scholarly journals The Musical Phenomenon in the Films of Sergey Parajanov

2019 ◽  
Vol 37 (2) ◽  
pp. 64-77
Author(s):  
S. K. Sarkisyan
Keyword(s):  
Silent Film ◽  
The Arts ◽  
New Type ◽  
New Form ◽  
The Spectator

Music and cinema are two arts that have shown the most varied synthesis on semiotic and phenomenological levels during their century-old history. The permeation of these two arts has given birth to a substantially new form of their existence. That is the reason that the films and the complete creation of Sergey Parajanov are somehow situated in between these arts, between the plasticity of the cinema and the expressiveexpressiveness of the silent film. The overflowing of characteristics from one art to another does not occur to the detriment of the genre category of this particular art; in other words, the film does not cease to be film, nor is this the case with music. It would be more precise to confirm just the opposite: the permeation of the characteristics between the arts enriches each individual art, because the associative degree is augmented. This circumstance influences the perception of these arts, especially of the cinema. It acquires the capacity to actively influence the spectator, seemingly evading its basic visual rank. This genre of cinema refers to intellectual, sensual and subconscious incentives, forming at the same time a new type of spectator.

Lateral Thinking and Learning in Arts Education in the Post-Internet Art

2021 ◽  
Author(s):  
Lynda Avendaño Santana
Keyword(s):  
New Technologies ◽  
Virtual Space ◽  
Self Awareness ◽  
Social Nature ◽  
The Arts ◽  
Internet Art ◽  
Creative Experience ◽  
New Type ◽  
Lateral Thinking ◽  
Relationship Of

Lateral learning in the last two decades can be seen in peer-to-peer learning that is being promoted by new technologies where there are apps that allow students to work together in real time through virtual space, a method which thereby shifts the focus from the solitary self to the interdependent group which lives an educational experience of a collaborative and distributed nature, whose focus lies in instilling the principle of the social nature of knowledge. The ideological bases of lateral thinking are sustained by issues such as emancipation of the student from the authority of the teacher, the relationship of collaboration, permitting the development of individual appreciations and ideas, based simultaneously on those of their peers, on the democratization of knowledge, and so on, which ultimately refers to a collaborative creative education, to a democratic education, and to an education for democracy that assumes the new technologized context in which we live. Because of this, lateral thinking is increasingly influencing everyday life and areas such as education and the arts, as it happens in the post-Internet art, and more specifically net.art (i.e., an online art), which is a collaborative creative experience that has become an instrument which allows us to see a “new type of art in the 21st century.” Net.art, Internet art and the most experimental design, therefore constitutes a community experience that hypertextualizes computerized languages and generates poetic perspectives as artistic practices of lateral thinking. It has bestowed upon us a series of mechanisms to devise collaborative development strategies for lateral learning based on those creative ludic educational experiences of using and interacting with new technologies. This is essential to bear in mind because, as Jeremy Rifkin says, collaborative learning helps students to expand their own self-awareness, including their “self” in reference to diverse “others,” and promotes in-depth participation in more interdependent communities. It extends the territory comprised within the boundaries of empathy.

scholarly journals A Review on a Straight Bevel Gear Made from Composite

2016 ◽  
Vol 5 (3) ◽  
pp. 73 ◽  
Author(s):  
Haidar F. AL-Qrimli ◽  
Karam S. Khalid ◽  
Ahmed M. Abdelrhman ◽  
Roaad K. Mohammed A ◽  
Husam M. Hadi
Keyword(s):  
Composite Material ◽  
Composite Materials ◽  
Power Transmission ◽  
Bevel Gear ◽  
Robotic Arm ◽  
Straight Bevel Gear ◽  
Different Types ◽  
New Type ◽  
New Form ◽  
Material Composite

The purpose of this work is to present a clear fundamental thought for designing and investigating straight bevel gear made of composite material. Composite materials have the advantage of being light, producing low noises, and extra loading capacities. Due to these properties, it is highly preferable over conventional materials. A comparison between different types of material used in a gear structure will be shown. The outcome shows that a new form of cheap material may be useful for designing a new type of lighter and stiffer gear, designed for robotic arm applications or any power transmission application.

