scholarly journals Shaping Form: Performances as Analyses of Cyclic Macroform in Arnold Schoenberg’s Sechs kleine Klavierstücke, op. 19 (1911), in the Recordings of Eduard Steuermann and Other Pianists

2020 ◽  
Vol 26 (4) ◽  
Author(s):  
Christian Utz ◽  
Thomas Glaser

Arnold Schoenberg’s Sechs kleine Klavierstücke (Six Little Piano Pieces), op. 19 (1911), offer a fruitful case study to examine and categorize performers’ strategies in regard to their form-shaping characteristics. A thorough quantitative and qualitative analysis of 46 recordings from 41 pianists (recorded between 1925 to 2018), including six recordings from Eduard Steuermann, the leading pianist of the Second Viennese School, scrutinizes the interdependency between macro- and microformal pianistic approaches to this cycle. In thus tracing varying conceptions of a performance-shaped cyclic form and their historical contexts, the continuous unfurling of the potential of Schoenberg’s musical ideas in both “structuralist” and “rhetorical” performance styles is systematically explored, offering a fresh approach to the controversial discussion on how analysis and performance might relate to one another.

2006 ◽  
Vol 11 (3) ◽  
pp. 221-227 ◽  
Author(s):  
JAMIE BULLOCK ◽  
LAMBERTO COCCIOLI

In this article we describe a new approach to performing musical works that use Yamaha DX7-based synthesis. We also present an implementation of this approach in a performance system for Madonna of Winter and Spring by Jonathan Harvey. The Integra Project, ‘A European Composition and Performance Environment for Sharing Live Music Technologies’ (a three year co-operation agreement part financed by the European Commission, ref. 2005-849), is introduced as framework for reducing the difficulties with modernising and preserving works that use live electronics.


2002 ◽  
Vol 16 (1) ◽  
pp. 1-19 ◽  
Author(s):  
Tara Edwards ◽  
Lew Hardy ◽  
Kieran Kingston ◽  
Dan Gould

Structured in-depth interviews explored the catastrophic experiences of eight elite performers. Participants responded to questions concerning an event in which they felt they had experienced an uncharacteristic but very noticeable drop in their performance, a “performance catastrophe.” Inductive and deductive analyses were employed to provide a clear representation of the data. This paper reports on how the dimensions emerging from the hierarchical content analysis changed from prior to the catastrophic drop in performance, during the drop, and after the drop (in terms of any recovery). Two emerging higher order dimensions, “sudden, substantial drop in performance” and “performance continued to deteriorate” provide support for one of the fundamental underpinnings of the catastrophe model (Hardy, 1990, 1996a, 1996b); that is, performance decrements do not follow a smooth and continuous path. The paper examines the implications of the findings with respect to applied practice and future research.


2018 ◽  
Vol 5 (2) ◽  
pp. 156-168 ◽  
Author(s):  
Stephanie Mueller ◽  
Montse C. Ruiz ◽  
Stiliani Ani Chroni

Considering the limited attention paid to interpersonal aspects of emotions, this study explored coaches’ perceptions of athletes’ performance-related states and how they used this information for its regulation. Using a case study approach, three coach-athlete dyads from competitive tennis took part in one-on-one semi-structured interviews. Individualized profiling of psychobiosocial states was used to assess athletes’ states in most and least successful performances and as a way of data triangulation. Findings indicated that the coaches paid attention to bodily, motor-behavioural, and operational components of a performance state, and used this information to appropriately adapt their responses to the players’ needs, via the provision of positive reinforcement, and performance-related feedback. The coaches described themselves as calm, patient, and understanding; characteristics that appeared to be vital for the coach-athlete relationship and the coaches’ emotional competence. Findings are discussed within the contexts of emotion regulation and coach-athlete relationship, and how they might be useful to help coaches develop emotional competence.


1987 ◽  
Vol 1 (3) ◽  
pp. 224-236 ◽  
Author(s):  
Richard M. Fenker ◽  
Judith G. Lambiotte

This article presents a case study describing the development and implementation of a performance enhancement program for a major college football team. The program used imagery training techniques in conjunction with a process-oriented approach to performance to help the team achieve its best record in 20 years. Data on the individual players’ game grades, their evaluation of the enhancement program, and their strategy for reaching an optimal mental state were collected. In all, 86% of the starters evaluated the program’s overall value to the team as being important or very significant. Multiple regression analyses were used to predict starters’ game grades and consistency ratings from the athletes’ preparation and performance (readiness) strategies. Details of the imagery training procedures and other enhancement techniques are included.


Author(s):  
Joseph Plaster

In recent years there has been a strong “public turn” within universities that is renewing interest in collaborative approaches to knowledge creation. This article draws on performance studies literature to explore the cross-disciplinary collaborations made possible when the academy broadens our scope of inquiry to include knowledge produced through performance. It takes as a case study the “Peabody Ballroom Experience,” an ongoing collaboration between the Johns Hopkins University Sheridan Libraries, the Peabody Institute BFA Dance program, and Baltimore’s ballroom community—a performance-based arts culture comprising gay, lesbian, queer, transgender, and gender-nonconforming people of color.


2015 ◽  
Vol 3 (2) ◽  
pp. 55
Author(s):  
Norol Hamiza Zamzuri ◽  
Khairil Wahidin Awang ◽  
Yuhanis Abdul Aziz ◽  
Zaiton Samdin

The growth of the event sector is underpinned by the demand of organizing a business event.  Thus, it leads to an increase in economic and social impact. However, the problems from the growth of this sector potentially results from the use of several event materials, transportation and infrastructure development.  Organizing a green event is seen as one of the strategies to reduce the environmental impact.  Therefore, the aim of this paper is to explore the issues involved throughout the process of greening an event by applying Mair and Jago Model.  Semi-structured interviews were conducted with event managers from six Malaysia business event companies that encourage green practices during their event.  Findings suggest that impact, initiative, support and performance motivates event organizers in organizing a green event.  It has also been found that knowledge, resources and behaviour are the barriers faced by event organizers throughout the process of organizing a green event.  Based on the findings it appears that two important factors have emerged from the data collection and analysis that showed a deviation from the Mair and Jago Model, namely “impact” for the motivation element and “support” for the barrier element.  The main limitation of this study was the scope of the study; as it only focuses on business events.  However, as the main purpose of this study is to explore the issues of organizing a green event, it has been found that there are other issues need to be explored in other contexts and geographical area.  Apart from this, as this is a case study, it can only replicate according to the circumstances of this case study. However, this study can be generalized in terms of the theory that has emerged from it.  It is suggested that further research should explore more issues in other contexts and geographical areas. 


Sign in / Sign up

Export Citation Format

Share Document