2019 ◽  
Vol 2 (3) ◽  
pp. 21
Author(s):  
Chao Zhang

Orff music teaching method is one of the most famous and widely used music education systems in the world, named after Karl Orff, a famous German musician. It endows the music education with humanity and fraternity under the perspective of anthropology, which has a profound impact on music education in primary and secondary schools all over the world. During the process of Chinese folk music teaching in primary and secondary schools, we should draw on the advantages of Orff's music teaching philosophy and promote the national characteristics of Chinese music teaching.


2019 ◽  
Vol 3 (2) ◽  
pp. 171
Author(s):  
Zhang He

<p>At present our country's arts school is pushing new education plan, this made the related concept art education as well as major changes have taken place in the education mode. Also let the school music education realize the meaning of folk music is important, in the process of teaching reform, the local folk music also showed a more important role. In this paper, through the study of the characteristics and connotation of the folk music, we will sort out how to strengthen the learning and promotion of the folk music theory in the school music education in Hohhot. Based on the combination of music education and folk music, a more practical and complete music teaching method and system is constructed.</p>


1995 ◽  
Vol 25 (3) ◽  
pp. 289-296 ◽  
Author(s):  
John J. Janowiak

America's impassioned involvement with music has found its way into the schools. A great song is complete in itself and needs nothing more to enhance it. The nose-thumbing spirit of Vietnam protesters in the seventies was reflected in the music of American songwriters of that period which included John Prine. Written in the traditional folk music style, John Prine's “Sam Stone” follows the storyline of a Vietnam veteran addicted to heroin and his tragic death. This article examines the heroin-related lyricism and music of “Sam Stone” as a teaching method in drug education.


Author(s):  
Shiva Massoudi ◽  
Nazanin Mehraein

Undoubtedly, it is impossible Teaching any kind of Art without contemplating the others. Based on dissolving the borders of di erent kinds of arts then interdisciplin- ary trends is so prevalent in Contemporary art. e appearance of elements of other kind of Art like Photo, video in eatre emphasizes on revising method of teaching. In Puppet eatre which has essentially synthetic quality of performance with di erent styles of manipulation and animation up to any Artist, this issue is very important. e entrance of new media to puppet theatre have been more strong and e ective because of some overlapping aspects between puppet theatre and cinema, painting and etc. To harmonize with new interdisciplinary art revising teaching method especially in directing course as nal step is necessary. Image has signi cant and crucial role in our current life and culture. e appearance of virtual media in life of humans, makes image the strongest and closest communication channel with the world. en creating and then reading image is fundamental for artists as well as audiences and naturally must be learned in all kinds of visual art or performing art. Reading image has three step which include from exact observation to pull out motifs and symbols and nally search about characteristic of images which relate the world of image to other worlds. Reading an image could help to implied direct or indirect meaning of an image and use it as a dramaturgical adaptation meaning, transformation it as a text to create a piece. Directing course in Puppetry academy mostly is nal course in which student prepareaperformance.Teachingdirectingdividedintwoskills:Technicaldirectingand Artistical directing. In Technical directing students learn technical aspects of directing but Artistical directing is about director’s approach, the insight of director. Starting with image is a good method for teaching Artistical directing and improve directing approach. is method could help the students to learn making meaning, to learn better seeing, to learn creative looking and reveal hidden meanings. this is applied in stage directing class for puppetry student in B.A and have 4 steps which is start by a selective painting. In rst step painting is introduce as a text and adopted to puppetry performance. second step is rst part of Dramaturgy which is analyzing painting and has six stages. ird step is second part of dramaturgy which is making narration or story and in last step the student search for a puppetry visualization. By achieving the narration and nding the puppetry visualization, the process of rehearsal begins. Also, in this process, light, sound and music are designed and nally each student show his performance which maybe goes toward innovative styles, or di erent theatre forms including object theatre, digital theatre. is method Improving image-mind skills, improving dramaturgical skills, introducing painting (or photo) as a new material for creating puppetry performance and Emphasizing on the strength (power) of Puppet eatre as a kind of performing art which can embrace all modern approaches.


2020 ◽  
Vol 9 (1) ◽  
pp. 64
Author(s):  
Cristina Rolim Wolffenbüttel

This essay deals with aspects related to folk music and its insertion in music education, considering the possibilities that the pedagogical-musical work, in dialogue with the teaching of music can bring. It also presents some suggestions for activities, both in Basic Education and in a more specific work with music teaching, as in schools specialized in this teaching. Focusing on folklore and its importance in people's lives and teaching, the essay proposes the use of various folk music genres, weaving historical and musicological explanations, in order to support the planning of possible pedagogical-musical activities.


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