scholarly journals Enseñanza de la historia y memoria ejemplar

Author(s):  
Fernando Bárcena Orbe

The intention of this article is to articulate a series of reflections about the teaching of history, using as a frame of reference the principle of discontinuity in the narrativity of the historical narrative and the modern crisis in the transmission of memorable experiences that the information society only exacerbates. Specifically, the article addresses the analysis of the role of memory and the reading of the past in the teaching of history. The article argues that an effort to connect the teaching history to what is singular would make history more effective to the extent that, through the narrative, a discontinuity in consciousness would be introduced in the educative process.

2013 ◽  
Vol 6 (2) ◽  
pp. 172-188
Author(s):  
Ahmad Kamal Abou Al-Majd

This article attempts to attenuate the exaggerated polarization in contemporary religious discourse in Egyptian society emanating from two flawed positions: a wrong conception of ‘applying Shari'a‘; and a wrong intention whereby deliberate cultural exclusion is practised to eradicate any religious orientation. The main subject of this article are manifestations of deviation of this discourse from the orientation of the original frame of reference of religion: (1) The call for Islam through scaring and intimidation; (2) the tendency to be tough on people, thus increasing obligatory duties and decreasing what is permissible; (3) inattention to the objectives of Shari'a and focusing on its literal aspect; (4) inattention to priorities; (5) belittling the role of the mind in Islamic conceptualization; (6) immersion in the past; and (7) Muslims' relationship with others. Nevertheless, rationalizing ‘religious discourse’ and working out a kind of consensus seems to be of utmost importance.


1994 ◽  
Vol 4 (4) ◽  
pp. 257-275 ◽  
Author(s):  
Stefan Tanaka

Abstract I use the idea of consumption to discuss questions of agency and purpose in history. History, as a consumer of pasts, is itself an agent in the interpretive strategies employed in the construction of a historical narrative. History also consumes people as it attempts to impose its homogenizing narrative. In these senses, there is purpose: to give order and meaning to—thus prioritizing—certain pasts over others and to define commonality—especially of the nation or nation-state—and thus marginality. This view brings out the historicity of history: that there is always contestation in representations of the past, and that there is considerable variability in how individuals make such history meaningful to themselves. The latter brings out another notion of consumption—that individuals consume history. Which parts of history people imbibe, however, depend on connections with their experience, their own pasts and histories. In terms of pedagogy, we must be aware that objectivistic history often meets resistance, invites parody, or fosters disbelief. If one goal of teaching history is to foster belief in the nation-state, then a monological narrative might not be the best way to accomplish that goal. (History; Education; Nation)


2017 ◽  
Vol 29 (1) ◽  
pp. 102
Author(s):  
Mikael Strömberg

The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.


2015 ◽  
Vol 27 ◽  
pp. 319-333 ◽  
Author(s):  
Helyom Viana Telles ◽  
Lynn Alves

This work arises from the reflections generated by a post-doctoral study that investigates how history games can contribute to the production and dissemination of representations, pictures, and imaginaries of the past. We understand history games to be digital electronic games whose structure contains narratives or simulations of historical elements (Neves, 2010). The term notion of “border works” is used by Glezer and Albieri (2009) to discuss the role of literary and artistic works that, standing outside the historiographical field and having a fictional character, are forms of the dissemination of historical knowledge and approximation with the past. We want to show how, under the impact of the linguistic turn, the boundaries between history and fiction have been blurred. Authors such as White (1995) and Veyne (2008) found both a convergence with and identification between historical narrative and literary narrative that interrogates the epistemological status of history as a science. These critiques result in an appreciation of fictional works as both knowledge and the dissemination of historical knowledge of the past. We then examine the elements of the audiovisual narratives of electronic games (Calleja, 2013; Frasca, 1999; Jull, 2001; Murray, 2003; Zagalo, 2009) in an attempt to understand their specificity. Next, we investigate the place of the narrative and historical simulations of electronic games in contemporary culture (Fogu, 2009). Finally, we discuss how historical knowledge is appropriated and represented by history games (Arruda, 2009; Kusiak, 2002) and analyze their impact on the production of a historical consciousness or an imaginary about the past.


Author(s):  
Filipe Silva de Oliveira ◽  
Edson José Wartha

ResumoHistória da Ciência e Ensino de Ciências são áreas do conhecimento com possibilidades de interface anunciadas e investigadas na atualidade, desse modo, produzindo conhecimento a comunidade de pesquisa interessada em encontrar caminhos didáticos para a sala de aula. Por meio de Narrativas Históricas (NHs), Estudo de Caso e sistematicamente Sequências Didáticas, essa interface tem sido desenvolvida. O estudo de textos históricos de divulgação científica auxilia a compreender a divulgação do conhecimento científico para o público comum no passado, acredita-se ser possível o uso desses textos na construção de materiais didáticos como Narrativas Históricas (NHs) e Estudo de Caso. Neste artigo discutimos características enunciadas em textos de divulgação científica escritos por um divulgador da ciência brasileiro, relacionando essas características na construção de Narrativas Históricas que venham a utilizar os textos desse divulgador. As características são conteúdo temático, composição do enunciado e estilo verbal. Essas características auxiliam na compreensão dos textos desse divulgador no processo de construção das Narrativas Históricas.Palavras-chave: Ensino de Ciências. História da Ciência. Divulgação Científica. Narrativa Histórica. AbstractHistory of Science and Science Teaching are areas of knowledge with possibilities of interface announced and investigated today, thus, producing knowledge to the research community interested in finding didactic paths for the classroom.  Through Historical Narratives (NHs) Case Study and systematically Instructional Sequences, this interface been developed. The study of historical texts of scientific popularization assist to understand the popularization scientific knowledge to the common public in the past, it is believed that the use of these is possible in the construction of instruction materials such as Historical Narratives (NHs) and Case Study. In this paper we discuss characteristics stated in scientific popularization texts written by a Brazilian science disseminator, relating these characteristics in the construction of Historical Narratives that come to use the texts of disseminator. Features are thematic content, statement composition and verbal style. These characteristics assist in the understand of the texts of this disseminator in the process of construction the Historical Narratives.Keywords: Science Teaching. History of Science. Scientific Popularization. Historical Narrative.


