A Synagogue in Limyra?

2013 ◽  
Vol 4 (1) ◽  
pp. 133-148
Author(s):  
Martin Seyer ◽  
Helmut Lotz
Keyword(s):  
Asia Minor ◽  
Late Antique ◽  
Byzantine Period ◽  
Early Byzantine

This preliminary excavation report brings to the attention of the scholarly public the discovery of a building with two menorot reliefs and a water installation in Limyra (Asia Minor) from the late antique/early Byzantine period.

scholarly journals Marble vessels from Jiyeh (Porphyreon)

2017 ◽  
Author(s):  
Mariusz Gwiazda
Keyword(s):  
Eastern Mediterranean ◽  
Asia Minor ◽  
Geographical Factors ◽  
Byzantine Period ◽  
A Site ◽  
Early Byzantine

Imported marble vessels from Jiyeh (Porphyreon), a site on the Phoenician coast, could not be easily identified in terms of function and dating for lack of sound stratigraphic evidence. An examination of parallels from other sites in the Eastern Mediterranean was needed in order to determine the chronology and uses of these objects. Virtually all of the Jiyeh vessels were thus dated to the early Byzantine period. Forms included utilitarian mortars and plates, as well as tentative liturgical tabletops. The repertoire represents standard exports of vessels of these shapes to Syro-Palestine from Greece and Asia Minor. Their distribution in Syro-Palestine was conditioned by geographical factors, as well as the affluence of settlements that imported such objects.

scholarly journals Three Unpublished Byzantine Lead Seals from Western Asia Minor (With an Appendix on an Amulet from Izmir)

2021 ◽  
pp. 160-167
Author(s):  
Ergün Laflı ◽  
Maurizio Buora
Keyword(s):  
Asia Minor ◽  
13Th Century ◽  
Western Turkey ◽  
Western Asia ◽  
Byzantine Period ◽  
The City ◽  
Early Byzantine

This paper presents three formerly unpublished Byzantine lead seals and an amulet that were examined in the archaeological museum of Izmir (nos. 1, 3 and figs. 5a–b) and Akhisar (no. 2) in western Turkey. They date from the 7th to the 13th century AD. The seal of a Manuel apo hypaton (no. 1) reveals the relations between the court of Constantinople and the city of Smyrna in the 7th century AD. Another one of Ioannes hypatos spatharios (no. 2) comes from Akhisar (8th century AD). No. 3 is dated to the 11th and 12th centuries AD. A lead amulet at the appendix part (figs. 5a–b), which perhaps originates from the Early Byzantine period, bears the name of Sabaṓth.

scholarly journals Habitation in the region of Mount Ossa during the Early Byzantine period

2016 ◽  
Vol 62 ◽  
pp. 125-132
Author(s):  
Stavroula Sdrolia
Keyword(s):  
Public Works ◽  
Late Antique ◽  
Monastic Community ◽  
Byzantine Period ◽  
Synthetic Studies ◽  
Early Byzantine

Archaeological works undertaken in the last decade – excavation, survey and conservation – prompted by major public works, combined with synthetic studies, have enhanced our knowledge of Thessaly in the Byzantine period. Key areas where our understanding has increased significantly include urban and rural fortifications, the Late Antique phases of occupation in Larisa and the harbour at Phthiotic Thebes (modern Nea Anchialos), religious and secular architecture, rural villas, industrial installations and the monastic community on Mount Ossa (‘Mountain of the Cells’).This paper focuses on the region of Mount Ossa (later Kissavos), where the data resulting from recent investigations have revealed a vibrant Late Antique phase, characterized by dense habitation on the slopes of the mountain (Map 9).

