Duncan Winder: architectural photographer

Visual Languages ◽

Compositional Approach ◽

Visual Survey ◽

New Brutalism ◽

Post War ◽

In 1960s New Zealand, Duncan Winder (1919-1970) transitioned from architect to architectural photographer. With his architectural eye, Winder produced distinctive and seminal images of New Zealand post-war architecture and these images have an enduring relevance today. Despite this significant contribution to local architectural culture, contemporary knowledge of Winder’s legacy and output has remained limited. This research sought to raise awareness of his life and work. To contextualise Winder’s work, a framework for image analysis was developed which drew on the visual languages of two architectural movements which were prominent during Winder’s period of practice, Townscape and New Brutalism. In addition, a visual survey of New Zealand architectural photography from 1930 to 1970 was undertaken. This enabled contextualisation of Winder’s photography with the work of other local photographers operating at the time. From the analysis, it is clear that Winder’s photography shows aspects of both Townscape and New Brutalism, in terms of its compositional approach. This is not only interesting for the fact that these movements have historically been seen as oppositional, but because it exposes some of the ways in which their visual languages were related. The analysis also highlighted the 1960s as a particularly healthy decade for the production of New Zealand architectural photography. This was demonstrated through the progressive improvement in the quality of published architectural photography and the increase in number of architectural photographers practicing locally. It is positive that in recent years Winder’s archive of photographs has been digitised and made publicly accessible, and that digitisation has enabled this research to provide original and thorough commentary on Winder’s photography. The research has identified distinctive and memorable qualities of Winder’s style, including his compositional use of thirds, his off-centre perspectives, and his attentiveness to tone and materiality. In this way, the research has provided appropriate ways to understand and value Winder’s photography, and appreciate his significant contribution to New Zealand’s architectural culture and history.

Guillermo del Toro

Latino Studies ◽

10.1093/obo/9780199913701-0146 ◽

2020 ◽

Author(s):

Dolores Tierney

Keyword(s):

United States ◽

New Zealand ◽

Science Fiction ◽

English Language ◽

The United States ◽

Harry Potter ◽

Spanish Language ◽

Alfonso Cuaron ◽

Guillermo del Toro (b. 1964) is an Oscar-winning Mexican director, screenwriter, producer, novelist, film scholar, curator, and nonfiction writer who works internationally on English-language and Spanish-language projects in Mexico, New Zealand, Spain, and the United States and across a number of different media, including film, television, animation, and novels. Although he has worked in multiple genres, including horror (Mimic (1997), Blade II (2002), Crimson Peak (2015)), action/fantasy (Hellboy (2004), Hellboy II: The Golden Army (2008)), science fiction (Pacific Rim (2013)), and hybrids of these and other genres (The Shape of Water (2017)), he is most known for the gothic sensibility of many of his projects (Cronos (1993), The Devil’s Backbone (2001), Pan’s Labyrinth (2006), Crimson Peak (2015)). Relatedly, Del Toro’s Cronos and his subsequent films, including those he has produced have contributed greatly to the rehabilitation of the horror and fantasy genres from the cultural disreputability they suffered through the 1960s to the early 1990s and also facilitated more horror production in Mexico going forward. In addition to the gothic quality of his work, Del Toro’s auteur status is often traced through the recurring imagery, themes, and monsters that appear across his oeuvre and through the recurring preoccupations with the contiguity of real and fantasy worlds and with ghosts as manifestations of the (historical and political) past. Although Del Toro has made and been involved in the production of some notable franchise films in recent years, directing Blade II, Hellboy, and Hellboy II: The Golden Army, receiving a screenwriting credit for The Hobbit: An Unexpected Journey (2012), The Hobbit: The Desolation of Smaug (2013), and The Hobbit: The Battle of the Five Armies (2014) he has also turned down several opportunities to work on franchise films in the Narnia and Harry Potter series (passing on directing Harry Potter and the Prisoner of Azkaban but suggesting his compatriot Alfonso Cuarón for the job instead) and leaving the production of The Hobbit films after work on the scripts. He’s also received writing credit on Trox Nixey’s Don’t Be Afraid of the Dark (2010).

