scholarly journals Urban Ensembles: An integrated approach to design in steep, urban landscapes

2021 ◽  
Author(s):  
◽  
Myren Burnett

<p>Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.</p>

2021 ◽  
Author(s):  
◽  
Myren Burnett

<p>Urban Ensembles explores the way in which landscape and architecture can be employed together within the design of a steep, urban site. Lyttelton is a small port town on the border of Christchurch, settled in the foothills of a harbour formed by a major volcanic eruption. This rugged setting, with steeply sloping urban terrain, presents an interesting challenge when designing an urban development. The site was badly damaged in a series of earthquakes in 2010-2011, and many of the town’s oldest buildings, heritage structures dating back to the colonial settlement era, were destroyed. This has left a void in the heart of Lyttelton, and caused the loss of much of the tourism business that the town relies upon for its income. This thesis takes a methodological approach to the design of landscape architecture on such a challenging site. A range of techniques are explored, drawing from both landscape and architecture to explore the roles that each discipline plays in the design of urban spaces. The frequent imbalance between disciplines is addressed both through the literature review and design method, as this landscape architecture thesis draws on architectural design as a tool for generating spaces which fall somewhere in between the two ideals of interior and exterior. The final design proposal is an alternative rebuild plan for the central business area to the south of London St, and also addresses the relationships between that site and the surrounding context, both urban and environmental. The aim of this design is to create a series of interconnected spaces which have a strong relationship to the surrounding harbour setting, and also to facilitate development of the pedestrian spaces throughout the block and encouraging the development of activity at the street level, through the interface between buildings and landscape.</p>


Urban Science ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 20 ◽  
Author(s):  
António Ascensão ◽  
Laura Costa ◽  
Cláudia Fernandes ◽  
Franklim Morais ◽  
Catarina Ruivo

The article delves into the potential application of space syntax methodology to landscape architecture. Anticipating the complexity of the landscape architectural design process, the use of 3D space syntax analysis made it possible to better understand the relations between urban space shapes and their functions. The application of an iterative process of project improvement optimizes the fulfilment of the landscape architect vision, through changes in ground shaping, selection of tree species and their spatial distribution. This article explores the vegetation attributes of vegetation that are necessary to consider in landscape architecture projects in the context of the DepthSpace 3D software, using the case study of an urban park in Maia—Portugal. To achieve this, it was necessary to define the attributes to be inserted in the software. The main attributes of vegetation that can be employed in landscape architecture projects are form and dimension, growth speed, and visual permeability (opacity) of the crown in winter and summer. The software proved itself a useful tool, not only in studying and evaluating the effects of the final design, but also during project development.


2014 ◽  
Vol 522-524 ◽  
pp. 1760-1763
Author(s):  
Bao Hui Xu ◽  
Yu Bao

Ecological tourism park is a new form of tourism emerging in recent years, which have very important significance to the new rural construction. The design of landscape architecture in ecological park is still at the exploratory stage. This paper presents the design idea, design method of landscape architecture. In order to improve the design level of architectures in the ecological park, the method of integrating the architectural art, design technology and environment is proposed.


2021 ◽  
Author(s):  
◽  
Katy Phillips

<p>In 2006, 86% of New Zealanders lived in urban centres, a number that is expected to have risen (“Urban and rural migration”). Urban lifestyles have been linked to increased risk of obesity, stress, cardiovascular diseases and cancers among other things (Murray). As this percentage continues to rise, New Zealand faces the challenge of creating urban environ- ments that do not adversely affect mental and physical wellbeing. It can be argued that one factor leading to this loss of wellbeing in urban centres is the disconnection to nature and the healing effects that nature provides. In New Zealand, Māori have developed a strong relationship with the land. The under- standing that nature benefits health is deeply embedded within their culture. This research attempts to address the role of architecture in facilitating urban health and wellbeing is- sues through the incorporation of Mātauranga Māori (Māori knowledge) of healing and nature. The integration of Mātauranga Māori into this thesis comes from the recognition that our wellbeing can be greatly affected by our relationship with nature and that Māori culture best embodies this in a New Zealand context. Currently, Māori knowledge is under- represented in New Zealand’s predominantly western mainstream culture. This research is significant as it explores the role of architecture in facilitating a connection with nature in a bicultural urban environment, an area that is currently underexplored. Incorporating these values into design generates the potential to increase Māori representation in the designed environment as well as expand the architectural knowledge of designing for wellbeing. The chosen site, Birdwood Reserve is an underutilised bush reserve in the suburb of Karori, Wellington. Birdwood Reserve is situated in the nation’s capital, adjacent to Zealandia, an eco-sanctuary that is frequented by tourists. It is a steep valley with access to dense bush and the disturbed Kaiwharawhara stream. Flanked on two sides by environmentally active communities, it offers the potential for community involvement in the healing of the land- scape, helping restore the reserve while healing itself. The intentions of this thesis are addressed through the design of a bicultural wellbeing cen- tre. Through the process of this design, the role of Māori culture in New Zealand architec- ture will be analysed, as well as the potential to reconnect people to nature through design. The final design will explore how to embody the developed framework of bicultural values relevant to architectural design for wellbeing.</p>


