scholarly journals Neo-Victorian felony – Crime narratives in Graeme Macrae Burnet’s His Bloody Project and Ian McGuire’s The North Water

Ars Aeterna ◽  
2021 ◽  
Vol 13 (2) ◽  
pp. 16-30
Author(s):  
Petr Chalupský
Keyword(s):  
Detective Fiction ◽  
Victorian Novel ◽  
Historical Novels ◽  
Victorian Era ◽  
Victorian Britain ◽  
Victorian Fiction ◽  
The Past ◽  
Crime Narratives ◽  
The North ◽  
North Water

Abstract The neo-Victorian novel has been one of the most significant branches of contemporary British historical fiction for the past three decades. Thanks to works like A. S. Byatt’s Possession, Sarah Waters’ trilogy Tipping the Velvet, Affinity and Fingersmith and Michel Faber’s The Crimson Petal and the White, the genre has gained not only considerable popularity among readers, but also almost a canonical literary status. Although recent neo-Victorian fiction has been trying to find some new ways in which the genre could avoid stereotypical narratives, it still retains its most determining idiosyncrasies. One of them is an interest in the undersides of Victorian society, including the themes of violence and criminality, which is why these novels often resort to the genre of crime and detective fiction. This is also the case of Graeme Macrae Burnet’s His Bloody Project (2015) and Ian McGuire’s The North Water (2016), both historical novels set in Victorian Britain which were, respectively, shortlisted and longlisted for the 2016 Man Booker Prize. This paper attempts to show the different manners in which these two novels employ various forms of crime narratives so as to achieve their goal of presenting convincing and seemingly authentic insights into the more obscure aspects of the Victorian era.

scholarly journals The Concept of Victorianism in A. S. Byatt’s “Posession”

2019 ◽  
Keyword(s):  
Literary Criticism ◽  
Victorian Novel ◽  
The Novel ◽  
Victorian England ◽  
Victorian Era ◽  
English Novel ◽  
The Past ◽  
Russian Literary ◽  
Postmodern Novel ◽  
Current Research Interest

The late 1990s – early 2000s was a time of numerous projects dedicated to the Victorian age and the Victorian novel as a specific phenomenon that inspires the modern novel development. The English postmodern novel with its typical narrative, time transferal to Victorian England, weaving of time layers, invokes current research interest. The relevance of this study is caused by considerable interest of researchers in the Victorian era heritage and by need of a comprehensive study of Victorian linguoculture and its implementation in the modern English novel. The Victorian text influences a new genre of the novel that reflects the gravity of modern English prose to the traditional literature of Victorian era, assumed to be particularly important in this context. The analysis of A. S. Byatt’s “Possession” in the Russian literary criticism was made only by O. A. Tolstykh; in the Ukrainian science, this work was investigated by O. Boynitska in the context of searching the past, so this subject is not investigated enough, and in our opinion is new and relevant, especially from the perspective of the “Victorian era” concept embodied in the novel. The aim of the paper is to analyze the “Victorian era” concept peculiarities in the intercultural context, on the basis of A. S. Byatt’s “Possession” as a Victorian novel. The paper takes into account the reproduction of concepts of Marriage, Home, Family, Freedom, Life, as components of “Victorian era.” The Victorian family is often represented through the place of their dwelling; therefore, the great Victorians’ works are overwhelmed by interior descriptions (Dombey’s house, Miss Havisham’s home, Mr. Rochester’s Castle). However, in “Possession,” there is an obvious contrast of Victorian buildings to the same structures in the XX century: the past prime – the modern decline. All the secrets and delusions hidden behind the facades of supposedly respectable buildings result in distorting facts and, to some extent, to violating the rights of ownership to the memories of the past. This gives another meaning to the title of the novel – “possession,” that is ownership, possession of letters, memory, truth.

scholarly journals Multi-Time-Scale Climatic Variations over Eastern China and Implications for the South–North Water Diversion Project

2011 ◽  
Vol 12 (4) ◽  
pp. 600-617 ◽  
Author(s):  
Guoyu Ren ◽  
Hongbin Liu ◽  
Ziying Chu ◽  
Li Zhang ◽  
Xiang Li ◽  
...  
Keyword(s):  
Climate Change ◽  
Precipitation Variability ◽  
Water Diversion ◽  
Pan Evaporation ◽  
The South ◽  
Climatic Variations ◽  
The Past ◽  
The North ◽  
Water Diversion Project ◽  
North Water