Interactivity, Cinema, and Experimentation

2016 ◽  
Vol 7 (2) ◽  
pp. 68-85
Author(s):  
Bruno Mendes da Silva ◽  
Mirian Nogueira Tavares ◽  
Vítor Reia-Baptista
Keyword(s):  
Applied Research ◽  
Visual Language ◽  
Research Centre ◽  
Communication Research ◽  
Research Project ◽  
Online Platform ◽  
The Arts ◽  
The Spectator ◽  
Narrative Forms ◽  
The Relationship

Based on the triad film-interactivity-experimentation, the applied research project The Forking Paths, developed at the Arts and Communication Research Centre (CIAC), endeavours to find alternative narrative forms in the field of Cinema and, more specifically, in the subfield of Interactive Cinema. The films in The Forking Paths invest in the relationship between the spectator and the film narrative, which is intended to be more active and engaged, and at same time they propose a research on the development of audio-visual language. The project is consubstantiated at an online platform that aims to foster the creation and web hosting of Interactive Cinema in its different variables.

Borislav Pekić’s New textuality in the light of Bakhtin's concept of the open text of the polyphonic novel

2015 ◽  
Vol 16 (1) ◽  
pp. 92-107
Author(s):  
Milan Orlić
Keyword(s):  
Text Structure ◽  
Narrative Text ◽  
Literary Canon ◽  
Crucial Importance ◽  
Novel Structure ◽  
Different Types ◽  
New Type ◽  
New Form ◽  
Implicit And Explicit ◽  
Literary Techniques

In this paper I analyze two of Pekić’s novels in the light of Bakhtin’s concept of the open text of the polyphonic novel which Pekić develops by means of a new Narrator Figure and a new poetics based on an encyclopedic embedded text structure. Among several literary techniques developed from the beginnings of Pekić’s writing, crucial importance belongs to what I call the Explicit Narrator Figure (for instance, in The Time of Miracles, 1965), who speaks in his own voice as interpreter of found texts, and the Implicit Narrator Figure, who adopts the literary and non-literary voices of (many) others, to whose diction and style he assimilates his own voice (for example, in Pilgrimage of Arsenije Njegovan, 1970). This new (postmodern) narrator figure, both explicit and implicit, acts as an interpreter of «found» texts. What connects these two types of Narrator Figures is the document and related Embedded Narration: both narrators thus deal with the pre-texts as well as texts-in-texts, levels and layers of texts, proto-texts and meta-texts – various types of Framed/Embedded Narratives. The Implicit Narrator Figure deals with Biblical witnessed texts and the Explicit Narrator Figure uses personal testamentary texts. In such a way, both Implicit and Explicit Narrator Figures become the researchers of different types of literary and non-literary documents. These complex inter-textual explorations of the “library” of culture are “encyclopedic” in magnitude and reveal, in combination with the new Narrator Figure’s status as Editor and Interpreter, a new type of narrative text, constituted in the encyclopedic open novel structure. Pekić thus introduces a new form of inter-textuality into Serbian literature, implicitly extending Bakhtin’s (and Dostoevsky’s) legacy by drawing on the Serbian national literary canon and the entire Western cultural “library”.

scholarly journals Mahalanobis Distances on Factor Model Based Estimation

Econometrics ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 10
Author(s):  
Deliang Dai
Keyword(s):  
Covariance Matrix ◽  
Mahalanobis Distance ◽  
Factor Model ◽  
Original Sample ◽  
Mahalanobis Distances ◽  
Model Based ◽  
New Type ◽  
New Form ◽  
Contamination Effects

A factor model based covariance matrix is used to build a new form of Mahalanobis distance. The distribution and relative properties of the new Mahalanobis distances are derived. A new type of Mahalanobis distance based on the separated part of the factor model is defined. Contamination effects of outliers detected by the new defined Mahalanobis distances are also investigated. An empirical example indicates that the new proposed separated type of Mahalanobis distances predominate the original sample Mahalanobis distance.

