Utopian View of the World: Modern Studies. Review: Utopian Discourse in Russian Culture of the Late 19th – 21st Century. Literature. Painting. Cinema. Monograph. Moscow, Flinta Publ., 2021, 281 p. (in Russ.)

2021 ◽  
Vol 20 (9) ◽  
pp. 122-127
Author(s):  
Elena I. Kolesnikova

The author analyzes the monograph “Utopian discourse in Russian culture of the late 19th – 21st century. Literature. Painting. Cinema”. The review determines the position of this book in modern science of projective models of the future. A key aspect is the continuity of previous studies on the category of utopia, and above all, B. F. Egorov, whose memory the book is dedicated to. The transition of modern art beyond the utopian genre is noticed. This confirms the appropriateness of the discursive technique. The author emphasizes the relevance of the traditional conversation about environmental problems and expresses bewilderment at the disregard by Western philologists of Russian fiction and scientific literature. As an unquestionable advantage of the monograph, its modern anthropological approach to the psychological details of private narrative utopias is noted.

2006 ◽  
Vol 5 (5) ◽  
pp. 82-87
Author(s):  
Ye. A. Zhoukova

This article represents the results of the research granted by RFFS № 04-06-80192. The high technologies foundation is based on fundamental research. Inclusion of bioethical and environmental problems in a context of scientific activity becomes the specifics of a modern science. Nanotechnology fundamental researches lead to a change of the world picture, which bases now on the laws of quantum mechanics. Creating nanotechnology, a person enters competition with the nature as aspires to receive the control over mi- croscopic processes and structures, although himself can become a slave of nanotechnology.


Author(s):  
Gunta Plūksna

The introduction outlines the problem: the views about the world outlook of the humankind changed radically from the verge of 19/20th century to the verge of the 20/21st century; the old paradigms must be changed to the new ones, but the relevant concepts are just developing. It expresses itself also in so called anthropological turn, when a person changes uncontrollably, rapidly and dangerously taking over the most important place in the global world system. Symbol is as a link between a word and an action, and it is an instrument for understanding the world, and a person plays an important role in it. The first section discusses the world outlook of Russian religious philosopher P. Florensky from the point of view of symbolism. It is based on the fundamentals of his world outlook: antinomy, life, the Unified. The second section is devoted to creativity in his life, which in an organic way links P. Florensky’s understanding about the world-outlook and life. The conclusions stress the contemporary aspects in P. Florensky’s symbolism expressed as: 1) spirituality; 2) aesthetics; 3) consubstantiality; 4) the dialogue with the Unified; 5) creativity in life. The research methods: hermeneutic and semiotic analysis of P. Florensky’s texts, critical analysis of the scientific literature.


1970 ◽  
pp. 25
Author(s):  
Lars Morell

Palace-revolutions When a collection is established, one must find, in the process of collecting, a balance between the uniqueness of objects and being able to demonstrate their mutual connection. When old pictures of the world break down, new connections between the objects emerge and the exhibitions must be re-edited. The essay examines three processes of change: the creation of the historically ordered museum, the formation of the museum of modern art and the change of the art museum on the eve of the 21st century. 


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