scholarly journals Classical Myth and Margaret Mahy's Young Adult  Fiction

2021 ◽  
Author(s):  
◽  
Michael Pohl
Keyword(s):  
Young Adult ◽  
Young Adult Fiction ◽  
Classical Myth ◽  
Critical Engagement ◽  
Critical Attention ◽  
Classical Myths ◽  
The Dead ◽  
Margaret Mahy ◽  
Selection Of ◽  
Classical Background

<p>This thesis investigates the importance of classical myth in the young adult fiction of Margaret Mahy. Mahy's novels are full of references to classical myths, both direct and indirect, in names of characters like Dido, Ovid, Ariadne or Hero; in storylines such as Flora's journey to the Underworld-like Viridian to rescue her cousin Anthea, strongly reminiscent of Demeter's rescue of Persephone from Hades, which take their inspiration from classical myth; in seemingly incidental references like the persistent comparisons of Sorry to Charon, the classical ferryman of the dead, in The Changeover. These references point to a deep engagement with the heritage of classical myth. It is an engagement that has not gone unnoticed by scholars of Mahy's work, but it is one that has not enjoyed the dedicated critical attention it deserves. This thesis explores the full importance of classical myth to Mahy's young adult fiction, and shows how an understanding of the classical background of a large selection of Mahy's major novels can both enhance our appreciation of what is already there, as well as open up new avenues for critical engagement with her work.</p>

scholarly journals Classical Myth and Margaret Mahy's Young Adult  Fiction

2021 ◽  
Author(s):  
◽  
Michael Pohl
Keyword(s):  
Young Adult ◽  
Young Adult Fiction ◽  
Classical Myth ◽  
Critical Engagement ◽  
Critical Attention ◽  
Classical Myths ◽  
The Dead ◽  
Margaret Mahy ◽  
Selection Of ◽  
Classical Background

<p>This thesis investigates the importance of classical myth in the young adult fiction of Margaret Mahy. Mahy's novels are full of references to classical myths, both direct and indirect, in names of characters like Dido, Ovid, Ariadne or Hero; in storylines such as Flora's journey to the Underworld-like Viridian to rescue her cousin Anthea, strongly reminiscent of Demeter's rescue of Persephone from Hades, which take their inspiration from classical myth; in seemingly incidental references like the persistent comparisons of Sorry to Charon, the classical ferryman of the dead, in The Changeover. These references point to a deep engagement with the heritage of classical myth. It is an engagement that has not gone unnoticed by scholars of Mahy's work, but it is one that has not enjoyed the dedicated critical attention it deserves. This thesis explores the full importance of classical myth to Mahy's young adult fiction, and shows how an understanding of the classical background of a large selection of Mahy's major novels can both enhance our appreciation of what is already there, as well as open up new avenues for critical engagement with her work.</p>

scholarly journals The ANZAC Tribulations at Gallipoli in Recent Australian Children’s Literature

2019 ◽  
pp. 85-96
Author(s):  
Hervé Cantero
Keyword(s):  
Children's Literature ◽  
Young Adult ◽  
Picture Books ◽  
Children’S Literature ◽  
Young Adult Fiction ◽  
Narrative Strategies ◽  
Selection Of ◽  
Ritual Practices

Generations of Australian children have been presented with iconic figures and values associated with the events of 1915 at Gallipoli and involved in the ritual practices of remembrance exemplified by Anzac Day ceremonies throughout a corpus of children’s literature which ranges from picture books for pre-schoolers to young adult fiction. This paper aims to broadly identify the narrative strategies at work in a selection of recent stories of brave animals helping the Aussie boys under fire or paeans to the duty of personal and communal remembrance and to examine them in a larger context of national self-representation.

scholarly journals Que(e)rying Youth Suicide: Sexism, Racism, and Violence in Skim and 13 Reasons Why

2019 ◽  
Vol 25 (2) ◽  
Author(s):  
Jocelyn Sakal Froese ◽  
Cameron Greensmith
Keyword(s):  
Young Adult ◽  
Suicide Prevention ◽  
Model Minority ◽  
Young Adult Fiction ◽  
Youth Suicide ◽  
Prevention And Intervention ◽  
Suicide Intervention ◽  
Critical Engagement ◽  
White Girls