An Analysis of the Quality of Life of Older Women in New Zealand 2001, "I'm Still Me Inside"

10.26686/wgtn.16926454.v1 ◽

2021 ◽

Author(s):

◽

Isobel Munro

Keyword(s):

Quality Of Life ◽

New Zealand ◽

Older Women ◽

Social Connectedness ◽

Good Health ◽

Full Time ◽

Subjective Perceptions ◽

Concern For Others

This study explores the quality of life for one hundred and seventy-five older women from many parts of New Zealand, who are no longer in full-time paid employment. The women were self-selected through a process of social networking and have responded to a questionnaire on the quality of their life. Sixteen of the women living in the greater Wellington area were interviewed. Demographics such as age, marital status, income and education were obtained. The project examines some of the variables and their interactions, which contribute to the quality of life for older women. These are income, housing, health, social connectedness and life cycle events within the context of individual and societal attitudes. The respondents have been grouped in younger and older cohorts, those women under or over 75. The study records their subjective perceptions of material wellbeing and health together with their thoughts and feelings about this stage of their life. The women's awareness of being valued, and by whom they were valued made a significant contribution to the quality of their life, as did a sense of belonging and being useful in the locus of family and community. Good health coexisted with illness and disability, but costs associated with healthcare were of concern. They took pride in the skill of 'making do', a legacy of war and depression. Respondents were clear that a positive attitude was necessary for coping with older age and that owning your own home contributed to their feeling secure. For most participants New Zealand Superannuation was their main source of income. While there was considerable diversity in their situations, relating to their previous life history, this study indicates that most of the older women felt comfortable with their life, despite some perceptions of 'ageism' in the community. They expressed concern for others rather than themselves.

An Analysis of the Quality of Life of Older Women in New Zealand 2001, "I'm Still Me Inside"

10.26686/wgtn.16926454 ◽

2021 ◽

Author(s):

◽

Isobel Munro

Keyword(s):

Quality Of Life ◽

New Zealand ◽

Older Women ◽

Social Connectedness ◽

Good Health ◽

Full Time ◽

Subjective Perceptions ◽

Concern For Others

This study explores the quality of life for one hundred and seventy-five older women from many parts of New Zealand, who are no longer in full-time paid employment. The women were self-selected through a process of social networking and have responded to a questionnaire on the quality of their life. Sixteen of the women living in the greater Wellington area were interviewed. Demographics such as age, marital status, income and education were obtained. The project examines some of the variables and their interactions, which contribute to the quality of life for older women. These are income, housing, health, social connectedness and life cycle events within the context of individual and societal attitudes. The respondents have been grouped in younger and older cohorts, those women under or over 75. The study records their subjective perceptions of material wellbeing and health together with their thoughts and feelings about this stage of their life. The women's awareness of being valued, and by whom they were valued made a significant contribution to the quality of their life, as did a sense of belonging and being useful in the locus of family and community. Good health coexisted with illness and disability, but costs associated with healthcare were of concern. They took pride in the skill of 'making do', a legacy of war and depression. Respondents were clear that a positive attitude was necessary for coping with older age and that owning your own home contributed to their feeling secure. For most participants New Zealand Superannuation was their main source of income. While there was considerable diversity in their situations, relating to their previous life history, this study indicates that most of the older women felt comfortable with their life, despite some perceptions of 'ageism' in the community. They expressed concern for others rather than themselves.

