
Discursive Practices ◽  
Performative Writing ◽  
Sexual Identities ◽  
Love Story ◽  
Experimental Project ◽  
The Revolution

Representations of Mexican revolutionary hero, Emiliano Zapata, migrate across the Mexico/US borders. His specters inform and reflect sexual identities migrating across these borderlands. Theoretically guided by Madison's model of performative writing and Muñoz's disidentification, this experimental project highlights and challenges the heteronormativity that pervades these migratory representations and the discursive practices that bring them to life. Through a performative writing exercise, I travel through theory and time to (re)present the figure of Zapata in an intimate love story whose backdrop is violence and war.

Le théâtre, image de l’esthétique proustienne

2020 ◽  
Vol 65 (2) ◽  
pp. 189-202
Author(s):  
Yvonne Goga
Keyword(s):  
Important Place ◽  
Complex Theory ◽  
Artistic Conception ◽  
Lost Time

"Theatre as an Image of Proust’s Aesthetic. In In Search of Lost Time, theatre holds an important place, especially in the first three volumes. Being part of the frequent activities of society, it gives many occasions to the narrator to express his thoughts about theatre shows. Our aim will be to demonstrate that those thoughts are one of the ways used by Proust to bring out his complex theory about novelistic creation – a theory which shows to what extent art’s aim is to access the essence of things through sensitive experience. Keywords: art, theatre show, sensitive experience, essence, artistic conception."

The eMobiLArt Project from a Curatorial Perspective

Leonardo ◽  
2010 ◽  
Vol 43 (5) ◽  
pp. 478-479
Author(s):  
Annick Bureaud ◽  
Nina Czegledy ◽  
Christiana Galanopoulou
Keyword(s):  
Experimental Project

The three curators of the eMobiLArt project developed collaboration within the curatorial group and with other people involved including participating artists and organizers. This article is focused on how the various tasks evolved during the project process. A reflection on the outcomes (artworks and exhibitions) and the role of curators in such a collaborative experimental project is also included.

Brief Analysis for the Aesthetic Form of Chinese Garden Art

2014 ◽  
Vol 584-586 ◽  
pp. 650-653 ◽  
Author(s):  
Bian Ling Zhang
Keyword(s):  
Development History ◽  
Artistic Conception ◽  
High Uniformity ◽  
Aesthetic Form ◽  
The World ◽  
The Aesthetic ◽  
Aesthetic Forms

Chinese garden art has developed gradually along with the neutralization--lasting appeal--artistic conception trend till to the peak, meanwhile, those aesthetic forms can be existed synchronously with historical advancement, logic arrangement in parallel and correspondence as well as abundance and deepening of the interior connotation and exterior extension, which represent the high uniformity of the development history and logics of Chinese garden art. Nowadays, the landscape garden development is required to probe its root, explore its cultural soul, so as to base itself upon the garden industry all over the world. Additionally, the function of traditional aesthetic form will show the powerful functions, declare publicly the deep influence of modernized landscape garden development.

Aesthetic Consciousness of Literati Painting and its Application in Urban Planning

2019 ◽  
Vol 44 (3) ◽  
pp. 92-95
Author(s):  
Hua Wei
Keyword(s):  
Development Process ◽  
Landscape Design ◽  
Chinese Painting ◽  
Landscape Model ◽  
Natural Landscape ◽  
Literati Painting ◽  
Artistic Conception ◽  
Residential Landscape ◽  
Aesthetic Consciousness ◽  
Classical Philosophy

In order to find a way to combine traditional culture with modern living needs, taking “Chinese painting” as the breakthrough point, through the study of the development process and artistic characteristics of Chinese painting, four aspects of classical philosophy, natural landscape image, brush and ink composition artistic conception, and abstract aesthetic conception contained in Chinese painting are summed up. The results of the study provide enlightenment for contemporary residential landscape design, and summarize the methods of creating Chinese paintings in residential landscape design. Thus, a residential landscape model with the characteristics of “Chinese painting” is found out.

scholarly journals INTEGRATION OF PRACTICE-ORIENTED AND THEORETICAL APPROACHES AS A NECESSARY CONDITION FOR THE TRAINING OF MODERN PERSONNEL IN VOCATIONAL AND PEDAGOGICAL EDUCATION

2021 ◽  
pp. 33-41
Author(s):  
N.A. Pakhtusova ◽  
◽  
A.V. Podmareva ◽  
I.G. Samsonova
Keyword(s):  
Vocational Training ◽  
Professional Training ◽  
Active Form ◽  
Necessary Condition ◽  
Professional Activity ◽  
Professional Orientation ◽  
Theoretical Approaches ◽  
Priority Direction ◽  
Experimental Project

The article deals with the problem of improving the quality of training of teachers of vocational training by integrating practice-oriented and theoretical approaches for the implementation of the experimental project «Professionalism» as a priority direction in the development of secondary vocational education. It is noted that the professional activity of a teacher becomes more multitasking and requires the formation of professional skills while developing fl exibility of thinking, intelligence, and the ability to quickly respond to the demands of the labor market. The professional training of teachers provides for the integration of practice-oriented and theoretical approaches to form a competitive specialist. At the same time, the educational environment should diff er in the variability of approaches, educational technologies, didactic means and teaching methods. The article describes some forms of work with students that allow modeling the future professional activity of a teacher of vocational training and imply deepening and expanding the content of theoretical material and its refraction when performing practical tasks of a professional orientation. Noting the practice-oriented approach as an active form of organizing professional training of students, the authors consider the experience of working on the basis of the South Ural State Humanitarian Pedagogical University.

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