2021 ◽  
Author(s):  
◽  
Marita Hunt

<p>This thesis develops a landscape architectural approach to the design of meaning in locally and nationally significant spaces. It begins with an emerging contemporary trend: nationally significant sites that are ignored and reduced in importance by the changing, fluid urban landscapes that surround them. Adelaide Road, in Wellington, the capital of New Zealand, is the site of Government House, the National War Memorial and the Basin reserve. These three nationally significant colonial icons suffer from lack of connection to their urban context, and thus this site is used as design case study. The thesis first develops a position on the expression of meaning through architectural form, particularly the meaning of national identity in capital cities. The expression of meaning in architecture is hindered by problems to do with the cultural context the sites are found within. Cultural shifts quickly move on from original designed meaning, leaving only culturally ingrained meaning. For nationally significant sites to remain relevant they need to become used, active parts of the urban landscape, so that layers of meaning and identity can accumulate within them. To situate the thesis in the context of Aotearoa-New Zealand, cultural traditions to do with sense of belonging to the landscape are used to establish a base set of values on which to base a design methodology. Landscape, particularly the natural landscape, has become a cliché expression of New Zealand national identity, to the detriment of urban landscapes. The design methodology uses landscape architecture theory to draw together Māori and Pākehā landscape values and apply them to the complex problems of an urban site. The design outcome frames the re-connection of Government House, the War Memorial and the Basin Reserve to the urban landscape within the cultural context of Aotearoa-New Zealand.</p>


2021 ◽  
Author(s):  
◽  
Callum James Leslie

<p>MacLean Park located on the Kapiti Coast has one of the most dynamic natural environments in the country. As tides rise, dunes shrink and grow and rivermouths shift over time, it can be difficult to perceive these environmental changes due to promptly forgotten benchmarks.  Within this thesis, I argue that architecture could provide both a benchmark and datum by which we can begin to understand and register these environmental changes, highlighting a need for architecture’s role to act as a mediator between our natural and urban environment.  The project explores a series of methods and strategies to make this dynamic and shifting environmental condition visible. A rigid and reductive geometry forms a potential answer. This informs a series of experiments which look to uncover how we can visually measure and observe our built and natural environment. A design-led research methodology leads to initial investigations on form and reduction within a chaotic landscape, followed by approaches to register site specific data and historic landmarks.  The final design investigations centre on a holistic coexistence of built form amongst the dunescape, lifting the modular structure on piloti above the delicate ecosystem below to allow the landscape, dunes and flora to flow freely in a temporal manner and interact with the building. The resulting design method shifts from a reductive approach to taking measure through ordering systems and composition to a more integrated approach between landscape and architecture. Here, measurement and observation become both an instrumental and poetic narrative as the building becomes a reflection of its surrounds.  The resulting tension between a rational and poetic approach to designing sees the Kapiti Island Biosecurity Visitor’s Centre become a measurement device on a coastal threshold. Through this architectural response, we can begin to observe, measure, read and understand the ecological qualities of the immediate site and its association with the township beyond.</p>


2021 ◽  
Author(s):  
◽  
Callum James Leslie

<p>MacLean Park located on the Kapiti Coast has one of the most dynamic natural environments in the country. As tides rise, dunes shrink and grow and rivermouths shift over time, it can be difficult to perceive these environmental changes due to promptly forgotten benchmarks.  Within this thesis, I argue that architecture could provide both a benchmark and datum by which we can begin to understand and register these environmental changes, highlighting a need for architecture’s role to act as a mediator between our natural and urban environment.  The project explores a series of methods and strategies to make this dynamic and shifting environmental condition visible. A rigid and reductive geometry forms a potential answer. This informs a series of experiments which look to uncover how we can visually measure and observe our built and natural environment. A design-led research methodology leads to initial investigations on form and reduction within a chaotic landscape, followed by approaches to register site specific data and historic landmarks.  The final design investigations centre on a holistic coexistence of built form amongst the dunescape, lifting the modular structure on piloti above the delicate ecosystem below to allow the landscape, dunes and flora to flow freely in a temporal manner and interact with the building. The resulting design method shifts from a reductive approach to taking measure through ordering systems and composition to a more integrated approach between landscape and architecture. Here, measurement and observation become both an instrumental and poetic narrative as the building becomes a reflection of its surrounds.  The resulting tension between a rational and poetic approach to designing sees the Kapiti Island Biosecurity Visitor’s Centre become a measurement device on a coastal threshold. Through this architectural response, we can begin to observe, measure, read and understand the ecological qualities of the immediate site and its association with the township beyond.</p>