Unbuilt Sixties: The Unsuccessful Entries in the Christchurch Town Hall Competition

Architectural History Aotearoa ◽

10.26686/aha.v2i0.6708 ◽

2021 ◽

Vol 2 ◽

pp. 23-31

Author(s):

Ian Lochhead

Keyword(s):

New Zealand ◽

Town Hall ◽

Concert Hall ◽

National Competition ◽

History Of ◽

Post War ◽

The 1960S ◽

Insight Into

The completion of the Christchurch Town Hall in 1972 marked the end of a process which had begun in 1964 with a national competition, the largest and most prestigious of the post-war era in New Zealand and one of the major architectural events of the 1960s. Although Warren and Mahoney's winning design has assumed a prominent place in New Zealand architecture, unsuccessful designs by among others, Pascoe & Linton; Lawry & Sellars; Austin, Dixon & Pepper; Gabites & Beard and Thorpe, Cutter, Pickmere, Douglas & Partners, are virtually forgotten. These designs deserve to be better known since they offer an invaluable insight into the range of architectural approaches being employed during the mid sixties. Standing apart from the short listed designs is Peter Beaven's more widely published entry, which was singled out by the jury as being especially meritorious. The paper will examine unrealised designs for the Christchurch Town Hall in the context of contemporary attitudes towards concert hall and civic centre design. Approaches ranged from the Miesian international modernism of Lawry and Sellars to the sculptural forms of Beaven's proposal in which influences as diverse as Aalto, Scharoun and Mountfort are strikingly integrated. The paper will also assess Warren and Mahoney's unbuilt civic centre design within the framework of the competition entries as a whole. Such unbuilt designs constitute an important, but largely invisible part of the architecture of the 1960s and deserve to be re-inscribed within in the history of the period.

Environmental Education in New Zealand

Australian Journal of Environmental Education ◽

10.1017/s0814062600003165 ◽

1993 ◽

Vol 9 ◽

pp. 21-32 ◽

Cited By ~ 1

Author(s):

Ross Dowling

Keyword(s):

New Zealand ◽

Environmental Education ◽

Outdoor Education ◽

School Context ◽

Environmental Movement ◽

Environmental Problems ◽

Common Misconception ◽

1960S And 1970S ◽

Environmental education in New Zealand (NZ) was born out of the environmental movement during the 1960s and 1970s. During that time it became increasingly apparent that we needed to know more about ourselves, our surroundings and the interactions between these two. The central impulse of environmental education is to help develop people who are knowledgeable of, concerned about, and motivated to do something for, the environment. This involves being:1. Knowledgeable about the physical, social and economic environment of which people are a part;2. Concerned about environmental problems; and3. Motivated to act responsibly in enhancing the quality of our environment as well as our life.In NZ a common misconception held was that environmental education is the same as outdoor education. It is not. Environmental education is concerned with those aims listed above, whereas outdoor education is now taken to mean, and is officially called, ‘Education Outside the Classroom’. Obviously the two are neither synonymous nor mutually exclusive (Dowling 1986). In the school context, environmental education has traditionally been considered as any teaching about ‘the environment’. Today, however, it is being understood as a process which is multi-disciplinary in approach and for the environment at heart.

Marketing herbage seeds

NZGA: Research and Practice Series ◽

10.33584/rps.3.1985.3309 ◽

1985 ◽

Vol 3 ◽

pp. 93-97

Author(s):

R.G. Smith ◽

R.D.J. Mather

Keyword(s):

New Zealand ◽

Contributing Factors ◽

Pastoral Development ◽

Wide Range

One of the most underrated factors in our pastoral development has been the humble seed. Rarely recognised, it has made a significant contribution in allowing farmers to increase production within the wide range of climatic and fertility environments encountered in our country. But now, the quality of New Zealand pastures is becoming internationally recognised and has been one of the main contributing factors in the development of our country, together with the drive and competence of our farming fraternity and the abundant use of fertiliser.

