scholarly journals Thinking Materially: Cognition as Extended and Enacted

2021 ◽  
Author(s):  
Karenleigh A. Overmann

Human cognition is extended and enacted. Drawing the boundaries of cognition to include the resources and attributes of the body and materiality allows an examination of how these components interact with the brain as a system, especially over cultural and evolutionary spans of time. Literacy and numeracy provide examples of multigenerational, incremental change in both psychological functioning and material forms. Though we think materiality, its central role in human cognition is often unappreciated, for reasons that include conceptual distribution over multiple material forms, the unconscious transparency of cognitive activity in general, and the different temporalities of metaplastic change in neurons and cultural forms.

2017 ◽  
Vol 17 (3-4) ◽  
pp. 354-373 ◽  
Author(s):  
Karenleigh A. Overmann

Abstract Human cognition is extended and enacted. Drawing the boundaries of cognition to include the resources and attributes of the body and materiality allows an examination of how these components interact with the brain as a system, especially over cultural and evolutionary spans of time. Literacy and numeracy provide examples of multigenerational, incremental change in both psychological functioning and material forms. Though we think materiality, its central role in human cognition is often unappreciated, for reasons that include conceptual distribution over multiple material forms, the unconscious transparency of cognitive activity in general, and the different temporalities of metaplastic change in neurons and cultural forms.


Author(s):  
Laura-Hope Steckler

This chapter describes various ways in which movement may be used in the field of body psychotherapy to promote psychological wellbeing. Body-oriented psychotherapy refers to those types of psychotherapy which are based on the belief that working on a bodily level has a direct impact on psychological functioning, since all experiences are stored in the body in various ways. As a body psychotherapist and a dancer, the author draws upon the diverse field of body psychotherapy on the one hand, and on the other, dance practices such as Butoh dance. These can be applied in trauma work, when movement is seen as an expression of the unconscious mind. There are also references to the use of stillness, very slow movement, and the use of ‘movement prescriptions’. All these movement interventions are discussed with relevant theoretical underpinnings, while clinical vignettes illustrate the concepts presented and their practical applications.


1920 ◽  
Vol 66 (274) ◽  
pp. 307-308
Author(s):  
C. W. Forsyth

The author considers that pain and its analogues, malaise, discomfort, ill-being, etc., whether of functional or organic origin, being forms of sensation, are essentially mental phenomena arising in the brain, and can be removed by psychotherapy. That the mind can act upon the body and influence every function is a well-established fact. It is possible, too, that certain organic changes, vascular disease, heart disease, etc., may be traced to certain mental processes—anxiety—causing, excessive secretion by the adrenals. In every case of illness some of the symptoms are due to suggestion either from within or from without. This was seen in many of the “slow recoveries” in the war due to auto-suggestion. In organic disease psychotherapy cannot effect a cure, but in every case it can assist and give relief to suffering, e. g. pain in cancer. In earlier days suggestion was employed unconsciously in the use of charms, amulets, religious relics, etc., in later days in mind-cures and Christian Science. The relief of symptoms shows that faith alone is a potent curative agent, and that the majority of the ordinary symptoms are mental in nature and removable. The methods employed in psychotherapy are suggestion under hypnosis, suggestion in the waking state, persuasion and re-education, and psycho-analysis. In “superficial” cases immediate results often follow suggestion, but in the more chronic cases the removal of a symptom by suggestion is often followed by relapses, a new symptom taking the place of the rejected one, as the underlying condition of morbid suggestibility has not been removed. To overcome this condition Dubois introduced the method of persuasion. He thinks that an appeal should be made to the intellect by talks with the patient on the subject of his nervous symptoms. Persuasion is to some extent a form of suggestion, as in all degrees of belief feeling as well as the intellect is involved. Upon re-education largely rests the completeness of the cure; the connection between the mental antecedents and the symptoms are explained to the patient; when these are understood and acted upon his mal-adaptation ceases. Freud has shown that the patient may be most profoundly influenced by feelings and ideas of which he is quite unconscious. No persuasion avails until the unconscious motive of his mental or nervous symptoms has been uncovered. The process by which this can be done is known as psycho-analysis. Three methods of probing the unconscious mind are mentioned—the word-association test, the free association of ideas, and the analysis of dreams. Psycho-analysis has its limitations. It is not usually successful in curing persons above middle age; even when successful the treatment may take months. Robertson thinks that in many cases it is unnecessary. No successful physician who has not given attention to this subject has the faintest idea of the extent to which he employs psychotherapy unconsciously. Every practitioner and student of medicine must be taught the part the mind plays in the chief symptoms of disease, and he must consciously use psychotherapy in the treatment of these. His success will depend on the depth of his convictions.


