scholarly journals Investigating Culture-Specific Items in Roald Dahl’s “Charlie and Chocolate Factory” Based on Newmark’s Model

2020 ◽  
Vol 5 (2) ◽  
pp. 1-12
Author(s):  
Amin Karimnia ◽  
◽  
Nastaran Heydari Gheshlagh ◽  
Keyword(s):  
Lexicon ◽  
2014 ◽  
Vol 1 (1) ◽  
Author(s):  
Bawono Sudewo ◽  
Aris Munandar

The goal of this graduating paper is to know how the unconsciousness minds and habits linking to each other. It discusses the mind that triggers characters behavior in the Charlie and Chocolate Factory. The writer focuses on the children who get the golden tickets and the owner of the Chocolate Factory (Mr. Willy Wonka).According to Willbur S Scott with his Psychoanalysis Theory on Fictitious Characters, he stated that we can look further about the pattern which motivates the character to express something. It helps the present writer to analyze deeper, by identifying the showed which were done by the children in Roald Dahl’s Charlie and Chocolate Factory.After carying out the research, it shows that their (the five lucky children and Mr. Willy Wonka) subconscious mind triggers bad action which expelled the children from the chocolate factory and good action which made Charlie the champion.


BMJ ◽  
1995 ◽  
Vol 311 (7003) ◽  
pp. 515-515
Author(s):  
C. Douglas
Keyword(s):  

Author(s):  
Dorota Mariola Michułka

This chapter aims to develop a new analysis formula and a new language of literary school education/teaching literature, especially the language of reading engagement functionalized in terms of emotional, social, and cultural needs that literature is capable of satisfying. This applies also to young readers. The starting point is the specificity of emotional and sensory reception of literary narration (e.g. Charlie and the Chocolate Factory by R. Dahl) in which vivid, multisensory mental imagery absorbs/engages many readers (also on the principle of intersubjective cooperation). Discussion in this chapter is based on three issues: transactional theory of reading response (with aesthetic and efferent reading); individual, personal, and private interpretations; and analysis of types of affect in reception. It also proposes a description of the process of pupils' cognitive activities, recognize mental images, understanding metaphors, and express emotions.


2016 ◽  
Vol 16 (2) ◽  
pp. 12-17
Author(s):  
Layla Eplett

For some, Roald Dahl's Charlie and the Chocolate Factory is a story made of pure imagination. For others, it is emblematic of colonial ideology since the Oompa-Loompas were originally depicted as African pygmies. This article explores the inspiration, interpretation, and revisions of the classic story and looks at its appropriateness within children's literature.


Author(s):  
Rebecca Warner

The musical aimed at the family market is an important part of the landscape of the British musical. This paper seeks to explore some of the key characteristics that can make a musical appeal to a hybrid, cross-generational audience. By employing Tony Graham’s five-step gauge for considering the suitability of particular works for capturing a child’s interest as a framework, the essay explores the musicals Honk!, Mary Poppins, Matilda, and Charlie and the Chocolate Factory as case studies. Special attention is paid to ideas of imagination, transcendence, and the use of a universal topic to appeal to the family market.


2016 ◽  
Vol 24 (3) ◽  
pp. 503-510 ◽  
Author(s):  
Pasquale Trematerra ◽  
Annachiara Oliviero ◽  
Sara Savoldelli ◽  
Matthias Schöller

2014 ◽  
Vol 6 (2) ◽  
pp. 52-61
Author(s):  
Nonna Borisovna Yermilova

Complexities of literary work's transferring on the screen are discussed in the article as exemplified by Roald Dahl's fairy tale's two screen versions: "Willy Wonka the Chocolate Factory" (1971, directed by Mel Stuart) and "Charlie and the Chocolate Factory" (2005, directed by Tim Burton). The article is published to the 50th anniversary of Roald Dahl's fairy tale's release.


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