Non-Marital Pregnancies and ex-nuptial births in New Zealand

Journal of Biosocial Science ◽

10.1017/s0021932000010956 ◽

1977 ◽

Vol 9 (2) ◽

pp. 163-174 ◽

Cited By ~ 2

Author(s):

A. D. Trlin ◽

L. T. Ruzicka

Keyword(s):

New Zealand ◽

Steady Increase ◽

Fertility Rates ◽

The 1950S ◽

Post War ◽

SummaryAn investigation of the incidence and pattern of non-marital pregnancies in New Zealand, and their outcome as nuptial or ex-nuptial births, has revealed four major features. The post-war period has been marked by a steady increase in the incidence of non-marital pregnancies, especially since the early 1960s (following the inclusion of Maori vital events). Pre-marital or bridal pregnancies increased during the 1950s, but have steadily declined at all ages between 16 and 23 years during the 1960s and early 1970s. Nuptial fertility rates for women aged 35 years and over have declined continuously since 1945, and since the early 1960s the decline has commenced for women at younger ages as well. Ex-nuptial fertility rates have been increasing throughout the post-war period and particularly since the early 1960s.

Ambivalent Relationships: London's Youth Culture and the Making of the Multi-Racial Society in the 1960s

Britain and the World ◽

10.3366/brw.2018.0285 ◽

2018 ◽

Vol 11 (1) ◽

pp. 4-26 ◽

Cited By ~ 1

Author(s):

Felix Fuhg

Keyword(s):

Working Class ◽

Social Life ◽

Youth Culture ◽

Global Culture ◽

Local Conditions ◽

White Working Class ◽

Ambivalent Relationship ◽

Post War ◽

The 1960S ◽

Class Youth

The emergence and formation of British working-class youth cultures in the 1960s were characterized by an ambivalent relationship between British identity, global culture and the formation of a multicultural society in the post-war decades. While national and local newspapers mostly reported on racial tensions and racially-motivated violence, culminating in the Notting Hill riots of 1958, the relationship between London's white working-class youth and teenagers with migration backgrounds was also shaped by a reciprocal, direct and indirect, personal and cultural exchange based on social interaction and local conditions. Starting from the Notting Hill Riots 1958, the article reconstructs places and cultural spheres of interaction between white working-class youth and teenagers from Caribbean communities in London in the 1960s. Following debates and discussions on race relations and the participation of black youth in the social life of London in the 1960s, the article shows that British working-class youth culture was affected in various ways by the processes of migration. By dealing with the multicultural dimension of the post-war metropolis, white working-class teenagers negotiated socio-economic as well as political changes, contributing in the process to an emergent, new image of post-imperial Britain.

Short Films from a Small Nation

10.3366/edinburgh/9781474424134.001.0001 ◽

2018 ◽

Cited By ~ 1

Author(s):

C. Claire Thomson

Keyword(s):

Public Information ◽

Industrial Process ◽

Actor Network Theory ◽

Documentary Films ◽

Wide Range ◽

Short Films ◽

Post War ◽

The 1960S ◽

Art And Architecture

The first book-length study in English of a national corpus of state-sponsored informational film, this book traces how Danish shorts on topics including social welfare, industry, art and architecture were commissioned, funded, produced and reviewed from the inter-war period to the 1960s. For three decades, state-sponsored short filmmaking educated Danish citizens, promoted Denmark to the world, and shaped the careers of renowned directors like Carl Th. Dreyer. Examining the life cycle of a representative selection of films, and discussing their preservation and mediation in the digital age, this book presents a detailed case study of how informational cinema is shaped by, and indeed shapes, its cultural, political and technological contexts.The book combines close textual analysis of a broad range of films with detailed accounts of their commissioning, production, distribution and reception in Denmark and abroad, drawing on Actor-Network Theory to emphasise the role of a wide range of entities in these processes. It considers a broad range of genres and sub-genres, including industrial process films, public information films, art films, the city symphony, the essay film, and many more. It also maps international networks of informational and documentary films in the post-war period, and explores the role of informational film in Danish cultural and political history.