Reconsideration of the Locke-Wallace Marital Adjustment Test: Is it Still Relevant for the 1990S?

1997 ◽  
Vol 81 (2) ◽  
pp. 419-434 ◽  
Author(s):  
Mark H. Freeston ◽  
Michel Pléchaty

The Locke-Wallace Marital Adjustment Test has been in use for over thirty years despite the development of other scales. The role of the test is discussed in terms of theoretical and practical concerns in the measurement of marital satisfaction. Major criticisms are briefly reviewed and empirical questions are identified. These questions are addressed using archival data on four samples totalling 281 couples. The test possesses adequate reliability and good criterion-related validity. A single factor was identified for both men and women. Ten items discriminated in all analyses. Minor changes in the scoring procedure were suggested for two items in response to some criticisms. These changes did not affect the psychometric properties. The alternative scoring system proposed by Hunt was also evaluated and a cut-score was identified. Continued use of the test is justified in general contexts where the broadly based definition of adjustment is appropriate. More comprehensive measures of adjustment and satisfaction and simpler measures of marital quality still leave a role for this 15-item rapid assessment measure of marital adjustment.

2007 ◽  
Vol 35 (4) ◽  
pp. 561-572 ◽  
Author(s):  
Zi Chen ◽  
Nao Tanaka ◽  
Masayo Uji ◽  
Hidetoshi Hiramura ◽  
Noriko Shikai ◽  
...  

The link between marital adjustment and personality was investigated in 66 Japanese married couples using Locke and Wallace's Short Marital Adjustment Test (SMAT; Locke & Wallace, 1959) and the Eysenck Personality Questionnaire (EPQ; Eysenck & Eysenck, 1975). Structural equation modeling suggests that the husband's neuroticism score is related to the wife's marital satisfaction as is the wife's dyadic consensus score, although to a lesser extent, while the wife's extraversion score is related to the husband's marital satisfaction. Spouses' marital satisfactions were correlated with each other. The study suggests that the personality traits of a partner can predict an individual's marital adjustment.


2000 ◽  
Vol 16 (3) ◽  
pp. 214-218 ◽  
Author(s):  
Hürol Fışıloğlu ◽  
Ayhan Demir

Summary: The study investigates the reliability and validity of the Turkish Dyadic Adjustment Scale (DAS). Scores of the DAS were studied for its reliability and validity. The sample consisted of 264 married individuals. The α coefficient for the DAS was .92. Computed split-half reliability coefficient was .86. The DAS correlated .82 with the Locke-Wallace Marital Adjustment Test. The original factor structure of the DAS was replicated in the present study. In general, the data indicated that the DAS provides a reliable and valid measure of marital adjustment for a Turkish sample.


2017 ◽  
Vol 225 (3) ◽  
pp. 189-199 ◽  
Author(s):  
Tina B. Lonsdorf ◽  
Jan Richter

Abstract. As the criticism of the definition of the phenotype (i.e., clinical diagnosis) represents the major focus of the Research Domain Criteria (RDoC) initiative, it is somewhat surprising that discussions have not yet focused more on specific conceptual and procedural considerations of the suggested RDoC constructs, sub-constructs, and associated paradigms. We argue that we need more precise thinking as well as a conceptual and methodological discussion of RDoC domains and constructs, their interrelationships as well as their experimental operationalization and nomenclature. The present work is intended to start such a debate using fear conditioning as an example. Thereby, we aim to provide thought-provoking impulses on the role of fear conditioning in the age of RDoC as well as conceptual and methodological considerations and suggestions to guide RDoC-based fear conditioning research in the future.