2017 ◽  
Author(s):  
Somogy Varga ◽  
Detlef H. Heck

AbstractIn spite of its importance as a life-defining rhythmic movement and its constant rhythmic contraction and relaxation of the body, respiration has not received attention in Embodied Cognition (EC) literature. Our paper aims to show that (1) respiration exerts significant and unexpected bottom-up influence on cognitive processes, and (2) it does so by modulating neural synchronization that underlies specific cognitive processes. Then, (3) we suggest that the particular example of respiration may function as a model for a general mechanism through which the body influences cognitive functioning. Finally, (4) we work out the implications for embodied cognition, draw a parallel to the role of gesture, and argue that respiration sometimes plays a double, pragmatic and epistemic, role, which reduces the cognitive load. In such cases, consistent with EC, the overall cognitive activity includes a loop-like interaction between neural and non-neural elements. (141 words)


Author(s):  
Thomas A. Tweed

“How religion is expressed,” aims to understand how religion functions by looking at how religion is mediated and expressed. Contrary to some writers who have been called mystics, the author suggests there is no unmediated religious experience. Religion is mediated by institutions and technologies, and also by the body and the senses. The brain shapes thinking and feeling. It orients adherents in time and space and shapes how sensory input is classified and how emotions are expressed. The embodied experience of religion is expressed through sound, smell, taste, touch, and sight. Religion is also expressed in diverse cultural forms. There are eight modes of religious expression: experiencing, imagining, making, narrating, conceptualizing, enacting, performing, and gathering.


Author(s):  
M.P. Sutunkova ◽  
B.A. Katsnelson ◽  
L.I. Privalova ◽  
S.N. Solovjeva ◽  
V.B. Gurvich ◽  
...  

We conducted a comparative assessment of the nickel oxide nanoparticles toxicity (NiO) of two sizes (11 and 25 nm) according to a number of indicators of the body state after repeated intraperitoneal injections of these particles suspensions. At equal mass doses, NiO nanoparticles have been found to cause various manifestations of systemic subchronic toxicity with a particularly pronounced effect on liver, kidney function, the body’s antioxidant system, lipid metabolism, white and red blood, redox metabolism, spleen damage, and some disorders of nervous activity allegedly related to the possibility of nickel penetration into the brain from the blood. The relationship between the diameter and toxicity of particles is ambiguous, which may be due to differences in toxicokinetics, which is controlled by both physiological mechanisms and direct penetration of nanoparticles through biological barriers and, finally, unequal solubility.


Author(s):  
Usha Iyer

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia’s most popular cultural forms—cinema and dance—historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the “women’s question” via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.


Parasitology ◽  
1941 ◽  
Vol 33 (4) ◽  
pp. 373-389 ◽  
Author(s):  
Gwendolen Rees

1. The structure of the proboscides of the larva of Dibothriorhynchus grossum (Rud.) is described. Each proboscis is provided with four sets of extrinsic muscles, and there is an anterior dorso-ventral muscle mass connected to all four proboscides.2. The musculature of the body and scolex is described.3. The nervous system consists of a brain, two lateral nerve cords, two outer and inner anterior nerves on each side, twenty-five pairs of bothridial nerves to each bothridium, four longitudinal bothridial nerves connecting these latter before their entry into the bothridia, four proboscis nerves arising from the brain, and a series of lateral nerves supplying the lateral regions of the body.4. The so-called ganglia contain no nerve cells, these are present only in the posterior median commissure which is therefore the nerve centre.


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