Abstract Middle and eastern routes of the South–North Water Diversion Project (SNWDP) of China, which are approximately located within the area 28°–42°N and 110°–122°E, are being constructed. This paper investigates the past climatic variations on various time scales using instrumental and proxy data. It is found that annual mean surface air temperature has increased significantly during the past 50–100 years, and winter and spring temperatures in the northern part of the region have undergone the most significant changes. A much more significant increase occurs for annual mean minimum temperature and extreme low temperature than for annual mean maximum temperature and extreme high temperature. No significant trend in annual precipitation is found for the region as a whole for the last 50 and 100 years, although obvious decadal and spatial variation is detectable. A seesaw pattern of annual and summer precipitation variability between the north and the south of the region is evident. Over the last 100 years, the Haihe River basin has witnessed a significant negative trend of annual precipitation, but no similar trend is detected for the Yangtze and Huaihe River basins. Pan evaporation has significantly decreased since the mid-1960s in the region in spite of the fact that the trend appears to have ended in the early 1990s. The negative trend of pan evaporation is very significant in the plain area between the Yangtze and Yellow Rivers. There was a notable series of dry intervals lasting decades in the north of the region. The northern drought of the past 30 years is not the most severe in view of the past 500 years; however, the southern drought during the period from the 1960s to the 1980s may have been unprecedented. The dryness–wetness index (DWI) shows significant oscillations with periodicities of 9.5 and 20 years in the south and 10.5 and 25 years in the north. Longer periodicities in the DWI series include 160–170- and 70–80-yr oscillations in the north, and 100–150-yr oscillations in the south. The observed climate change could have implications for the construction and management of the SNWDP. The official approval and start of the hydro project was catalyzed by the severe multiyear drought of 1997–2003 in the north, and the operation and management of the project in the future will also be influenced by climate change—in particular by precipitation variability. This paper provides a preliminary discussion of the potential implications of observed climate change for the SNWDP.

scholarly journals New Woman as Seen in Bram Stoker’s Dracula

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 224
Author(s):  
Rheavanya Winandhini ◽  
Rahmawan Jatmiko
Keyword(s):  
New Woman ◽  
Victorian Novel ◽  
Source Material ◽  
Close Reading ◽  
The Novel ◽  
Female Characters ◽  
Victorian Era ◽  
Victorian Britain ◽  
The New Woman ◽  
The 19Th Century

This paper discusses the influence of feminism in the classic Victorian novel Dracula by Bram Stoker. The New Woman is a feminist ideal that appeared in the 19th century, more specifically amidst the rise of the first wave of feminism. The method of research used in this study covers close reading of the source material and analyzing the characters of the novel through the perspective of the New Woman ideals. The female characters in Bram Stoker’s Dracula portrayed the New Woman characteristic to some degree. Women’s independence, intellect, hyperfemininity, and hypersexuality, are some of the aspects of the movement that go against the norm and values of women in Victorian Britain, such as Mina’s “man’s brain” and Lucy’s hyperfemininity, while the Brides of Dracula provide contrast as the oppressed women with their submissive and compliant attitude towards him. Without erasing their representation of these New Woman ideals, Mina and Lucy also portrayed the complexity and dimensionality of being a woman in the Victorian era; their beauty and appeal were praised while their more “unwomanly” aspects present some threats towards men.

scholarly journals New Woman as Seen in Bram Stoker’s Dracula

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 207
Author(s):  
Rheavanya Winandhini ◽  
Rahmawan Jatmiko
Keyword(s):  
New Woman ◽  
Victorian Novel ◽  
Source Material ◽  
Close Reading ◽  
The Novel ◽  
Female Characters ◽  
Victorian Era ◽  
Victorian Britain ◽  
The New Woman ◽  
The 19Th Century

This paper discusses the influence of feminism in the classic Victorian novel Dracula by Bram Stoker. The New Woman is a feminist ideal that appeared in the 19th century, more specifically amidst the rise of the first wave of feminism. The method of research used in this study covers close reading of the source material and analyzing the characters of the novel through the perspective of the New Woman ideals. The female characters in Bram Stoker’s Dracula portrayed the New Woman characteristic to some degree. Women’s independence, intellect, hyperfemininity, and hypersexuality, are some of the aspects of the movement that go against the norm and values of women in Victorian Britain, such as Mina’s “man’s brain” and Lucy’s hyperfemininity, while the Brides of Dracula provide contrast as the oppressed women with their submissive and compliant attitude towards him. Without erasing their representation of these New Woman ideals, Mina and Lucy also portrayed the complexity and dimensionality of being a woman in the Victorian era; their beauty and appeal were praised while their more “unwomanly” aspects present some threats towards men.

scholarly journals Reception of J. Austen’s creativity in Contemporary British Literature (Novel by Joe Baker “Longbourne”)

