Secondary special educational institutions in the sphere of trade, economy and consumer services in the European North of Russia in 1950— 1980

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 74-82
Author(s):  
Aleksandr Matsuk

After World War II, overcoming the crisis, the Soviet Union continued the development of the national economy. Among the developing spheres of the national economy, one can single out the sphere of trade, economy and consumer services. The issue of developing a network of colleges of this profile is poorly covered in the literature. Available information is limited to either one specific college or a separate region or republic of the European North. Most of the works provide only general information, for example, on the date and place of creation of a particular educational institution. This indicates the need for a more in-depth study of this issue.

Author(s):  
Benjamin Tromly

During the height of the Cold War in the 1950s, the United States government unleashed covert operations intended to weaken the Soviet Union. As part of these efforts, the CIA undertook support of Russian exiles, populations uprooted either during World War II or by the Russian Revolution decades before. No one seemed better prepared to fight in the American secret war against communism than the uprooted Russians, whom the CIA directed to carry out propaganda, espionage, and subversion operations from their home base in West Germany. Yet the American engagement of Russian exiles had unpredictable outcomes. Drawing on recently declassified and previously untapped sources, Cold War Exiles and the CIA examines how the CIA’s Russian operations became entangled with the internal struggles of Russia abroad and also the espionage wars of the superpowers in divided Germany. What resulted was a transnational political sphere involving different groups of Russian exiles, American and German anti-communists, and spies operating on both sides of the Iron Curtain. Inadvertently, CIA’s patronage of Russian exiles forged a complex sub-front in the wider Cold War, demonstrating the ways in which the hostilities of the Cold War played out in ancillary conflicts involving proxies and non-state actors.


1999 ◽  
Vol 53 (3) ◽  
pp. 537-565 ◽  
Author(s):  
Vally Koubi

Because of the nature of modern weapons, significant innovations in arms technology have the potential to induce dramatic changes in the international distribution of power. Consider, for example, the “strategic defense initiative” (SDI), a program initiated by the United States in the early 1980s. Had the program been successfully completed, it might have led to a substantial devaluation of Soviet nuclear capabilities and put the United States in a very dominant position. It should not then come as a surprise that interstate rivalry, especially among super powers, often takes the form of a race for technological superiority. Mary Acland-Hood claims that although the United States and the Soviet Union together accounted for roughly half of the world's military expenditures in the early 1980s, their share of world military research and development (R&D) expenditures was about 80 percent. As further proof of the perceived importance of R&D, note that whereas the overall U.S. defense budget increased by 38 percent (from $225.1 billion to $311.6 billion in real terms) from 1981 to 1987, military R&D spending increased by 100 percent (from $20.97 billion to $41.96 billion). Moreover, before World War II military R&D absorbed on average less than 1 percent of the military expenditure of major powers, but since then it has grown to 11–13 percent. The emphasis on military technology is bound to become more pronounced in the future as R&D becomes the main arena for interstate competition.


2021 ◽  
Vol 53 (4) ◽  
pp. 691-702
Author(s):  
Firoozeh Kashani-Sabet

In 1946, the entertainer and activist Paul Robeson pondered America's intentions in Iran. In what was to become one of the first major crises of the Cold War, Iran was fighting a Soviet aggressor that did not want to leave. Robeson posed the question, “Is our State Department concerned with protecting the rights of Iran and the welfare of the Iranian people, or is it concerned with protecting Anglo-American oil in that country and the Middle East in general?” This was a loaded question. The US was pressuring the Soviet Union to withdraw its troops after its occupation of the country during World War II. Robeson wondered why America cared so much about Soviet forces in Iranian territory, when it made no mention of Anglo-American troops “in countries far removed from the United States or Great Britain.” An editorial writer for a Black journal in St. Louis posed a different variant of the question: Why did the American secretary of state, James F. Byrnes, concern himself with elections in Iran, Arabia or Azerbaijan and yet not “interfere in his home state, South Carolina, which has not had a free election since Reconstruction?”


