scholarly journals The Modern Woman in The Mirror: Modernity and the New Zealand Women's Magazine, 1922-1932

2021 ◽  
Author(s):  
◽  
Jessie Annett-Wood
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
Modern World ◽  
Political Discussion ◽  
Early Twentieth Century ◽  
Women's Lives ◽  
Women's Magazine ◽  
The Relationship

<p>In 1922 a new women’s magazine, The Ladies’ Mirror, was launched in Auckland. The first magazine of its kind in New Zealand, The Mirror sought to provide New Zealand women with their own space in print, and contained a wide array of content, including fashion notes, housekeeping advice, and social and political discussion pieces. This thesis uses The Mirror’s first decade to explore the relationship between New Zealand women and modernity in the early twentieth century. The Mirror appeared at a time that was conspicuously and self-consciously modern, and it presented itself as a magazine for the modern woman in an era of change. Women and modernity are often presented as having a fraught relationship, but The Mirror presented a modern world in which women’s lives were being improved and enhanced.</p>

scholarly journals The Modern Woman in The Mirror: Modernity and the New Zealand Women's Magazine, 1922-1932

2021 ◽  
Author(s):  
◽  
Jessie Annett-Wood
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
Modern World ◽  
Political Discussion ◽  
Early Twentieth Century ◽  
Women's Lives ◽  
Women's Magazine ◽  
The Relationship

<p>In 1922 a new women’s magazine, The Ladies’ Mirror, was launched in Auckland. The first magazine of its kind in New Zealand, The Mirror sought to provide New Zealand women with their own space in print, and contained a wide array of content, including fashion notes, housekeeping advice, and social and political discussion pieces. This thesis uses The Mirror’s first decade to explore the relationship between New Zealand women and modernity in the early twentieth century. The Mirror appeared at a time that was conspicuously and self-consciously modern, and it presented itself as a magazine for the modern woman in an era of change. Women and modernity are often presented as having a fraught relationship, but The Mirror presented a modern world in which women’s lives were being improved and enhanced.</p>

Japanese Phenomenology

2015 ◽  
pp. 630-648 ◽  
Author(s):  
Tōru Tani
Keyword(s):  
Twentieth Century ◽  
Fundamental Aspect ◽  
Human Relationships ◽  
Early Twentieth Century ◽  
Nishida Kitaro ◽  
The Relationship

This chapter is an introduction to Japanese phenomenology, which was brought to Japan in the early twentieth century by Nishida Kitarō and others, soon after Husserl launched the movement in Germany. Beginning with a brief historical and cultural overview, the chapter focuses on four major phenomenologists: Sakabe Megumi, Nitta Yoshihiro, Noé Keiichi, and Washida Kiyokazu. Each of the four, each in a different way, articulates a fundamental aspect of Japanese phenomenology: the criticism of subject-object dualism and the attending idea of an autonomous being-in-itself. All attempt to inquire more deeply into the nondual dimensions underlying that dualism: Sakabe through an inquiry into betweenness (aida or awai), encounter, and reflection (utsushi); Nitta by probing the depths of “verticality” and “mediality”; Noé by investigating the relationship between narrative and experience; and Washida by transgressing the borders of philosophy and pursuing more “reversibility” in human relationships.

Border Blurs

2019 ◽  
Author(s):  
Greg Thomas
Keyword(s):  
Twentieth Century ◽  
Social Reconstruction ◽  
Scottish Literature ◽  
Concrete Poetry ◽  
Artistic Style ◽  
Early Twentieth Century ◽  
Counter Culture ◽  
The Sixties ◽  
The 1960S ◽  
The Relationship

This book presents the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-70s. Concrete poetry was a literary and artistic style which reactivated early-twentieth-century modernist impulses towards the merging of artistic media while simultaneously speaking to a gamut of contemporary contexts, from post-1945 social reconstruction to cybernetics, mass media, and the sixties counter-culture. The terms of its development in England and Scotland also suggest new ways of mapping ongoing complexities in the relationship between those two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s-70s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard, and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research. It fills a gap in contemporary understandings of a significant literary and artistic genre which has been largely overlooked by literary critics. It also sheds new light on the development of British and Scottish literature during the late twentieth century, on the emergence of intermedia art, and on the development of modernism beyond its early-twentieth-century, urban Western networks.

Danxia Burns a Buddha

2017 ◽  
Author(s):  
Gregory P. A. Levine
Keyword(s):  
Twentieth Century ◽  
Cultural Production ◽  
Modern World ◽  
Art Collecting ◽  
Early Twentieth Century ◽  
Photographic Reproduction ◽  
Art Canon ◽  
The Buddha ◽  
Modern Artists

Chapter 3 focuses on a medieval painting in the Zen art canon—Yintuoluo’s painting of Danxia Tianran (738/39-824), a Chinese monk said to have burned a wood statue of the Buddha—and situates it within its modern surround, particularly in relation to Zen iconoclasm, a prominent trope in postwar Zen cultural production including Jack Kerouac’s The Dharma Bums and other countercultural works. The chapter suggests how premodern representations of the Danxia tale circulated in the modern world through art collecting, photographic reproduction, translations of hagiography into modern Japanese and English for lay and non-practicing readers, and “reverse orientalist” critique of Western views of Buddhism. It notes too the tale’s representation by modern artists in Japan, including Yamamoto Shunkyo and Okamoto Ippei. Whatever the representation of Danxia burning the Buddha meant in preceding centuries, in the early twentieth century, it responded to new prospects, ambitions, and conflicts, as much geo-political as personal.

