scholarly journals A személynevek Anonymus Gesta Hungarorumának angol és román fordításaiban

2020 ◽  
Vol 42 ◽  
pp. 47-65
Author(s):  
Gyopárka F. Bátori

The Gesta Hungarorum is a valuable source of the early history of Europe and Hungary. As a result, several translations in addition to the Hungarian have been published: Romanian, German, Slovak, Polish, Catalan, English, Russian, etc. While some questions regarding the translation of the personal names used by Anonymous are predictable, a comprehensive understanding can only be reached through a complete comparison of all data. Thus, data collection is the first step of research. The current study examines the use of personal names in the English and Romanian translations. Aspects connected to translation are systematised based on the various levels of their context. A detailed analysis of the data brings new aspects to the fore that highlight questions connected not only to the text of the Gesta itself but translation in general. Thus this study is useful not only to a small group of scholars but any who face challenges in the translation of names.


Entitled ◽  
2019 ◽  
pp. 41-69
Author(s):  
Jennifer C. Lena

This chapter discusses the creation of the Museum of Primitive Art (MPA). The history of Michael C. Rockefeller's primitive art collection provides an ideal case study of the process of artistic legitimation. Through a detailed analysis of the complete organizational archive—including memos, publications, journals, and administrative paperwork—one can observe this process in detail. The small group of MPA administrators fought to promote artistic interpretations of the objects in the collection against the established view that they were anthropological curiosities. However, these objects were removed from their sites of production and early circulation and left in the care of American curators and tastemakers to make of them what they will; in Rockefeller's case, he leveraged them to produce capital he used in a struggle with other collectors and museum administrators. What he did not do is redistribute those resources toward living artists or register much hesitation about moving those objects to New York. Nor did he have to acknowledge the labor done by earlier advocates of these arts in black internationalist movements. Nevertheless, Rockefeller's triumph was the eventual inclusion of his collection in the Metropolitan Museum of Art (Met), as the Michael C. Rockefeller Wing.



1933 ◽  
Author(s):  
◽  
Margaret Ellen Bell

Counties: Webster, Wright, Christian, Douglas, Ozark, Taney, Stone, Barry, and McDonald||"If, by chance, all the written evidence of the history of a region, the character of its people, its economic structure, and its physical qualities were swept away, the story of that region could be reconstructed with an astounding degree of accuracy, from the place-names of the section alone. The place-names of these counties of the Ozarks remarkably mirror its early history, its people, and their interests and tastes. To enable the reader to grasp the subject more easily and trace its course more methodically, a table of classification has been presented and discussed in the first chapter. All the names have been grouped under five heads: 1) Borrowed Names, 2) Historical Names, 3) Personal Names, 4) Environmental Names, and 5) Subjective Names. These five heads will cover practically all the place-names found in any locality, except for the unsolved and doubtful ones. These unsolved names have been listed at the end of Chapter One for the benefit of future investigators and students. Besides these five groups of classification there remain five additional ways in which almost all the names will repay study. They are: 1) The Composition of Names, 2) The Linguistic Features, such as spelling, pronunciation, and dialect words, 3) Non-English Names, 4) and 6) Folkways and Folklore. Chapter Two comprises a brief survey and discussion of the names with regard to these five special features. Chapter Three, embracing by far the greater part of the thesis in bulk, consists of a dictionary of all the place-names studied. In an Appendix I have discussed separately the school names of the section. Last of all I have placed my Bibliography."--Pages 18-19.||"This thesis is the record of careful research into the origin of the place-names of the lower southwest counties of Missouri. Nine counties, Webster, Wright, Christian, Douglas, Ozark, Taney, Stone, Barry, and McDonald have been studied, and the origin of place-names of counties, towns, post offices, streams, "hollows", hills, springs, "knobs", rivers, prairies, townships, mountains, valleys, ridges, gaps, and "balds" have been recorded, in so far as it was possible. These nine counties constitute a large part of what is known as the Ozark Region. It is only in the last few decades that the possibilities and the resources of this region have been fully realized. However, it is in the early history of this section that the romance of pioneer settlement and the character and qualities of these people are most clearly seen."--Page 1.



Author(s):  
John W Cairns

This chapter assesses the work of Sir Robert Chambers by comparing it with that of other professors of English law. It focuses on the analytical structure Chambers gave to English law. The first part briefly discusses the early history of university lectures and, in particular, the adoption of the structure of Justinian’s Institutes. This is followed by an account of the problems encountered by professors of English law in setting forth their subject, and of the solutions they adopted. The third section provides a detailed analysis of the structure Chambers used for his lectures in comparison with that used by Blackstone. This is followed by some general conclusions and observations.