First Monday ◽  
2010 ◽  
Author(s):  
Panayiota Tsatsou

This article provides a critical examination of telecommunications regulation in the EU and argues for the need for change along the lines of subsidiarity and mediation. This discussion is particularly timely, as the European Commission is working on a new telecommunications regulatory framework, with the lessons and failures of the past appearing more critical than ever. In this context, the article points to the debate between national heterogeneity and shared vision in the European Information Society and it proposes a shift of the culture and procedures dominating the formal EU regulation. It brings to the fore the potential for the tension between national particularities and EU regulation to be resolved by applying subsidiarity along with existing regulatory tools and mediation via the enforcement of mediating networks and the establishment of institutions that increase the accountability of EU regulation on telecommunications.


2018 ◽  
Vol 19 (1) ◽  
pp. 93-107 ◽  
Author(s):  
Lieselot De Wilde ◽  
Bruno Vanobbergen ◽  
Griet Roets

Based on an oral history study that retrospectively explores the life histories of former orphans in the city of Ghent (Belgium) after the Second World War, we analyse and critique the role of historical research in the current apology trend. Due to the crucial role of (oral) history in these out-of-home care inquiries, these official public apologies, offered by the state as an attempt to come to terms with the past, deserve some specific academic attention in social work research. By inquiring into historical abuse in child welfare and educational institutions, governments of the Western world attempt to close a rather dark chapter in their national histories. Relying on research insights emerging from our research project with formerly orphaned children, we argue that it is impossible to puzzle together one common historical narrative. Moreover, we discovered that the history of the Ghent orphanages is still very much debated and alive more than 35 years after their doors were closed. In this article, we tease out how life histories can play a role in Western welfare states today. We therefore explore the relevance of the notion of ‘presence’ in order to rethink the relationship between the past and the present.


This article considers the issue of the identity crisis in the context of globalization, represented in the novel Flights by Olga Tokarczuk, a Nobel Prize laureate and one of the best-selling Polish writers of our time. The artistic world of the novel reveals key features of globalization such as increasing global mobility, intensifying migrations, the dissipation of national borders, and the deactualization of national memory. O. Tokarczuk portrays an original type of a character acting in such conditions – a modern nomad that can be an emigrant, a refugee, a traveler, or a homeless person. This paper focuses on the correlation between memory collapse and identity crisis depicted in several stories from the novel. It mainly considers the philosophical aspect of the issue, namely, people’s fear of death and desire for immortality expressed through their propensity for perpetual motion and rejection of individual and national memory. The topic of plastination (a method of body preservation), deeply elaborated throughout the novel, is examined in the context of interdependency between human’s body and identity. Specific attention is dedicated to fragmentariness as essential characteristic of both formal side of the novel (composition, narrative) and its thematic range. Fragmentariness is also intrinsic to the artistic manifestation of memory, presented in the form of a heterogeneous archive. Providing an alternative, polyphonic narrative, O. Tokarczuk opposes it to any kind of a coherent, monolithic historical narrative. Written in 2007, this novel is particularly interesting to analyze nowadays, when impugning the globalization values is becoming a common tendency. In the new context, Flights can be construed as a warning about creating a world devoid of memorial meaning. This article highlights a well-pronounced appeal to recollection and verbalization of the past. In the “narrating” of life, O. Tokarczuk sees the way to salvation and liberation, thus affirming the crucial role of memory in dealing with the identity crisis faced by contemporary societies.


2017 ◽  
Vol 7 (4) ◽  
pp. 132 ◽  
Author(s):  
Imane Hijal Moghrabi ◽  
Meghna Sabharwal

One of the major shifts that our society has witnessed in the past few decades is the paradigm shift from traditional bureaucracies to network arrangements in policy making and service delivery. This paper explores the New Governance as a paradigm shift in Public Administration with an emphasis on the democratic aspect of it. Approaching the New Governance from an Open Systems Theory perspective, this paper argues that the advent and the widespread use of ICTs and the “infosphere” – and the “information society” that has emerged from it – would help in promoting a better and a more democratic governance by providing new channels to put democracy into practice. This paper also acknowledges the dark side of the “infosphere” and the ethical challenges that have come along with it.


Author(s):  
Г. Родина ◽  
G. Rodina

The article is devoted to the identification of qualitative changes in the labor factor of production in the conditions of the formation of the information society. Based on the analysis of changes in the economy over the past half century, the modification of the nature of labor towards its intellectualization and informationization has been considered.The new role of the labor factor of production and the formation of human capital are justified. The latter is treated as the capitalized value of labor force, as a socio-economic form of the human factor.


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