An Agitator Abroad

2018 ◽  
Author(s):  
Peter Clayworth
Keyword(s):  
United States ◽  
Twentieth Century ◽  
New Zealand ◽  
Political Action ◽  
Transnational Migration ◽  
The United States ◽  
Class Conflict ◽  
Early Twentieth Century ◽  
Compulsory Arbitration ◽  
Transnational Network

Patrick Hodgens Hickey, a New Zealander, was a labor activist who introduced American ideas of revolutionary industrial unionism and socialist political action to the country of his birth. Hickey grew up in rural New Zealand at a time of industrial peace under a compulsory arbitration system and initially had little interest in unions or socialism. He learned mining skills while working as an itinerant laborer in the United States, becoming part of a transnational network of mine workers. He was radicalized by his experiences of American class conflict and his involvement with the militant Western Federation of Miners. Returning to New Zealand, he became a leader of a workers’ revolt against the compulsory arbitration system in the period from 1907 through to 1914. Hickey was a key organizer of the union peak body that became the New Zealand Federation of Labour, the “Red Feds.” Following the defeats of the Waihi strike of 1912 and the Great Strike of 1913, Hickey suffered blacklisting. He went to Australia in 1915 to escape the blacklist and the threat of wartime conscription. In Australia he worked as a union activist and anticonscription campaigner. Hickey’s life and career illustrate the transnational migration of workers and their ideas in the early twentieth century.

The participant-photographer

2020 ◽  
pp. 168-195
Author(s):  
Christopher Morton
Keyword(s):  
Twentieth Century ◽  
Research Method ◽  
Participant Observation ◽  
Careful Examination ◽  
Note Taking ◽  
Photographic Record ◽  
Early Twentieth Century ◽  
The Relationship ◽  
Visual Engagement ◽  
Insight Into

Chapter 7 examines Evans-Pritchard’s photographic record of the Nuer rite of gorot, witnessed in 1936, and raises questions about the relationship between photography and participant-observation as a core research method in early twentieth-century anthropology. The chapter explores the question of why Evans-Pritchard’s record of this ritual is characterized by a sustained visual engagement with two distinct stages of the rite, and why other aspects of the ceremony are not recorded. In order to explore this question, the chapter proposes the model of Evans-Pritchard as ‘participant-photographer’—a model that understands his involvement with the ritual as being composed of periods of photographic engagement interposed with observation and note-taking. Placing Evans-Pritchard back into the field through a careful examination of his fieldwork records of a particular event enables us to gain a new insight into not just his fieldwork methods, but his proximity, involvement, and perspective on key elements of the ritual as they unfolded.

‘Even If You Don’t Want to Drink, You Still Have to Drink’

2020 ◽  
Author(s):  
Joseph Lawson
Keyword(s):  
Twentieth Century ◽  
Historical Perspective ◽  
Historical Narratives ◽  
Historical Texts ◽  
Early Twentieth Century ◽  
Invented Tradition ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

This chapter considers the history of alcohol in Nuosu Yi society in relation to the formal codification of a Yi heritage of alcohol-related culture, and the question of alcohol in Yi health. The relationship of newly invented tradition to older practice and thought is often obscure in studies that lack historical perspective. Examining the historical narratives associated with the exposition of a Yi heritage of alcohol, this study reveals that those narratives are woven from a tapestry of threads with histories of their own, and they therefore shape present-day heritage work. After a brief overview of ideas about alcohol in contemporary discourses on Yi heritage, the chapter then analyses historical texts to argue that many of these ideas are remarkably similar to ones that emerged in the context of nineteenth and early twentieth century contact between Yi and Han communities.

The limits of comparison: institutional mortality rates, long-term confinement and causes of death during the early twentieth century

2012 ◽  
Vol 23 (4) ◽  
pp. 404-418 ◽  
Author(s):  
Waltraud Ernst
Keyword(s):  
Twentieth Century ◽  
Causes Of Death ◽  
Modern World ◽  
British India ◽  
Psychiatric Institution ◽  
Early Twentieth Century ◽  
The Status ◽  
History Of ◽  
New Material

This article presents a case study of institutional trends in a psychiatric institution in British India during the early twentieth century. It focuses on mortality statistics and long-term confinement rates as well as causes of death. The intention is two-fold: first, to provide new material that potentially lends itself to comparison with the few existing institutional case studies that have explored this particular period; second, to highlight some of the problems inherent in the status of the statistics and the conceptual categories used, and to consider the challenges these pose for any intended comparative and transnational assessment. Furthermore, it is suggested that historians working on the history of western institutions ought to look beyond the confining rim of Eurocentric self-containment and relate their research to other institutions around the world. It is important for social historians to abstain from uncritically reproducing hegemonic histories of the modern world in which western cultures and nations are posited by default as the centre or metropolis and the rest as peripheries whose social and scientific developments may be seen to be of exotic interest, but merely derivative and peripheral.

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