scholarly journals DESAIN APLIKASI SENI POP ART PADA BUSANA READY TO WEAR DENGAN TEKNIK DIGITAL PRINTING

Author(s):  
Nopiyani Nopiyani ◽  
Winwin Wiana

Seni Pop Art atau Populer Art merupakan seni populer aliran seni dipengaruhi fenomena sosial maupun budaya yang berkembang di masyarakat. Kehadiran seni Pop Art pada tahun 1960-an di Amerika dan Inggris, budaya pada zaman itu mengaitkan unsur gaya/style yang diusungnya. Gaya Pop Art divisualisasikan pada bentuk karya dimanfaatkan oleh dunia industri khususnya desainer grafis Indonesia diwujudkan pada pakaian menargetkan anak muda sebagai calon konsumen, terlepas dari trend pengunaan teknik, material serta bentuk yang jadi sasaran produksi dalam dunia industri di Indonesia. Sumber ide pada penciptaan karya seni Pop Art menjadi suatu hal yang menarik menggunakan teknik digital print. Keunggulan teknik digital print adalah dapat menghasilkan hasil yang telah dibuat, komposisi warna menghasilkan visual hidup. Dalam penelitian ini mengembangkan teknik digital print dengan menggunakan karya seni Pop Art.

2021 ◽  
pp. 004051752199792
Author(s):  
Yi Ding ◽  
Wu Zhendong ◽  
Zhang Chuanxiong ◽  
Xiao Ruobai ◽  
Xue Wenliang

In digital printing, the fabric print quality can only be evaluated through the color and pattern of printed fabric after printing. The influence of the physical properties of fabric on the printing effect remains unclear. In this paper, the digital print suitability of cotton fabric was defined, and 14 samples of plain cotton fabrics were taken as research objects. In addition, 11 evaluation indexes of cotton fabrics were selected. The evaluation and prediction model of cotton fabric printability was established by principal component analysis. Furthermore, the prediction results of the model were verified by analyzing the colorimetric data of cotton fabric after printing. The result demonstrated that the evaluation model of printing suitability was applicable and can be used to quickly evaluate the printability of cotton fabrics. Particularly, fabric thickness had the greatest influence on printing permeability. In the case of moderate wicking, the higher the whiteness of cotton fabric, the better the color reproducibility after printing. Additionally, the wicking effect also had a great influence on color performance.


2013 ◽  
Vol 469 ◽  
pp. 340-343
Author(s):  
Chen Fei Zhao ◽  
Qing Han ◽  
Yong Chang Chen

Digital printing can print directly the information which will be printed on the package box by digital print machine and internet or computer, which removes the procession of color separation, makeup, plate-making in the traditional printing. The digital print can print any number package box at any time and at any place, which can realize the variable data printing, and which has a price advantage in the short version printing. Therefore, digital printing is a good method for personalized packaging printing.In digital printing, color control is important for print quality detection. In this paper the dot area percentage of cyan, magenta, yellow ink can be predicted by measuring the color’s spectral reflectance in order to control the ink’s amount in digital print and realize the color’s precise control of cyan, magenta, yellow. In the prediction model of three color ink’s dot percentage, the characteristic of spectral reflectance curves for the various color ink is analyzed, and each ink’s high reflectivity and low reflectivity which is high correlation with the dot percentage is chosen and is calculated by normalization method in order to get each ink’s dot area percentage’ prediction model. At last by measuring the paper’s spectral reflectance and the using normalization method, paper’s color can be described, and the effect of paper on monochrome color ink’s dot area percentage can be analyzed. The research has important significance for packing box’s digital printing’s color high-fidelity reproduction.


2016 ◽  
Vol 5 (9) ◽  
pp. 84
Author(s):  
Stefan Skiba

<p align="center">The production requirements of original graphic works of art have changed since 1980. The development of digital printing using lightfast colors now rivals traditional techniques such as wood cut, screen print, lithography, etching etc. Today, with respect to artistic legitimacy, original graphics using traditional printing techniques compete with original graphics produced by digital printing techniques on the art market. What criteria distinguish traditional printing techniques from those of digital printing in the production and acquisition of original graphics? What consequences is the serious artist faced with when deciding to implement digital print production? How does digital print change original graphic acquisition decisions?</p>