2013 ◽  
Vol 138 (2) ◽  
pp. 313-376
Author(s):  
Simon McVeigh

ABSTRACTThe early history of the London Symphony Orchestra and its association with Richter and Elgar have been well documented, yet there is much still to be learnt about the 1904 break with the autocratic Henry Wood and about the artistic and commercial decisions facing the new self-governing orchestra. From the start, the LSO confidently allied itself with international standards and cosmopolitan repertoire, and a roster of celebrated conductors to match. But financial security was less easily gained. Detailed analysis of the finances of the prestigious subscription series shows initial eclecticism giving way to concentration on the Austro-German canon in reaction to commercial and social pressures. British music came in and out of focus, despite the nationalistic mood of the time, and the analysis places in sharp relief the successes and failures of the link with Elgar. Furthermore, in an extraordinary sacrifice of self-interest, the freelance members decided to renounce normal fees for the subscription series in order to gain lucrative engagements elsewhere: thus the orchestra acted more as an agency than as a stable business proposition. Nevertheless, the innovative governance structure, underpinning a combination of resolute management, entrepreneurial energy and communal decision-making, eventually proved a viable and sustainable model that has remained influential up to this day.



2011 ◽  
Vol 11 (2) ◽  
pp. 87-105 ◽  
Author(s):  
Ben Shneiderman ◽  
Cody Dunne ◽  
Puneet Sharma ◽  
Ping Wang

This paper reviews the trajectory of three information visualization innovations: treemaps, cone trees, and hyperbolic trees. These three ideas were first published around the same time in the early 1990s, so we are able to track academic publications, patents, and trade press articles over almost two decades. We describe the early history of each approach, problems with data collection from differing sources, appropriate metrics, and strategies for visualizing these longitudinal data sets. This paper makes two contributions: (1) it offers the information visualization community a history of how certain ideas evolved, influenced others, and were adopted for widespread use and (2) it provides an example of how such scientometric trajectories of innovations can be gathered and visualized. Guidance for designers is offered, but these conjectures may also be useful to researchers, research managers, science policy analysts, and venture capitalists.



2016 ◽  
Vol 13 (28) ◽  
pp. 69-85
Author(s):  
Daniel Gallimore

In a recent study of Shakespeare translation in Japan, the translator and editor Ōba Kenji (14) expresses his preference for the early against the later translations of Tsubouchi Shōyō (1859-1935), a small group of basically experimental translations for stage performance published between the years 1906 and 1913; after 1913, Shōyō set about translating the rest of the plays, which he completed in 1927. Given Shōyō’s position as the pioneer of Shakespeare translation, not to mention a dominant figure in the history of modern Japanese literature, Ōba’s professional view offers insights into Shōyō’s development that invite detailed analysis and comparison with his rhetorical theories. This article attempts to identify what Shōyō may have meant by translating Shakespeare into elegant or “beautiful” Japanese with reference to excerpts from two of his translations from the 1900s.



2016 ◽  
Vol 61 (1-2) ◽  
pp. 43-50
Author(s):  
Jaroslava Kašparová

The article points out the uniqueness of the personal book collection of the Czech poet, translator and theatre critic Hanuš Jelínek, one of the most prominent figures in Czech–French cultural relations. Based on the owner’s last will, it has been deposited in the National Library in Prague since 1951, when the book estate was handed over to the National Museum after the death of his wife, Božena Jelínková-Jirásková, an academic painter, and it also contains books that belonged to her. The book collection, which still awaits further research and is hardly known to the wider professional public, is a very valuable source on the life and work of Mr and Mrs Jelínek as well as an important source of information on the history of Czech-French cultural transfers and the cultural history of Europe in the first half of the 20th century.



1998 ◽  
Vol 11 (1) ◽  
pp. 23-50 ◽  
Author(s):  
Ruth Benschop

The ArgumentThis essay addresses the historiographical question of how to study scientific instruments and the connections between them without rigidly determining the boundaries of the object under historical scrutiny beforehand. To do this, I will explore an episode in the early history of the tachistoscope — defined, among other things, as an instrument for the brief exposure of visual stimuli in experimental psychology. After looking at the tachistoscope described by physiologist Volkmann in 1859, I will turn to the gravity chronometer, constructed by Cattell at Wundt's Leipzig institute of psychology in the 1880s. Taking Wittgenstein's notion of family resemblances as a methodological suggestion to travel from one member to another to find out just how members relate to one another, I will investigate part of the family to which both the tachistoscope and the gravity chronometer turn out to belong. A detailed analysis of these instruments, using both historical sources and historical accounts of psychological instruments, may demonstrate that the instrument is not a standard package that, if well applied, will simply secure good results. Each package needs to be assembled again and again; the particular package that is assembled may differ on different occasions. Thus an alternative is developed to an understanding of instruments as univocally functioning material means.



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