Husserl on Intentionality and Attention

2018 ◽  
Vol 2018 (2) ◽  
pp. 81-98
Author(s):  
Luca De Giovanni

This paper discusses the role of attention in the phenomenological analysis of intentional experience in light of the problem of the relation between consciousness, intentionality, and transcendental subjectivity. Are these concepts equivalent? Or should we rather say that there is more to intentionality (and subjectivity) than consciousness? Does subjectivity embrace an unconscious domain? And, if so, how does this unconscious, yet intentional, life of subjectivity operate and how is it related to consciousness? In order to answer these questions, the paper tracks the development of Husserl’s conception of attention from the Logical Investigations to genetic phenomenology, by focusing on his analyses of temporality in the Bernau Manuscripts, on the relation between activity and passivity in the Analyses Concerning Active and Passive Synthesis, and on the issue of the self-constitution of subjectivity

Author(s):  
Anatolii S. Sharov

Based on the analysis of the previously unpublished heritage of Eh. Husserl, the so-called “Bernau-manuscripts” in the horizon of genetic phenomenology, a holistic consideration of subjectivity from the affectively pre-given to the Self as a collection of the self is outlined. Passive synthesis and passive genesis are analysed at the level of sensuality, which refers to the pre-predicative experience of affеction and genetically precedes the thematic correlation between the subject and the world. The accumulation of one’s own Self takes place in onto-reflexive processes through effective communication. Where the Self itself is the identical center, the pole with which the entire content of the stream of experiences is correlated.


2017 ◽  
Vol 22 (3) ◽  
pp. 418-427
Author(s):  
Anna Einarsson

How is performing with responsive technology in a mixed work experienced by performers, and how may the notion of embodied cognition further our understanding of this interaction? These questions are addressed here analysing accounts from singers performing the author’s mixed work Metamorphoses (2015). Combining semi-structured interviews and inspiration from Interpretative Phenomenological Analysis, questions concerning the ‘self’ when listening, singing, moving and relating to fellow musicians, as well as the relationship towards the computer, are explored. The results include a notion of the computer as neither separated nor detached but both, and highlight the importance of the situation, including not only the here and now but also social and cultural dimensions. The discussion emphasises the role of sensorimotor interaction and bodily experience in human meaning-making.


Open Theology ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 278-298 ◽  
Author(s):  
Olga Louchakova-Schwartz

Abstract This paper presents a phenomenological analysis of the argument in The First Discourse of Part 2 of Suhrawardī’s Philosophy of Illumination. Specifically, this argument is considered with regard to temporal extension of its logos, i.e., the succession of logical steps. Contrary to traditional views of Suhrawardī as a Neoplatonizing proponent of the primacy of essence over existence, the steps of his argument convey a much more nuanced picture in which ligh t emerges as the main metaphysical principle. First, Suhra wardī explicates full evidentiality in visible light (which is the most patent, ’aẓhar, from the Arabic root ẓ-h-r = ‘to appear, be [made] manifest’): this light gives us the world as “this-there”; and second, as self-evidentiality (ẓuhūru-hu, ‘being obvious to itself by itself’) in the first-person consciousness of the knower. Suhrawardī accesses these modes by reduction(s) which liberate the transcendental character of light. The correlation in the evidential mode of light between the knower and the objects serves as a ground for the claims of transcendental unity of the self and the world, and as a condition of possibility for knowledge. A juxtaposition of this approach with phenomenological philosophy suggests that in Suhrawardī’s analysis, the evidentiality of visual light plays a role of a new universal a priori. I show that under the phenomenological reduction, this a priori participates in constitution of ontological validities; and within the transcendental empiricism of the physics of light, this a priori underlies the construction of causality. Thereby, the Philosophy of Illumination suggests a new horizon of entry into transcendental phenomenological philosophy. The paper also contains a justification of a phenomenological reading of Suhrawardī’s work, including explanation of the historical reduction.


2018 ◽  
Vol 11 (1) ◽  
pp. 222-234 ◽  
Author(s):  
Salvatore Settineri ◽  
Fabio Frisone ◽  
Emanuele Maria Merlo

Background:The study proposes a psychodynamic analysis of the traumatic role of mental images, that can be expressed by many conditions; in phenomenology, the psychic relationship is meant as the relationship between subject and object. The analysis is aimed at understanding how representations are relevant.Objective:Representations are distinguished as the possibility of intrinsic trauma and as inherently deferred in the conflict between sexual-biological identity and gender-psychological identity; our work aims to highlight how internal images affect adaptation processes.Method:The analysis involves the study of 10 Rorschach protocols of Gender Dysphoria subjects in Male to Female transition; the protocols are analyzed through the studies of N. Raush de Traubenberg, with reference to the Self and Body; a psycho-traumatological and phenomenological analysis of imaginal experiences will be proposed.Results:From the analysis emerges the presence of Self and Body representations affected by a partial and fragmentary prevalence of contents, the presence of psychotraumatic phenomena associated to the processes of introjection and identification of mental representations.Conclusion:The knowledge of the presence of affected representations and psycho-traumatological outcomes would be useful for a psychodiagnostic and psychotherapeutic purpose, intended for the implementation of the adaptation process.


2014 ◽  
Author(s):  
Kristin Donnelly ◽  
Radmila Prislin ◽  
Ryan Nicholls
Keyword(s):  

2007 ◽  
Author(s):  
D. Ramona Bobocel ◽  
Russell E. Johnson ◽  
Joel Brockner

2004 ◽  
Author(s):  
John Chambers ◽  
Nick Epley ◽  
Paul Windschitl
Keyword(s):  

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.


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