Secular Architecture: Domestic

2021 ◽  
pp. 350-362
Author(s):  
Carolyn S. Snively
Keyword(s):  
Urban Form ◽  
Small Towns ◽  
Urban Setting ◽  
Sixth Century ◽  
Asia Minor ◽  
Industrial Products ◽  
The Balkans ◽  
Byzantine Period ◽  
Early Byzantine ◽  
Courtyard House

Byzantine domestic housing of the fourth–fifteenth centuries is preserved predominantly in the Balkans and Asia Minor. Peristyle houses dominate in the Early Byzantine period and continue later: their construction and decoration, subdivision, and disappearance in the sixth century have been studied. The Middle Byzantine courtyard house was a typically urban form, centrally located in towns with Classical predecessors; it provided privacy for the residents who may have been merchants dealing in agricultural or industrial products. Most people in the Byzantine period, however, probably lived in variations of the “longhouse,” in agriculturally based small towns and villages, where they shared living quarters with livestock. Houses in Late Byzantine/Frankish centers such as Mystras were large and elaborate longhouses in an urban setting.

scholarly journals Late Antique and Early Byzantine Era Inscriptions at Assos

2018 ◽  
Vol 14 ◽  
pp. 47 ◽  
Author(s):  
Tolga Özhan
Keyword(s):  
Asia Minor ◽  
Late Antique ◽  
The Third ◽  
Byzantine Era ◽  
Funerary Inscriptions ◽  
The City ◽  
Early Byzantine

In this paper, eleven new inscriptions are presented, which were found between 1981 and 2017 at Assos in the southern Troad, Asia Minor. Funerary inscriptions that can be dated to the Late Antique and Byzantine periods constitute the majority of the inscriptions found during the period defined above. The first inscription, carved on a lintel, is an acclamation of the Lord/ Emmanouel. The personal name Chrysogonos in the second inscription may have been the name of a stonecutter who worked in the quarry. The third inscription is the epitaph of the gravediggers of the Orthodox “Great Church”. By the phrase “Great Church” (μεγάλη ἐκκλησία), a cathedral must have been intended, located inside the city or its immediate surroundings. The fourth inscription presented here is the sarcophagus inscription of the heirs of an individual called Daniel. The fifthis the sarcophagus inscription of Theoktistos. The inscriptions nos. 6-10 from the oor of Ayazma Church include several sarcophagus inscriptions: No. 6 is of Bas(s)os, no. 7 is of Eutychianos, and no. 8 is of Onesimos, whose father’s name is uncertain due to a crack and damage on the surface of the stone. No. 9 is the sarcophagus of presbyter Anastasios, and no. 10 is the sarcophagus of Eugenios. The eleventh inscription is a fragmentary sarcophagus inscription.

ABOUT THE PERIODIZATION AND CHRONOLOGY OF THE HISTORY OF TAURIC CHERSONESUS IN THE PRE-ROMAN AND THE LATE ANTIQUE PERIODS

2020 ◽  
Vol 6 (72) (3) ◽  
pp. 127-148
Author(s):  
S. V. Ushakov
Keyword(s):  
Scientific Literature ◽  
Early Stage ◽  
Late Antique ◽  
Ancient History ◽  
History Of ◽  
Transitional Time ◽  
Early Byzantine

Hundreds of scientific works are devoted to the study of the Tauric Chersonesus, but the problem of chronology and periodization of its ancient history is not sufficiently developed in historiography. Analysis of scientific literature and a number of sources concerning this subject allows to define the chronological framework and to reveal 10 stages of the history of ancient Chersonesos (as a preliminary definition). The early stage, the Foundation and formation of the Polis, is defined from the middle/last third of the VI century (or the first half of the V century BC) to the end of the V century BC. The end of the late-Antique − early-Byzantine (transitional) time in Chersonesos can be attributed to the second half of the VI – first third of the VII centuries ad).

The Power of the Cross and Cruciform Devices in the Carolingian World

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Final Section ◽  
Ninth Century ◽  
Late Antique ◽  
Manuscript Culture ◽  
The Bible ◽  
The Cross ◽  
Early Byzantine

This chapter shows the unquestionable role of the sign of the cross as the primary sign of divine authority in Carolingian material and manuscript culture, a role partly achieved at the expense of the diminishing symbolic importance of the late antique christograms. It also analyses the appearance of new cruciform devices in the ninth century as well as the adaptation of the early Byzantine tradition of cruciform invocational monograms in Carolingian manuscript culture, as exemplified in the Bible of San Paolo fuori le mura and several other religious manuscripts. The final section examines some Carolingian carmina figurata and, most importantly, Hrabanus Maurus’ In honorem sanctae crucis, as a window into Carolingian graphicacy and the paramount importance of the sign of the cross as its ultimate organizing principle.

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