scholarly journals Witch accusations, rapes and burnings in South Africa

2003 ◽  
Vol 18 ◽  
pp. 56-69
Author(s):  
Tina Hamrin-Dahl

With new different power systems in Africa, the whole concept of learning, authority and power is affected. To have authority means in many cases to have inherent power which exceeds the power of others. So called wizards,wachawi, in Tanzania have been found guilty of killing their victims and taking parts from the bodies to obtain and secure power.The basic ingredients in the medicines which the wachawi use consists of elements taken from the human body on one hand and parts from animals and trees on the other hand. The parts of the body which are obtainable easily are nails, hair and emission of the body. The shadow of a person is also utilized by taking some of the soil over which the shadow had fallen. Other potent parts such as the sex organs, bone from legs or skin from different parts of the body and the nose or tongue are known to be utilized by the wachawi.

Author(s):  
I. Manton ◽  
K. Oates ◽  
J. Sutherland

As aids to the phyletic interpretation of the newly described Chrysochromulina pachycylindra Manton et al., some hitherto unrecorded gatherings of C. microcylindra Leadbeater and C. cyathophora Thomsen, from South Africa and South Alaska respectively, are introduced, thereby amplifying the type descriptions of both species, which were previously known only from Europe. Characters shared between C. pachycylindra and C. microcylindra are numerous, including a capacity for transverse fracture of their cylinders not previously noted in the latter. This suggests an exceptional degree of affinity between these two species in spite of gross differences in relative dimensions of different parts of their respective cylinder scales. On the other hand the general resemblance between C. microcylindra and C. megacylindra (Leadbeater, 1972), previously noted, is unaffected by these findings and it is concluded that all three species could be treated as a closely related subgroup within the genus Chrysochromulina. In contrast, C. cyathophora is shown to be so different as to be interpretable only in terms of parallel evolution from a separate prototype source, the plate-scales in particular being so far unique in the genus in being thin, rimless, peculiarly patterned and convex when seen in section. The mere presence of cylinder-scales is thus seen to be insufficient evidence of phyletic affinity unless confirmed by other characters, among which the details of the plate-scales are probably the most important.


The chapter discusses a group of works by Berlinde De Bruyckere. Recurring themes in her work are the fragility and mortality of the human body. Jelle Luipaardand Hanne include references to religious iconography, but the motifs are strongly modified. These interrupted resemblances to religious art address not only the history of Christian art, but also a set of deeper questions concerning the functioning of the image and its presentation in different contexts. The figurative power of morbid, vulnerable figures coexists with an interest in making visible the very operations of producing the sculptures. Jelle Luipaard critically addresses the violence in religious iconography because it displaces a central religious image (the crucifixion) we are used to seeing and repeats its violence in order to confront its viewer with its logic. In this way the work acquires a critical agency without being a scandalous image from a religious viewpoint. On the other hand, it addresses our desire to make images safe by deeming them as art. The sculpture does not represent death as a reminder of our mortality, but addresses the very issue of its figuration in an art context.


Author(s):  
Małgorzata Bugaj

In the recent decades ample attention within the study of cinema has been paid to the human body, yet few films deal so directly with our physical nature as Hungarian director György Pálfi’s Taxidermia. This 2006 surreal family saga presents three generations of men obsessed with their corporeal needs. In its reflection on the body, the film juxtaposes the extremes of the human form. On the one hand, it probes the inside and the outside of the body. On the other hand, it investigates Bakhtin’s carnivalesque corporealities and considers Baudrillard’s notion of the body ‘as the finest of the consumer objects’. In contemplating the corporeal exterior, Taxidermia celebrates the senses as well as the varied textures and hues of the skin. Revisiting the visceral depths of the body, it imposes its own aesthetics as it exhibits the interior anatomy. Furthermore, while the film begins with grotesque depictions of the corporeality and its urges, in its conclusion these are replaced with the image of a modern, constructed physicality whose enslavement to its needs is rebuked. Such a body, emptied of its organic connections and ultimately likened to a taxidermist mount, constitutes a commentary on the contemporary perception of our own physical nature. Tracing Taxidermia’s exploration of the human body, this chapter analyses the film’s references to different theories revolving around the human corporeality.


2019 ◽  
Vol 10 (2018/1) ◽  
Author(s):  
Melinda Papp ◽  
Judit Éva Zentai

The present paper is a brief overview of the historical origins of healing inJapan. In the past, the outbreak of a disease was usually attributed to theinfluence of higher spiritual forces. Views on disease and healing weretraditionally influenced by a variety of factors. On one hand, views on lifeand afterlife reflected in popular beliefs defined the way disease was approached. On the other hand, Chinese knowledge of the human body and itsailments penetrated Japan as early as the Heian period. During the Tokugawaperiod spiritual approaches to healing were increasingly combined with moremodern views of the body and official healers and practitioners started toexercise a growing influence on the attitudes of people towards healing andillness. The present paper introduces some of the most significant milestonesin the development of these attitudes through an overview of popular spiritualfigures and deities of healing, and of historical sources documenting theevolution of official medicine.


Author(s):  
Sunandar Macpal ◽  
Fathianabilla Azhar

The aims of this paper is to explain the use of high heels as an agency for a woman's body. Agency context refers to pain in the body but pain is perceived as something positive. In this paper, the method used is a literature review by reviewing writings related to the use of high heels. The findings in this paper that women experience body image disturbance or anxiety because they feel themselves are not beautiful or not attractive. The use of high heels, makes women more attractive and more confident, on the other hand the use of high heels actually makes women feel pain and discomfort. However, for the achievement of beauty standards, women voluntarily allow their bodies to experience pain. However, the agency's willingness to beauty standards here is meaningless without filtering and directly accepted. Instead women keep negotiating with themselves so as to make a decision why use high heels.