This paper troubles positivist and pathological discourses surrounding youth suicide through critical engagement with young adult fiction: Skim and 13 Reasons Why. These texts offer opportunities for readers to dwell on and question youth suicide prevention and intervention through an engagement with affect, gender, queerness, and race. Skim (2008, Groundwood) and 13 Reasons Why (2017) counter ‘it gets better’ stories: they interrogate the inevitability of bullying, question the predictable approaches that schools take in their response to violence, and assert that the issue at hand is more systematic. Together, these analytics que(e)ry youth suicide by asking: how does the biopolitics (or necropolitics) of livability fit into popularized understandings of youth suicide? Read together, Skim and 13 Reasons Why provide opportunities to meaningfully question livability through the characters of Skim and Courtney—two Asian girls who bear the brunt of racist and sexist violence. Skim becomes a ‘project’ of white girls’ anti-suicide campaign and Courtney is barely living as she attempts to secure the plaform of ‘model minority.’ Both girls are queer, too. In its entirety, this paper  arguse that popularized models of suicide intervention continue to ignore the pressing needs of queer Asian girls—such as Skim and Courtney.

Creating a ‘Masala’ Self: Bicultural Identity in Desi Young Adult Novels

2010 ◽  
Vol 3 (2) ◽  
pp. 119-133 ◽  
Author(s):  
Michelle Superle
Keyword(s):  
Young Adult ◽  
Young People ◽  
Identity Development ◽  
Small Body ◽  
The United States ◽  
Young Adult Fiction ◽  
Bicultural Identity ◽  
The United Kingdom ◽  
Institutional Forces ◽  
Cultural Identity Development

In the past two decades, the previously silent voices of diasporic Indian writers for young people have emerged, and a small body of texts has begun to develop in the United States and the United Kingdom. One of the major preoccupations of these texts is cultural identity development, especially in the novels published for a young adult audience, which often feature protagonists in the throes of an identity crisis. For example, the novels The Roller Birds of Rampur (1991) by Indi Rana, Born Confused (2002) by Tanuja Desai Hidier, and The Not-So-Star-Spangled Life of Sunita Sen (2005) by Mitali Perkins all focus on an adolescent girl coping with her bicultural identity with angst and confusion, and delineate the ways her self-concept and relationships are affected. The texts are empowering in their suggestion that young people have the agency to explore and create their own balanced bicultural identities, but like other young adult fiction, they ultimately situate adolescents within insurmountable institutional forces that are much more powerful than any individual.

Developing UK and Norwegian undergraduate students’ conceptions of personal social issues in young adult fiction through transnational reflective exchange

2019 ◽  
pp. 1-17
Author(s):  
Ghazal Kazim Syed ◽  
Amanda Naylor ◽  
Hege Emma Rimmereide ◽  
Zoltan Varga ◽  
Lykke Harmony Alara Guanio-Uluru
Keyword(s):  
Young Adult ◽  
Undergraduate Students ◽  
Social Issues ◽  
Young Adult Fiction

scholarly journals Work: An Occupational ABC by K. Hatanaka

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
Young Adult ◽  
Young Children ◽  
Short Description ◽  
Young Adult Fiction ◽  
University Of Alberta ◽  
Full Page ◽  
Coffee Table ◽  
The Many ◽  
The University ◽  
First Time

Hatanaka, Kellen. Work: An Occupational ABC. Toronto: Groundwood Books, 2014. Print.At first glance, you may look at this book and think it just like the myriad of other ABC books for young children and preschoolers, but you would be delightfully wrong!  Yes, of course, each letter from A to Z is represented and indeed each letter is accompanied by an image that characterizes the letter.  But that is where the similarities end. Toronto-based designer, illustrator and artist Kellen Hatanaka, who can now also call himself a first time author, has created a beautiful and unexpected piece of art for the youngest readers and it is as much a delight to read as it is to behold.  With creamy paper and softly-coloured images, created digitally after first creating ‘hand-drawn patterns and images’, it is reminiscent of a small person’s version of a coffee table book, if said coffee table were in a nursery.It starts out simple enough, with A for Aviator and a full page spread with a boldly-coloured A as well as mountain tops that echo the A’s shape.  The next page, however, alerts the reader to the fun in store – B is for Butcher, shown chasing after a group of raccoons who have absconded with a string of sausages. Yes, there are occupations like Grocer and Tailor but there are also the Ice Cream Vendor, K-9 Officer and the Wedding Singer! What’s wonderful to note are the many alternative occupations, some that you may have not have heard of, and that there is a nice mix of women, men, and cultures taking part. For the curious reader, there is a section of funny ‘Want Ads’ which provides a short description of the occupation.This would make a wonderful new baby gift and is an excellent addition to a home or public library.Highly recommended: 4 stars out of 4 Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

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