scholarly journals From stage to brain: Montage as a new principle of scientific narrative

2013 ◽  
Vol 41 (2/3) ◽  
pp. 200-218
Author(s):  
Oksana Bulgakowa
Keyword(s):  
Expressive Movement ◽  
Sergei Eisenstein ◽  
The Arts ◽  
The Subject ◽  
New Form ◽  
Way Of Thinking ◽  
A Chain

German Dadaists, Italian and Russian Futurists and Constructivists created in their experiments multi-medial orthopedic bodies as products of collage and montage. Sergei Eisenstein, who was influenced by these experiments, organized his theatrical productions as a chain of independent fragments capable of entering any possible combination/recombination and labelled this method “montage of attractions”. He used the same montage principle not only for a new theatrical or cinematic narrative but also to conceptualize the expressive movement of the theatrical or cinematic body created on stage and on screen. Finally he conceptualized montage not only as a means of conveying movement, but also of conveying a way of thinking. This inspired him to create a new form of scientific narrative in his two unfinished books. The subject to be analysed in the first book from 1929 – montage – inspired him to look for a new structure by organizing different texts in the form of a sphere. This form defined the method of writing his second project on the theory of the arts as a hypertext. Eisenstein gave this book the title Method (1932–1948).

scholarly journals Fashion Film: The Grain of the Past in the Present

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Caroline Evans
Keyword(s):  
Michel Foucault ◽  
Collaborative Research ◽  
Digital Age ◽  
Media Archaeology ◽  
Research Project ◽  
The Past ◽  
The Arts ◽  
History Of ◽  
New Form

Today’s fashion film is often assumed to be an entirely new form that emerged in the digital age, but in fact it has a long history going back to the time of the first film, around 1900, and this lecture will bring together examples of both to tease out some connections. It draws on methods from “media archaeology” to argue that fashion film is a multi-layered construction in which past and present are interwoven in what Michel Foucault called “a history of the present.” The talk is drawn from Caroline’s collaborative research project “Archaeology of Fashion Film.” The project is based at Central Saint Martins (University of the Arts London) in collaboration with Winchester School of Art (University of Southampton).

Reliability Analysis of Saddle-Shaped Cable Structure

2015 ◽  
Vol 744-746 ◽  
pp. 226-229
Author(s):  
Bin Li ◽  
Zhan Sheng Liu ◽  
Jian He ◽  
Rui Long Xu
Keyword(s):  
Reliability Analysis ◽  
Failure Modes ◽  
Steel Structure ◽  
Element Model ◽  
Cable Structure ◽  
Mechanics Performance ◽  
New Type ◽  
New Form ◽  
Prestressed Steel Structure ◽  
The Finite Element Model

Saddle-shaped cable structure is a new form of prestressed structure. Its reliability need to be analyzed for a new type structure. According to the different failure modes, the finite element model of prestressed steel structure is established. By using APDL language, the program is created. Finally, the reliability index of the model for different failure modes is got by reliability analysis. The results Provides reference basis for mechanics performance evaluation of prestressed structure.

Data Journalism

2018 ◽  
pp. 1196-1205
Author(s):  
Andreas A. Veglis ◽  
Charalampos P. Bratsas
Keyword(s):  
Open Data ◽  
Communication Technologies ◽  
Information Communication Technologies ◽  
Information Communication ◽  
Work Process ◽  
Ict Skills ◽  
New Type ◽  
Data Journalism ◽  
New Form ◽  
Definition Of

The introduction of Information Communication Technologies (ICTs) has transformed journalism profession through the digitalization of the work process as well as the introduction of the internet along with its services. Many new types of journalism have emerged, among which data journalism, which require journalists to have special ICT skills. Data journalism is a new form of journalism which has appeared gradually during the previous years, driven by the availability of data in digital form. This article studies the issue of data journalism. Specifically, the article will include a definition of data journalism as well as a discussion on the necessary ICT skills that journalists should have in order to cope with this new type of journalism. These skills are closely associated with the stages of the development of a data journalism project. Also, the relation between data journalism and open data will be presented due the importance of the later in the development of data journalism.

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