Knygotyra ◽  
2010 ◽  
Vol 55 ◽  
pp. 203-220
Author(s):  
RIMANTĖ KISIELIŪTĖ

Vilniaus universiteto Knygotyros ir dokumentotyros institutasUniversiteto g. 3, LT-01513 Vilnius, LietuvaEl. paštas: [email protected] nagrinėjama skaitmeninių leidinių leidybos situacija akademinėje leidykloje. Tyrimo objektas – Lietuvių kalbos instituto leidybos padalinys. Panašaus pobūdžio mokslinių tyrimų Lietuvoje neatlikta. Remiantis anketinės apklausos, giluminio interviu bei mokslinės literatūros analize, atskleistas Lietuvių kalbos instituto mokslininkų, esamų ir potencialių knygų autorių, požiūris į skaitmeninę leidybą, įvardytos priežastys, kuo akademinei leidyklai skaitmeninė leidyba yra paranki, ir išnagrinėti trys leidybos modeliai (Born-Digital, Print on Demand, Short run digital printing), naudotini plečiant leidyklos akademinės leidybos apimtis. Prieita prie išvados, kad Lietuvių kalbos instituto leidykloje skaitmeninė leidyba turi visas prielaidas būti sparčiai plėtojama, siekiant ekonominio pranašumo, rizikos minimizavimo ir patogumo.


2020 ◽  
Vol 3 (2) ◽  
pp. 36
Author(s):  
Nurhadi ◽  
Fathur Rohman ◽  
Sugeng Hadi ◽  
Asrori
Keyword(s):  

Tidak adanya nama jalan di lingkungan wilayah tempat tinggal menyebabkan warga RT 04-05 RW 16 Desa Ngenep, Kecamatan Karangploso, Kabupaten Malang kesulitan menemukan alamat tertentu. Kegiatan Pengabdian kepada Masyarakat (PkM) ini bertujuan untuk mendesain, membuat dan memasang Peta Situasi Wilayah di Desa Ngenep, Kecamatan Karangploso, Kabupaten Malang. Kegiatan dilaksanakan di RT 04-05 RW 16 Perumahan Tirtasani cluster Park Royal, mulai tanggal 24 April sampai 09 Nopember 2018. Metode PkM yang digunakan yaitu mendesain, membuat dan memasang Papan Peta Situasi Wilayah.  Rangka Peta Situasi didesain terbuat dari besi profil kotak 4x6 cm dan 3x3 cm berukuran 3x2 m. Pengerjaan rangka meliputi pemotongan, pengelasan, penggerindaan, pengecatan dan riveting. Dasar papan peta dibuat dari bahan lembaran alumnium ukuran 2x2 meter, sedangkan peta yang menggambarkan alamat rumah warga didesain dengan software desain grafis corel draw dan dicetak dengan outdor digital printing. Banner Peta Situasi ditempelkan pada lembaran alumninium dengan perekat lem, dan difinishing dengan rivet. Peta Situasi dipasang didepan pintu masuk RT 04-05 RW 16 (sekitar Pos Satpam) dan Taman Tengah, ditanam dengan kedalaman ± 50 cm dan dicor semen. Hasil PkM menunjukkan bahwa pengadaan Peta Situasi sangat bermanfaat dan warga RT 04-05 RW 16 Desa Ngenep, Kecamatan Karangploso, Kabupaten Malang, dimana warga merasa puas karena memiliki infrastruktur lingkungan yang baik dan lebih mudah untuk menemukan alamat di wilayah tersebut. Kata kata kunci: Desain dan pembuatan, peta situasi, Ngenep. Karangploso


2017 ◽  
Vol 15 (1) ◽  
pp. 22-30
Author(s):  
Dimitrio Joviano Pinel
Keyword(s):  
Pop Art ◽  

O presente artigo discute sobre questões do embate entre o moderno e o contemporâneo, e tentará mostrar como o surgimento da instalação artística tornou-se um gênero essencialmente questionado nas realizações dos artistas que trabalharam o conceito da sound art. Nesse sentido, este artigo terá como recorte os movimentos que tiveram grande dimensão nas décadas de 1950 até 1970, como o minimalismo, a pop art, e particularmente a música experimental. Portanto, nosso ponto de partida começa com o surgimento da instalação artística.


2012 ◽  
Vol 1 (6) ◽  
pp. 43
Author(s):  
Merielle Espírito Santo Brandão
Keyword(s):  

A arte contemporânea e as transformações sofridas no século XX. Das vanguardas às novas tendências. Das formas assimétricas, rudes e chocantes,  a arte nas ruas, fora dos museus, desestetizada, do pastiche. O surgimento de novos conceitos artísticos buscando libertação contra o Moderno e o moderno vanguardista, seu hermetismo e subjetivismo, engendram a antiarte e seus movimentos singulares de representação do cotidiano. A sociedade do consumo e da informação como plano de fundo artístisco produzindo uma arte que não só imita, ela é a própria vida.  


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