2006 ◽  
Author(s):  
Kelly K. Espenschade ◽  
Kimberly Funk ◽  
Amanda Kras ◽  
David Dilillo ◽  
Andrea Perry

2014 ◽  
pp. 79-130 ◽  
Author(s):  
Ales Novak

The term ?business model' has recently attracted increased attention in the context of financial reporting and was formally introduced into the IFRS literature when IFRS 9 Financial Instruments was published in November 2009. However, IFRS 9 did not fully define the term ‘business model'. Furthermore, the literature on business models is quite diverse. It has been conducted in largely isolated fashion; therefore, no generally accepted definition of ?business model' has emerged. Therefore, a better understanding of the notion itself should be developed before further investigating its potential role within financial reporting. The aim of this paper is to highlight some of the perceived key themes and to identify other bases for grouping/organizing the literature based on business models. The contributions this paper makes to the literature are twofold: first, it complements previous review papers on business models; second, it contains a clear position on the distinction between the notions of the business model and strategy, which many authors identify as a key element in better explaining and communicating the notion of the business model. In this author's opinion, the term ‘strategy' is a dynamic and forward-looking notion, a sort of directional roadmap for future courses of action, whereas, ‘business model' is a more static notion, reflecting the conceptualisation of the company's underlying core business logic. The conclusion contains the author's thoughts on the role of the business model in financial reporting.


Sains Insani ◽  
2016 ◽  
Vol 1 (1) ◽  
pp. 10-14
Author(s):  
Ira Meilita Ibrahim ◽  
Taufik A. Latif ◽  
Afi Roshezry Abu Bakar ◽  
Muthualagan Thangavelu

The advancement of European dress to the rest of the world was linked to the definition of civilization as “a stage of social development considered to be more advanced” and “polite and good-mannered”. The widespread of their fashion style in the 19th and 20th centuries influenced the way the rest of the world attire. The fashion trend and dressing style thus change the purpose of dressing through time. The dressing style in campuses especially in private institutions of higher learning is under particular scrutiny, as it is often said to be inappropriate for a learning environment. This study looked at the importance of moral education, and its role in implementing the dress code for students among university students especially between two types of university i.e. public university and private university. It looked on the dressing style of students, both male and female, and the factors that lead to their dressing pattern which is common among students. This study also advocated the students’ understanding of the content of dress codes in their learning institution and the role played by moral education in regard to dress code. The overall study highlighted students’ perception towards the implementation of the dress code and punishment in their learning institution. The methodologies used to carry out this study are questionnaires and interviews. This study will therefore ascertain the important of dress code among students at higher learning institution and the role of moral education in cultivating values in order to dress properly or decently. Key Words: moral education, dress code, higher learning institution, civilization.


2020 ◽  
Vol 17 (5) ◽  
pp. 462-476
Author(s):  
Alexander A. Ushkarev ◽  
Galina G. Gedovius ◽  
Tatyana V. Petrushina

The technological revolution of recent decades has already brought art to the broadest masses, and the unexpected intervention of the pandemic has significantly accelerated the process of migration of theatrical art to the virtual space, causing the corresponding dynamics of the audience. What is the theater audience in the era of digitalization and the spread of alternative forms of cultural consumption? How does the theater build its relationship with the audience today? In search of answers, we conducted a series of sociological surveys of the Chekhov Moscow Art Theater’s audience — both at the theater’s performances and in the online community of its fans. The purpose of this phase of the study was to answer the fundamental questions: do spectators surveyed in the theater and those surveyed online represent the same audience; what are their main differences; and what are the drivers of their spectator behavior? The article presents the main results of a comparative analysis of two images of the Moscow Art Theatre’s audience based on a number of content parameters by two types of surveys, as well as the results of a regression analysis of the theater attendance. The study resulted in definition of the qualitative and behavioral differences between the theater visitors and the viewers surveyed online, and identification of the factors of theater attendance for both of the represented audience groups. The study made it possible to clarify the role of age and other socio-demographic parameters in cultural activity, as well as the influence of preferred forms of cultural consumption (live contacts or online views) on one’s attitude to art, motivation and spectator behavior. The conclusions of the study, despite the uniqueness of the object, reflect the general patterns of the modern art audience’s dynamics.


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