2021 ◽  
Author(s):  
◽  
Katy Phillips

<p>In 2006, 86% of New Zealanders lived in urban centres, a number that is expected to have risen (“Urban and rural migration”). Urban lifestyles have been linked to increased risk of obesity, stress, cardiovascular diseases and cancers among other things (Murray). As this percentage continues to rise, New Zealand faces the challenge of creating urban environ- ments that do not adversely affect mental and physical wellbeing. It can be argued that one factor leading to this loss of wellbeing in urban centres is the disconnection to nature and the healing effects that nature provides. In New Zealand, Māori have developed a strong relationship with the land. The under- standing that nature benefits health is deeply embedded within their culture. This research attempts to address the role of architecture in facilitating urban health and wellbeing is- sues through the incorporation of Mātauranga Māori (Māori knowledge) of healing and nature. The integration of Mātauranga Māori into this thesis comes from the recognition that our wellbeing can be greatly affected by our relationship with nature and that Māori culture best embodies this in a New Zealand context. Currently, Māori knowledge is under- represented in New Zealand’s predominantly western mainstream culture. This research is significant as it explores the role of architecture in facilitating a connection with nature in a bicultural urban environment, an area that is currently underexplored. Incorporating these values into design generates the potential to increase Māori representation in the designed environment as well as expand the architectural knowledge of designing for wellbeing. The chosen site, Birdwood Reserve is an underutilised bush reserve in the suburb of Karori, Wellington. Birdwood Reserve is situated in the nation’s capital, adjacent to Zealandia, an eco-sanctuary that is frequented by tourists. It is a steep valley with access to dense bush and the disturbed Kaiwharawhara stream. Flanked on two sides by environmentally active communities, it offers the potential for community involvement in the healing of the land- scape, helping restore the reserve while healing itself. The intentions of this thesis are addressed through the design of a bicultural wellbeing cen- tre. Through the process of this design, the role of Māori culture in New Zealand architec- ture will be analysed, as well as the potential to reconnect people to nature through design. The final design will explore how to embody the developed framework of bicultural values relevant to architectural design for wellbeing.</p>


2021 ◽  
Author(s):  
◽  
Marita Hunt

<p>This thesis develops a landscape architectural approach to the design of meaning in locally and nationally significant spaces. It begins with an emerging contemporary trend: nationally significant sites that are ignored and reduced in importance by the changing, fluid urban landscapes that surround them. Adelaide Road, in Wellington, the capital of New Zealand, is the site of Government House, the National War Memorial and the Basin reserve. These three nationally significant colonial icons suffer from lack of connection to their urban context, and thus this site is used as design case study. The thesis first develops a position on the expression of meaning through architectural form, particularly the meaning of national identity in capital cities. The expression of meaning in architecture is hindered by problems to do with the cultural context the sites are found within. Cultural shifts quickly move on from original designed meaning, leaving only culturally ingrained meaning. For nationally significant sites to remain relevant they need to become used, active parts of the urban landscape, so that layers of meaning and identity can accumulate within them. To situate the thesis in the context of Aotearoa-New Zealand, cultural traditions to do with sense of belonging to the landscape are used to establish a base set of values on which to base a design methodology. Landscape, particularly the natural landscape, has become a cliché expression of New Zealand national identity, to the detriment of urban landscapes. The design methodology uses landscape architecture theory to draw together Māori and Pākehā landscape values and apply them to the complex problems of an urban site. The design outcome frames the re-connection of Government House, the War Memorial and the Basin Reserve to the urban landscape within the cultural context of Aotearoa-New Zealand.</p>


2020 ◽  
Vol 12 (4) ◽  
pp. 1360 ◽  
Author(s):  
Robert D. Brown ◽  
Robert C. Corry

More than 80% of the people in the USA and Canada live in cities. Urban development replaces natural environments with built environments resulting in limited access to outdoor environments which are critical to human health and well-being. In addition, many urban open spaces are unused because of poor design. This paper describes case studies where traditional landscape architectural design approaches would have compromised design success, while evidence-based landscape architecture (EBLA) resulted in a successful product. Examples range from school-yard design that provides safe levels of solar radiation for children, to neighborhood parks and sidewalks that encourage people to walk and enjoy nearby nature. Common characteristics for integrating EBLA into private, public, and academic landscape architecture practice are outlined along with a discussion of some of the opportunities and barriers to implementation.


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