Author(s):  
Zoran Vrucinic

The future of medicine belongs to immunology and alergology. I tried to not be too wide in description, but on the other hand to mention the most important concepts of alergology to make access to these diseases more understandable, logical and more useful for our patients, that without complex pathophysiology and mechanism of immune reaction,we gain some basic insight into immunological principles. The name allergy to medicine was introduced by Pirquet in 1906, and is of Greek origin (allos-other + ergon-act; different reaction), essentially representing the reaction of an organism to a substance that has already been in contact with it, and manifested as a specific response thatmanifests as either a heightened reaction, a hypersensitivity, or as a reduced reaction immunity. Synonyms for hypersensitivity are: altered reactivity, reaction, hypersensitivity. The word sensitization comes from the Latin (sensibilitas, atis, f.), which means sensibility,sensitivity, and has retained that meaning in medical vocabulary, while in immunology and allergology this term implies the creation of hypersensitivity to an antigen. Antigen comes from the Greek words, anti-anti + genos-genus, the opposite, anti-substance substance that causes the body to produce antibodies.


Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 380
Author(s):  
Matthew John Paul Tan

This paper will focus on one element of the pushback against the massive influx of immigrants taken in for humanitarian purposes, namely, an identity-based chauvinism which uses identity as the point of resistance to the perceived dilution of that identity, brought about by the transformation of culture induced by the incorporation of a foreign other. The solution to this perceived dilution is a simultaneous defence of that culture and a demand for a conformity to it. While those in the critical tradition have encouraged a counter-position of revolutionary transformation by the other through ethics, dialogue, or the multitude, such a transformation is arguably impeded by what is ultimately a repetition of the metaphysics of conformity. Drawing on the personalism of Emmanuel Mounier and the Eucharistic theology of Creston Davis and Aaron Riches, this paper submits an alternative identity politics position that completes the revolutionary impulse. Identity here is not the flashpoint of a self-serving conflict, but the launch-point of politics of self-emptying, whose hallmarks include, on the one hand, a never-ending reception of transformation by the other, and on the other hand, an anchoring in the Body of Christ that is at once ever-changing and never-changing.


2000 ◽  
pp. 472-476 ◽  
Author(s):  
NA Huizenga ◽  
WW De Herder ◽  
JW Koper ◽  
P de Lange ◽  
D AJ v Lely ◽  
...  

OBJECTIVE: Glucocorticoids (GCs) serve a variety of important functions throughout the body. The synthesis and secretion of GCs are under the strict influence of the hypothalamo-pituitary-adrenal axis. The mechanisms of action of GCs are mediated by the intracellular glucocorticoid receptor (GR). Over the years, many studies have been performed concerning the regulation of GR expression by GC concentrations. METHODS: In the present study, we determined the characteristics of the GR in peripheral mononuclear blood leukocytes (PBML) from thirteen patients with endogenous Cushing's syndrome and fifteen control subjects, using a whole cell dexamethasone binding assay. Furthermore, cortisol concentrations were determined in order to investigate a possible relationship between serum cortisol levels and receptor characteristics. RESULTS: There were no differences in mean receptor number between patients and controls. On the other hand, a significantly lower ligand affinity was identified in cells from patients with Cushing's syndrome compared with controls. A complete normalisation of the ligand affinity was observed after treatment in the only patient tested in this respect, whereas the receptor number was not affected. In patients, there was a statistically significant negative correlation between cortisol concentrations and ligand affinity, which was not found in controls. CONCLUSION: Receptor down-regulation does not occur in PBML from patients with endogenous Cushing's syndrome. On the other hand, there seems to be a diminished ligand affinity which possibly reflects receptor modification in response to exposure to the continuously high cortisol levels in patients with Cushing's syndrome. This assumption is substantiated by the fact that in one patient a normalisation of the ligand affinity after complete remission of the disease was seen.


1980 ◽  
Vol 84 (1) ◽  
pp. 119-136
Author(s):  
D. Mellon ◽  
J. E. Treherne ◽  
N. J. Lane ◽  
J. B. Harrison ◽  
C. K. Langley

Intracellular recordings demonstrated a transfer of impulses between the paired giant axons of Sabella, apparently along narrow axonal processes contained within the paired commissures which link the nerve cords in each segment of the body. This transfer appears not to be achieved by chemical transmission, as has been previously supposed. This is indicated by the spread of depolarizing and hyperpolarizing voltage changes between the giant axons, the lack of effects of changes in the concentrations of external divalent cations on impulse transmission and by the effects of hyperpolarization in reducing the amplitude of the depolarizing potential which precedes the action potentials in the follower axon. The ten-to-one attenuation of electronic potentials between the giant axons argues against the possibility of an exclusively passive spread of potential along the axonal processes which link the axons. Observation of impulse traffic within the nerve cord commissures indicates, on the other hand, that transmission is achieved by conduction of action potentials along the axonal processes which link the giant axons. At least four pairs of intact commissures are necessary for inter-axonal transmission, the overall density of current injected at multiple sites on the follower axon being, it is presumed, sufficient to overcome the reduction in safety factor imposed by the geometry of the system in the region where axonal processes join the giant axons. The segmental transmission between the giant axons ensures effective synchronization of impulse traffic initiated in any region of the body and, thus, co-ordination of muscular contraction, during rapid withdrawal responses of the worm.


2020 ◽  
Vol 7 (2) ◽  
pp. 411-430
Author(s):  
Maja Tabea Jerrentrup

Abstract The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body.


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