2021 ◽  
pp. 189-201
Author(s):  
A. A. Ilunina
Keyword(s):  
British Literature ◽  
Victorian Novel ◽  
The Novel ◽  
Pride And Prejudice ◽  
Victorian Era ◽  
The Past ◽  
The Social ◽  
Contemporary British Literature ◽  
Definition Of ◽  
Modern British Literature

The experience of reception of creativity of J. Austen (1775—1817) in modern British literature is analyzed. The aim of the work was to identify the main directions and ideological and artistic functions of the deconstruction of pretext — the novel by J. Austen “Pride and Prejudice” (1813) — in the novel by Joe Baker (born in 1973) “Longbourne” (2013). It was revealed that the social, anti-colonial, anti-imperialist, anti-war, feminist components are the most significant in the deconstruction of pretext. For Baker, the main modes of rethinking the novel by J. Austen “Pride and Prejudice” become relevant in the modern social and cultural situation of revising the past and assessing the present in Britain, the problems of social contradictions, imperialism, colonialism and its consequences, the rights of women and minorities. It was concluded that in his artistic quest, Baker, although using the novel of the Regency era as a pretext, is moving closer to the neo-Victorian novel. It has been substantiated that it is advisable to clarify the definition of the “neo-Victorian novel of the younger generation” (the term by Y. S. Skorokhodko), designating works written in the pre-Victorian era, in particular, in the era of the Regency, as possible plot-forming pretexts, or to single out a new genre variety of British historiographic metanovel (L. Hutchen) — a Neo-Pre-Victorian novel.

The Many Pasts of Detective Fiction

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch
Keyword(s):  
Detective Fiction ◽  
Golden Age ◽  
Public History ◽  
Detective Novel ◽  
Sherlock Holmes ◽  
Detective Story ◽  
The Past ◽  
Wide Range ◽  
Detective Novels ◽  
The Many

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.

A Christmas Carol: Disability Conceptualised through Empathy and the Philosophy of ‘Technologically Useful Bodies’

2013 ◽  
Vol 6 (2) ◽  
pp. 176-191
Author(s):  
Ester Vidović
Keyword(s):  
Cultural Models ◽  
Historical Change ◽  
Literary Analysis ◽  
Abstract Concepts ◽  
Victorian Era ◽  
Victorian Britain ◽  
Image Schemas ◽  
Victorian Period ◽  
The Disabled ◽  
Linguistic Approach

The article explores how two cultural models which were dominant in Great Britain during the Victorian era – the model based on the philosophy of ‘technologically useful bodies’ and the Christian model of empathy – were connected with the understanding of disability. Both cultural models are metaphorically constituted and based on the ‘container’ and ‘up and down’ image schemas respectively. 1 The intersubjective character of cultural models is foregrounded, in particular, in the context of conceiving of abstract concepts such as emotions and attitudes. The issue of disability is addressed from a cognitive linguistic approach to literary analysis while studying the reflections of the two cultural models on the portrayal of the main characters of Charles Dickens's A Christmas Carol. The studied cultural models appeared to be relatively stable, while their evaluative aspects proved to be subject to historical change. The article provides incentives for further study which could include research on the connectedness between, on one hand, empathy with fictional characters roused by reading Dickens's works and influenced by cultural models dominant during the Victorian period in Britain and, on the other hand, the contemporaries’ actual actions taken to ameliorate the social position of the disabled in Victorian Britain.

Interrogating the Constitutionality of Federal Character Principle in Nigeria

2018 ◽  
Vol 9 (07) ◽  
pp. 20492-20498
Author(s):  
Aborisade Olasunkanmi ◽  
Christopher Agulanna
Keyword(s):  
Ethnic Groups ◽  
Research Work ◽  
National Unity ◽  
The Past ◽  
The North ◽  
Inhibiting Factors

This work interrogates federal character principle (FCP) in Nigeria. The FCP was designed to fundamentally address the striking features of Nigeria politics of intense struggles for power among the different ethnic groups in the country between the elites from the North and their Southern counterparts and the various segments, but the practice of FCP in Nigeria so far raises curiosity and doubts. Given the outcome of the interrogation, this research work discovered and conclude that federal character has not indeed achieve its objective in the Nigeria, the study finds that Ethnocentrism, Elitism, Mediocrity, Mutual suspicion amongst others accounts for some inhibiting factors of the FCP in Nigeria. Like many other provisions of the Constitution, the Federal Character principle was meant to correct some imbalances experienced in the past, but it has created more problems than it has attempted to solve. Rather than promote national unity, it has disunited Nigerians. There is an urgent need to use more of professionals and result oriented Nigerians to carry out national tasks, than to use unprogressive people due to this "Federal character" issue. Nigeria should be a place where one's track records and qualifications are far greater than just "where they come from" or their lineage if Nigerian truly want to progress.

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