Author(s):  
Vēsma Lēvalde

The article is a cultural-historical study and a part of the project Uniting History, which aims to discover the multicultural aspect of performing art in pre-war Liepaja and summarize key facts about the history of the Liepāja Symphony Orchestra. The study also seeks to identify the performing artists whose life was associated with Liepāja and who were repressed between 1941 and 1945, because of aggression by both the Soviet Union and National Socialist Germany. Until now, the cultural life of this period in Liepāja has been studied in a fragmentary way, and materials are scattered in various archives. There are inaccurate and even contradictory testimonies of events of that time. The study marks both the cultural and historical situation of the 1920s and the 1930s in Liepāja and tracks the fates of several artists in the period between 1939 and 1945. On the eve of World War II, Liepāja has an active cultural life, especially in theatre and music. Liepāja City Drama and Opera is in operation staging both dramatic performances, operas, and ballet, employing an orchestra. The symphony orchestra also operated at the Liepāja Philharmonic, where musicians were recruited every season according to the principles of contemporary festival orchestras. Liepāja Folk Conservatory (music school) had also formed an orchestra of students and teachers. Guest concerts were held regularly. A characteristic feature of performing arts in Liepaja was its multicultural character – musicians of different nationalities with experience from different schools of the world were encountered there. World War II not only disrupted the balance in society, but it also had a very concrete and tragic impact on the fates of the people, including the performing artists. Many were killed, many repressed and placed in prisons and camps, and many went to exile to the West. Others were forced to either co-operate with the occupation forces or give up their identity and, consequently, their career as an artist. Nevertheless, some artists risked their lives to save others.


2020 ◽  
Vol 152 ◽  
pp. 142-151
Author(s):  
Uta G. Lagvilava ◽  

A few months after the fascist Germany’s attack on the USSR, under harsh wartime conditions, at the end of 1941 military industry of the Soviet Union began to produce such a quantity of military equipment that subsequently was providing not only replenishment of losses, but also improvement of technical equipment of the Red Army forces . Successful production of military equipment during World War II became one of the main factors in the victory over fascism. One of the unlit pages in affairs of the People’s Commissariat of Internal Affairs (NKVD) is displacement and evacuation of a huge number of enterprises and people to the east, beyond the Urals, which were occupied by German troops at the beginning of the war in the summer of 1941. All this was done according to the plans developed with direct participation of NKVD, which united before the beginning and during the war departments now called the Ministry of Internal Affairs, FSB, SVR, the Russian Guard, Ministry of Emergency Situations, FAPSI and several smaller ones. And all these NKVD structures during the war were headed by Lavrenty Pavlovich Beria.


1929 ◽  
Vol 25 (9) ◽  
pp. 977-982
Author(s):  
Aria Ya. Pleshitser

The XVI Party Conference in its appeal to all workers and toiling peasants of the Soviet Union on socialist emulation points out: Gigantic tasks have been set by history for the working people of our country. In a relatively short historical period, we must catch up and overtake the advanced capitalist countries in technical and economic terms, carrying out the socialist reconstruction of the entire national economy.


Author(s):  
Amin Tarzi

Since its inception as a separate political entity in 1747, Afghanistan has been embroiled in almost perpetual warfare, but it has never been ruled directly by the military. From initial expansionist military campaigns to involvement in defensive, civil, and internal consolidation campaigns, the Afghan military until the mid-19th century remained mainly a combination of tribal forces and smaller organized units. The central government, however, could only gain tenuous monopoly over the use of violence throughout the country by the end of the 19th century. The military as well as Afghan society remained largely illiterate and generally isolated from the prevailing global political and ideological trends until the middle of the 20th century. Politicization of Afghanistan’s military began in very small numbers after World War II with Soviet-inspired communism gaining the largest foothold. Officers associated with the People’s Democratic Party of Afghanistan were instrumental in two successful coup d’états in the country. In 1979, the Soviet Union invaded Afghanistan, ending the country’s sovereignty and ushering a period of conflict that continues to the second decade of the 21st century in varying degrees. In 2001, the United States led an international invasion of the country, catalyzing efforts at reorganization of the smaller professional Afghan national defense forces that have remained largely apolitical and also the country’s most effective and trusted governmental institution.


2013 ◽  
Vol 68 (02) ◽  
pp. 219-258
Author(s):  
Nathalie Moine

This article focuses on the influx and circulation of foreign objects in the Soviet Union during the 1940s in order to investigate the specific role of these objects during World War II. It reveals how the distribution of humanitarian aid intersected with both the (non)recognition of the genocide of Soviet Jews during the Nazi occupation, and with Stalinist social hierarchies. It explains why erasing the origins and precise circumstances through which these objects entered Soviet homes could in turn be used to hide the abuses that the Red Army perpetrated against their defeated enemies. Finally, it revises the image of a Soviet society that discovered luxury and Western modernity for the first time during the war by reconsidering the place and the trajectories of these objects in Stalinist material culture of the interwar period.


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